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Eyes on the Prize

  • Série télévisée
  • 1987–2025
  • TV-14
  • 1h
NOTE IMDb
9,1/10
873
MA NOTE
Eyes on the Prize (1987)
Eyes On The Prize
Lire trailer1:55
1 Video
12 photos
DocumentaireL'histoire

Ajouter une intrigue dans votre langueA propulsive narrative chronicling the fight for racial justice in America, from Obama's election to Black Lives Matter, highlighting the heroic individuals who sparked change.A propulsive narrative chronicling the fight for racial justice in America, from Obama's election to Black Lives Matter, highlighting the heroic individuals who sparked change.A propulsive narrative chronicling the fight for racial justice in America, from Obama's election to Black Lives Matter, highlighting the heroic individuals who sparked change.

  • Création
    • Henry Hampton
  • Casting principal
    • Julian Bond
    • Coretta Scott King
    • John Lewis
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    9,1/10
    873
    MA NOTE
    • Création
      • Henry Hampton
    • Casting principal
      • Julian Bond
      • Coretta Scott King
      • John Lewis
    • 12avis d'utilisateurs
    • 1avis de critique
  • Voir les informations de production sur IMDbPro
    • Nommé pour 1 Oscar
      • 11 victoires et 5 nominations au total

    Épisodes20

    Parcourir les épisodes
    HautLes mieux notés

    Vidéos1

    Eyes On The Prize
    Trailer 1:55
    Eyes On The Prize

    Photos12

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 6
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    Rôles principaux99+

    Modifier
    Julian Bond
    Julian Bond
    • Narrator
    Coretta Scott King
    Coretta Scott King
    • Self
    • 1987–1990
    John Lewis
    John Lewis
    • Self
    • 1987–1990
    Andrew Young
    Andrew Young
    • Self
    • 1987–1990
    C.T. Vivian
    C.T. Vivian
    • Self
    • 1987–1990
    Burke Marshall
    • Self
    • 1987
    Jesse Jackson
    Jesse Jackson
    • Self
    • 1990
    Stokely Carmichael
    Stokely Carmichael
    • Self
    • 1987–1990
    Ralph Abernathy
    Ralph Abernathy
    • Self
    • 1987–1990
    Unita Blackwell
    • Self
    • 1987–1990
    Benjamin F. Chavis
    Benjamin F. Chavis
    • Self
    • 1990–2025
    Harry Belafonte
    Harry Belafonte
    • Self
    • 1987–1990
    Nancy Jefferson
    • Self
    • 1990
    Myrlie Evers-Williams
    • Self
    • 1987
    Fred Lee Shuttlesworth
    • Self
    • 1987
    Ernest Green
    • Self
    • 1987
    James Forman
    • Self
    • 1987–1990
    Nicholas Katzenbach
    Nicholas Katzenbach
    • Self
    • 1987
    • Création
      • Henry Hampton
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs12

    9,1873
    1
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    10

    Avis à la une

    9gkar2025

    Overall excellent film

    This series (along with the sequel, "Eyes on the Prize II") is a classic documentary that, in many ways, pointed to the techniques later adapted by Ken Burns in his documentaries. Given the availability of film and first-person accounts, as well as photos, this is a far more moving and affecting film. Beginnings are difficult, and one might quibble with how the first part brings the viewer "up to speed" on African American history before the 1950's, the immediate attention to the story of Emmitt Till makes up for much of that missing narrative, by showing in graphic detail the status of African Americans in the United States, particularly the deep South. The rest of the series fills in a great amount of detail in the ensuing decade up to 1965 and the Voter-Rights act of that year.

    Three things to point out in detail that made this a strong film. First, the framing of the narrative before Brown v. Board to emphasize that the Brown case did not come about in isolation, but as part of a broader strategy of the NAACP (if you are further interested in this, you should look at "The Road to Brown") led by Charles Houston and Thurgood Marshall. Second, the film did not solely rely on newsreel footage and interviews, but effectively used still photos to convey drama and set pacing. On that last issue, the third point (which may have been for cost and copyright reasons for all I know) was the minimal use of music in the film. Some of the most powerful moments in the film come from a long (4-5 seconds) shot of a dramatic photo with only silence.

    Why only 9 stars and not 10? I would like to have seen a bit more in the lead up to the 1950's, and some emphasis on larger context of the Cold War and such -- particularly a bit more on radical African Americans who were targeted by the state for prosecution before the forties, as well as more on the legacies of W.E.B. Dubois and Booker T. Washington as backdrop for later debates within the movement. These are really historical concerns, and overall, the film is worth seeing. I hope that soon the copyright issues will be sorted out so that this can be released on DVD, as many video copies available now are showing their age after many viewings!
    10cwells-10468

    Excellent, well-research and beautifully shot documentary

    Solid documentary that shows you can't know where you're going without knowing where you're from. For those out there feeling lost and not knowing how things can get better from here.... This documentary shares a roadmap with meaningful solutions. Beautiful stories here. Episode 1 shows the trials and tribulations of residents in the south Bronx in the 1970s, and how a group of people coming together, organizing, and putting in the hard work can truly make a difference and save a neighborhood. When the private sector shuts you out and the city government tries to make you disappear, the only way to fight back is together. Hasta la victoria siempre!
    10ChrisHaskellSAG-AFTRAmbrAEAe

    Worked for director Henry Hampton in '87

    The late Henry Hampton, director of "Eyes on the Prize," was one of the finest human beings I've ever known. It's bittersweet to read of the licensing challenges faced by Henry's Boston company, Blackside, Inc. That might prove, however, that one cannot "keep a good man and his film down." Eighteen years ago Henry had me doing paperwork for him including transcribing the equivalent of dailies. "All Hours Typing," my Cambridge company, had other employees; but for Henry, I usurped the privilege to type, eyes on monitor, earphones on, at points where spirituals swelled up, spirits soared on screen--breath taking and moving then and now. Then to find later that Henry was one of those "still waters that ran deep"-- having been the key public information player for the broad minded Unitarian Universalist church. This documentary is not only great film making but a tribute to his memory and the Blackside team listed on IMDb plus Judy Richardson, Frank Galvin, and Josh Gordon.
    10Headbiscuit

    No doubt - best documentary ever.

    I have seen parts of the series in no fewer than 3 academic classes of varrying topics during my time at Pepperdine University. This outstanding series is professional to the core, attracting the biggest names of the day to give interviews (from both Civil Rights fighters to pro-segregationists) and give an honest look at the moment in the 1950's and 1960's. Powerfully moving, it brings me to tears each time I watch certain scenes. As comprehensive as any documentary I've seen, Eyes on the Prize gives the low down on the movement, its highs and lows, and provides a very real perspective on why the events played out as they did. A winner in every sense, I give the PBS produced Eyes on the Prize a 10/10 without a second thought.

    Kudos for the series.
    10Ethical_Anarhist

    Truth will move us forward

    Excellent and absolutely necessary film for anyone interested in politics and history of the United States of America. Lies are exposed, truth is said, and tears on your face are there as a sign of respect for all those who have dedicated their lives to the fight against this evil empire.

    You will not feel hopeless and depressed after watching this film, as is the case with some documentaries. It empowers you, makes you believe that this war between the masters and the slaves will be won, and one day there will be a true slave-less society.

    However, if you are easily offended by the people who don't share your exact world view than you should not watch this.

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    Centres d’intérêt connexes

    Dziga Vertov in L'Homme à la caméra (1929)
    Documentaire
    Liam Neeson in La Liste de Schindler (1993)
    L'histoire

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The series was unavailable from 1995 to 2006 owing to copyright issues. Licenses for "Happy Birthday", news footage, various photographs, songs, and lyrics used in the film expired in 1995, and the film company Blackside could not afford to renew these licenses. A grant from the Ford Foundation enabled them to renew the licenses. The series was rebroadcast and released to DVD in October 2006.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Malcolm X/Bram Stoker's Dracula/Traces of Red/Love Potion #9 (1992)

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    FAQ19

    • How many seasons does Eyes on the Prize III: We Who Believe in Freedom Cannot Rest have?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 21 janvier 1987 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Eyes on the Prize III: We Who Believe in Freedom Cannot Rest
    • Sociétés de production
      • Anonymous Content
      • Blackside
      • HBO Documentary Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h(60 min)
    • Couleur
      • Black and White
      • Color

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