Le Croque-mitaine

Fairly enjoyable dark and creepy, jump scare fest.

Its a terrible title - makes it sound like an 80's straight to video affair.

Get past the title and what you have is a fairly enjoyable horror movie.

Theres not much any horror fan won't have seen many times - something goes bump in the night, the person experiencing it is not believed, things escalate... Jump scares.

Its fairly well done. It got a little silly towards the end that took me out of it a bit, but for the most part its enjoyable.

I doubt I'll watch it again or see it as a milestone film, but not every movie is a classic - some are just an enjoyable way to spend 90 minutes or so.

Refreshingly it is only 90 ish minutes rather than the current trend for over long posterior numbing.

Although there are many films with similar subject matter, many people will ignore this story as unoriginal and start naming a whole battery of films that would not be better. However, it is forgotten that this story is based on a short story by horror master Stephen King and dates back to 1973. Of course you cannot tinker with the story in such a way that it becomes a completely different film, but because the story is already a lot older than people think, it's best not to think that the movie just isn't good because there are many other movies that look like it, because The Boogeyman just turned out to be a more than fine horror movie. At the helm is director Rob Savage, who has impressed in recent years with The Host and Dashcam in the found footage horror segment. The director can handle the darkness well and knows how to build up the tension by showing the minimal.

The film immediately opens with a nasty scene, in which a young sleeping child is killed by something. This controversial opening immediately arouses interest in the how and what and especially why. After this, the story moves to the Harper family, with the father and two daughters coming to terms with their mother's recent death. Father Will is a therapist who one day gets a stranger into his room with a disturbing story about the death of his children and ends up committing suicide in their home. The youngest daughter Sawyer is afraid of the dark and is sure that there is a monster in her closet, but of course no one believes her. It is thrown on the loss of her mother and the suicide of the strange man that awakens an ultimately strong fantasy in the child. The story is strong and well put together up to that point and the tension is built up perfectly. You can leave that to a writer like Stephen King for the monster in the closet idea and the childish fears that come with it, of course, but in this one the director shows himself to be a skilled person to translate this oppressively and well to the screen.

The second act of the film moves more towards the visual and we actually get to see the shadow monster. The psychological effect is a bit off from the film, but the tension remains well present. This is also done smartly by often working with the color red, something that will eventually get on your nerves a bit (and that is meant in a positive way). Eventually the puzzle pieces come together and you get an idea of what the victims of the shadow monster have to do. The result is an explosive ending, which is actually a bit predictable. Perhaps that is the one point that many critics might have been right about. But this does not detract from the fun for the rest and in the end if you watch the film carefully, a great horror film has been delivered. Nowhere is the film boring, nowhere does the film take too long, the tension is built up well and there is no superfluous gore present, in fact. On the gore level, the film is very tame and then it is of course always nice if you manage to keep a film like this exciting, so The Boogeyman does exactly what it should do.

The Boogeyman has become a great horror film based on a short story by Stephen King. The film is exciting and the makers respond well to the childish fears of a monster in the closet or under your bed. No unnecessary filth or an extremely bloody whole, no, The Boogeyman plays more with the viewer's imagination. Towards the end, all brakes are finally released and perhaps that is the part where the director should or should have been a little more subdued, but okay. In the end, it doesn't really make the movie worse at all. The cast does a great job for the rest and the film is simply excellent for an evening of horror entertainment. The stories that the film would not be original is nonsense, but well, it's just what you expect from it and in addition, the story of The Boogeyman is older than many acclaimed horror films that deal with the same subject. What you can do best is just watch the movie and don't think too much about other movies.

Truly, this movie was screwed over with its title. I know it's an adaptation, but "The Boogeyman" makes it sounds like a bottom-of-the-bargain-bin DVD movie. But while far from original, this is a thoroughly well-crafted, at times thoughtful horror film.

By far, this is one of the most frightening PG-13 movies I've seen. Director Rob Savage has a lot of talent, and he wields the camera with style and with care. Excellent sound design and mixing, as well as a smart subdued musical score, build anticipation for each scare and don't let up the tension once something has been revealed.

The monster is horrifying in its design, but Savage wisely doesn't show it to us very often, and never really shows it to us in detail. Dark, oppressive atmosphere pervades the screen and it leaves a lot of distressing things to the imagination.

While this isn't the first film to hold grief or trauma as a metaphor for its monster, it's done quite well here. The family dynamics in this script are restrained and well-realised, with satisfying thematic payoff at the end.

I have only one major issue with the film, and that's that the characters seem to easily brush off when they see horrifying things. They didn't sell the paranoia at all. And at a couple points Sadie finds potential proof of the monster's existence but never does anything with it. Perhaps there was some material left on the cutting room floor that fills in these gaps, but we may never know.

Still, this is a supernatural scare-fest that's several cuts above average and I would truly recommend it for anyone who enjoys a decent story with their spooks.

While I give the film props for an interesting and unique creature design, it can't really elevate a movie that just feels mediocre.

The film presents itself as something of a metaphor for grief, but it ultimately feels extremely toned down and toothless. Jump scares aside, the movie does very little to ratchet up its tension, making its handful of tense moments feel a bit like islands in a sea of "get on with it".

The performances are fine, but ultimately the film never lets the characters really get to dig into their own trauma and depression in a way that might give the film some much needed depth. It ends of feeling as if someone wanted to make the Babadook, but in the style of films like House on Haunted Hill or Thirteen Ghosts.

It's a pleasant enough watch, but you'll forget it in a week.

I felt this was a mediocre movie. Some of the jump scares in the first half were pretty well done, but when the Boogeyman started to make a real appearance, the wheels came off for me.

I think the acting was pretty good but there was nothing original or special in this movie. I feel that it's difficult to make a truly scary movie that sticks with you long after you've left the theater; I was hoping The Boogeyman would stick to my bones a bit, but it did not.

If you're looking to kill some time with some jump scares, this is an okay flick. If you're looking for something truly frightening and engaging, I don't believe this is it.