Cake

Every once in a while, and admittedly not often enough, an actor or actress opens your eyes to talents you weren't aware they inhabited. Over the past few decades, I think of performers like Charlize Theron in "Monster" or Halle Berry in "Monster's Ball" as prime examples. Joining the elite list is the beautiful and incredible Jennifer Aniston in Daniel Barnz's "Cake" co-starring Academy Award nominee Adriana Barraza. In a turn that stands as the single best performance by an actress this year, Aniston offers her heart and soul in the role of her career. "Cake" tells the story of Claire Simmons, a woman addicted to pain killers who begins to hallucinate and see visions of Nina (Anna Kendrick), a woman who commits suicide from her chronic pain support group. Not so long after, she starts a friendship with Nina's husband Roy (Sam Worthington), all while worrying the heart of her angelic housekeeper Silvana (Barraza). Screenwriter Patrick Tobin, a relatively unknown scribe whose only credit is "No Easy Way" nearly twenty years ago, gives a strong focus on the creation of Claire. In partnership with Aniston's talent, Claire comes off like the female equivalent to Melvin from "As Good as it Gets." Snippy, darkly funny at times, but mostly emotionally driven by an aching pain. Tobin's work on character creation is top-notch however, with his ability to move the story along fluidly, there's still some work to be done. When we dig into the people that surround Claire, it's only Silvana that doesn't feel like a clichéd representation of every sappy independent movie you've seen over the years. Director Daniel Barnz has a confident hand on the material and does his very best to elevate the script's flaws. With huge misfires like "Won't Back Down" and "Beastly" under his belt, he finally shows what some of his aesthetic beats can create with the right material. The movie has many interesting questions, some of which feel satisfying and comfortable to ask, other things however feel so small scale that the film itself can't keep up with it. The film lives and breathes, succeeds and soars, and stands tall by the work of Jennifer Aniston. I've liked Aniston since "Friends," my single favorite sitcom of all-time but her film choices have left much to be desired. I never knew that Aniston could dig so deep. I pray to the movie Gods that this is not a one-trick pony for her career. Aniston allows herself to be submerged, and overtaken by all the things that plague Claire's life. A single scene involving a large wall picture will bring many to tears. Adriana Barraza is nearly just as effective as Aniston in a role that will hopefully remind Hollywood that they are not tapping into one of the finest actresses working today. An emotional pillar to the story, Silvana's heart is worn on her sleeve, weaving in and out of Spanish, and presenting brilliant chemistry with Aniston. Sam Worthington continues to try to find his place in Hollywood. Subtle but emotionally distant for anyone to relish. Surprisingly moving, though brief is Chris Messina as Jason. He's a role or two away from having THE role that propels him to stardom. Anna Kendrick is haunting in a performance that beckons and calls for a change of pace for the actress. Felicity Huffman and William H. Macy are effective in brief, underwritten roles. We also get a final look at the late Misty Upham, which is tragic on its own. Overall, "Cake" hits the center of grief and loss just good enough to warrant a positive reaction. Jennifer Aniston's performance is something that most actresses will pray to be able to achieve, but never come close. An effortless turn that doesn't fade in the distance or crumble under the cloud of a faulty script. She excels in a performance that demands respect from her peers, and movie- goers everywhere.

Claire Bennett (Jennifer Aniston) suffers from constant pain and struggling with a tragic lost. Her housekeeper Silvana (Adriana Barraza) is her constant and mostly her only helper. She goes to a support group where Nina Collins (Anna Kendrick) just committed suicide. After threatening group leader Annette (Felicity Huffman), she gets Nina's address and befriends Nina's husband Roy Collins (Sam Worthington). She's hooked on pain killers and haunted by Nina's presence.

Aniston does a great job. The story isn't much and there is a need for more tension. I am still not sold on Sam Worthington. His character has potential to give Aniston something to play off of but he provides very little. In contrast, William H. Macy has a juicy scene and goes to town on it. This is a simple story that needs something to elevate the danger. It's relying too much on simply will she or won't she.

It's not hard to guess why critics and audiences might be turned off by Cake. For the first half, Jennifer Aniston's Claire is snarky with a comeback for everything, manipulates and abuses everyone around her, and indulges in a constant, expensive pity party, and we aren't told why. Once the meat of the story reveals itself, however, Cake is astonishingly clever, delicate, and emotional.

Claire Bennett is the apparent victim of an unexplained accident that left her with chronic pain, a bad attitude, and a trail of broken relationships. After a woman in her pain support group commits suicide, Claire tracks down the woman's husband in a curiously misguided search for answers.

It's not the most unique premise, but screenwriter Patrick Tobin takes the story in unexpected directions, avoiding clichés and handling the subject matter with surprising grace. Director Daniel Barnz could have used some more time in the editing room -- certain side characters and subplots get either more or less time and background than they deserve; why Anna Kendrick's character made it past a rough cut is beyond me -- but in his hands a wordy screenplay becomes visually interesting, moves along at a comfortable pace and is backed by a reflective, unobtrusive score. His direction, and so the movie, really won me over at the climax, where after an hour and a half of sarcasm and one-liners Claire shuts up for once and finally lets the pain in. It's a beautiful, heartrending scene, and the decision to rest Cake on Jennifer Aniston's shoulders was absolutely the right one.

I never thought much of Adriana Barraza in Babel and have only seen her in a couple of other movies but she adds so many personal touches to the role of Claire's maid/cook/home health aide/best friend, she has a real talent for empathy and nuance. Jennifer Aniston, though, is the standout. She clearly reveled in the chance to break away from Rachel and she aced it. There's a tiny moment where Sam Worthington's character tells her she's messed up, and she plays the reaction shot so completely differently from anything she's done in the past - that's when I really started believing her in the role and she only got better from there. She nails her character's dry sense of humor and selfishness, and knows exactly how much charm to give her to make her watchable if not likable. It's a seriously committed, seamless, career-defining performance and she'd be my pick for this year's Oscar.

Verdict: watch it for Jennifer Aniston, walk away pleasantly surprised.

"Thank you for ruining my life. Thank you for ruining Casey's life. Thank you for leaving me in this mess. I hate you so much I can barely breath."

"Way to go Jennifer". For me she's the first one who succeeds in removing the yoke of the sitcom "Friends" and play a character that doesn't remind you of that caricature appearance she played in it. Look at David Schwimmer in "The Iceman" and you see Ross with a totally wrong,fake mustache. Even Matthew Perry's can't hide the characteristics of Chandler in "Numb". Lisa Kudrow tries in "Scandal" to resemble an extremely cool and tough presidential candidate, and yet you expect a crazy remark followed by that wonderful bizarre giggle. And Jennifer Aniston couldn't put the Rachel-type aside in "The Break-Up" and "We're the Millers". But in "Cake" she succeeded in that above all expectations. She delivers a sublime and admirable performance here as Claire Bennett. A scarred woman, physical and psychological. You can see the pain in that tired look and those languid eyes. Even the sneering and cynical humor that she uses, can't cover up the agonies she's suffering from.

After a fatal accident Claire stays behind all alone, with visible and invisible scars. A mangled body patched up afterwards. But she can no longer enjoy life to its full extent. And then there's also the unbearable pain caused by the loss of her son. The result is a bitter, suffering and obnoxious woman abandoned by everyone. The support group prefers her to seek a different kind of help because of her anger issues. The physiotherapist is giving up on her because she has the impression that Claire makes no attempt to rehabilitate. Her husband left her for an unknown reason. Is it because of her moods and harsh remarks? Is there some reproach? Has Claire thrown him out because she doesn't tolerate pity? We can only guess. Similarly, the conditions or cause of the accident are unknown. The only one who sticks to Claire, is her faithful housekeeper, the likable Mexican Silvana.

It's a magnificent portrait of the life course of a presumably wealthy lawyer who slowly but surely sees everything collapsing around her due to the traumatic event. Both her marriage and professional career falters while she's losing herself because of the amount of painkillers and sleeping pills she's taking. What's left is a human wreck without any zest for life. There's only one critical element missing : the courage to finally put it to an end. A backbreaking attitude to life with pent-up grief and eternally recurrent pain as a central issue. You can truly feel the pain. And this all is perfectly played by Jennifer Aniston, who isn't worrying about a perfect makeup and a flashy hairstyle which would be massively hyped afterwards. Her appearance always looks as if she just crawled out of bed after a sleepless night. A face battered by scars, unkempt messed up hair and shabby clothes. A depressed and weary bitchy woman. But one who occasionally brings up funny and sarcastic remarks.

Gradually Claire expresses interest in a participant from her support group who committed suicide and it seems to be her ultimate salvation. Is it the drugs that causes Claire to start hallucinating about Nina (Anna Kendrick) ? Or is her subconscious the reason ? Whether appropriate or not Nina appears and tries to convince her to take that final step. "You don't believe in God...heaven or hell. You don't believe in anything. What about now. Just do it. Don't be such a coward." Claire is intrigued by the character Nina and starts digging in her life. Finally she meets Roy (Sam Worthington), which is the start of a slow recovery. Maybe it's all a bit too much peppered with poignant clichés that'll ensure some sad moments filled with tears, but overall it was a bold and moving portrait of someone torn apart by grief and pain.

Perhaps an Oscar nomination was worthwhile. At least Jennifer Aniston got nominated for a Golden Globe. And by the way well deserved. This "Friends" star delivered a terrific performance as the distraught,addicted-to-pills woman. And speaking of the symbolic meaning of the movie title, this is subtly revealed at the end. Splendid movie. And also because of leaving out sensational footage of the accident. An admirable choice that only strengthens the whole!

More reviews here : http://opinion-as-a-moviefreak.blogspot.be

Jennifer Aniston plays Clare, a woman in chronic pain who becomes curious about a fellow support group member's-Nina's (Anna Kendrick in dream sequences)-suicide. She ends up becoming involved in Nina's husband (Sam Worthington) and his child platonically though she also has a maid who also cares for her even though she doesn't always treat her with the utmost respect. I'll stop there and just say this was quite a departure for Ms. Aniston from her usual comedic persona as she's convincingly quite pathetic in appearance and demeanor. This was not an easy thing to sit through and one gets confused a few times but for all that, I recommend Cake.