L'histoire du premier producteur exécutif de génie d'Hollywood dans les années 1930, Monroe Stahr, et le rapport de force entre lui et son mentor, le chef actuel du studio, Pat Brady.L'histoire du premier producteur exécutif de génie d'Hollywood dans les années 1930, Monroe Stahr, et le rapport de force entre lui et son mentor, le chef actuel du studio, Pat Brady.L'histoire du premier producteur exécutif de génie d'Hollywood dans les années 1930, Monroe Stahr, et le rapport de force entre lui et son mentor, le chef actuel du studio, Pat Brady.
- Nommé pour 3 Primetime Emmys
- 6 nominations au total
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Résumé
Reviewers say 'The Last Tycoon' is acclaimed for its exceptional production values, stunning costumes, and captivating cinematography that evoke the Golden Age of Hollywood. Matt Bomer and Kelsey Grammer deliver depth and authenticity in their performances. However, some critics note deviations from Fitzgerald's novella and mixed feelings about the pacing and plot. The series' cancellation after one season has disappointed viewers who sought further storytelling.
Avis à la une
Nothing has changed. We can believe that corporations have taken over Tinsel Town, but in this version of "The Last Tycoon" creativity has always been controlled by committee. So the filmmakers out there that think they are autonomous, without using your own money, it 'aint happening.
That aside, the story is of wunderkind Monroe Stahr (Matt Bomer) a ambitious young studio executive who is known to fix movies within the walls of Brady-American International, a fictional movie studio run by Pat Brady (Kelsey Grammer). During the depression, they both attempt to save the studio from outside forces including the rise of stars and divas, and dark secrets of actors, the dynamics of writers and producers and so forth. Coming into the story, we also have Brady's daughter Celia Brady (Lily Collins) who is at the edge of adulthood and fixated on making her own way into Hollywood, and also Brady's wife Rose Brady (Rosemarie DeWitt) who has a history with Monroe whilst Celia holds a burning crush on him.
Admittedly, I know very little about the book, which was written by F. Scott Fitzgerald. But I've seen the late 70's version, and they both do really good things. The issue with the 70's version is that it gets TOO melancholic. This skates a very tragic line since Bomer's Monroe plays a little more buoyant and hopeful than DeNiro's Monroe, who plays it brooding and bullish.
The series has some great moments (somewhat predictable but still satisfying) and makes nods to Hollywood lore. Louis B. Mayer's (Saul Rubinek) close to making "Wizard Of Oz" a Shirley Temple reference, and also a curious one with Margo Taft (Jennifer Beals) whom I can only assume is suppose to be Merle Oberon. Any way, this does suck you in. And I loved the production design. The characters have their intentions known and fascinating when they cut between the stories. You can keep up.
IF you are interested in old Hollywood, this is a great series to remind you that movie worlds were once made by people who really cared about the content.
That aside, the story is of wunderkind Monroe Stahr (Matt Bomer) a ambitious young studio executive who is known to fix movies within the walls of Brady-American International, a fictional movie studio run by Pat Brady (Kelsey Grammer). During the depression, they both attempt to save the studio from outside forces including the rise of stars and divas, and dark secrets of actors, the dynamics of writers and producers and so forth. Coming into the story, we also have Brady's daughter Celia Brady (Lily Collins) who is at the edge of adulthood and fixated on making her own way into Hollywood, and also Brady's wife Rose Brady (Rosemarie DeWitt) who has a history with Monroe whilst Celia holds a burning crush on him.
Admittedly, I know very little about the book, which was written by F. Scott Fitzgerald. But I've seen the late 70's version, and they both do really good things. The issue with the 70's version is that it gets TOO melancholic. This skates a very tragic line since Bomer's Monroe plays a little more buoyant and hopeful than DeNiro's Monroe, who plays it brooding and bullish.
The series has some great moments (somewhat predictable but still satisfying) and makes nods to Hollywood lore. Louis B. Mayer's (Saul Rubinek) close to making "Wizard Of Oz" a Shirley Temple reference, and also a curious one with Margo Taft (Jennifer Beals) whom I can only assume is suppose to be Merle Oberon. Any way, this does suck you in. And I loved the production design. The characters have their intentions known and fascinating when they cut between the stories. You can keep up.
IF you are interested in old Hollywood, this is a great series to remind you that movie worlds were once made by people who really cared about the content.
I love the era, the costumes, sets, music and acting. The Last Tycoon has the potential to be an excellent series with a good life. Amazon has created a lush & romantic yet realistic portrait of Hollywood in the years prior to WW-2. Each of the characters are believable and theft story held my interest throughout the fast moving sixty minutes.
It's great to see Kelsey Grammarand Matt Bomerr again. There's a good love/hate relationship evident that will likely produce some excellent moments as the story develops.
The Last Tycoon is so much more enjoyable than the typical fare the networks are putting out. Carry on, Amazon. You've got a winner here.
It's great to see Kelsey Grammarand Matt Bomerr again. There's a good love/hate relationship evident that will likely produce some excellent moments as the story develops.
The Last Tycoon is so much more enjoyable than the typical fare the networks are putting out. Carry on, Amazon. You've got a winner here.
Those who complain that this series was canceled don't understand that it wasn't supposed to be a continuing series. It was supposed to be Fitzgerald's greatest but unfinished novel, finished appropriately.
What they wound up adding to finish it was some typical Hollywood junk that Fitzgerald would never have written, that Stahr (or Thalberg) would never have produced. But it's pretty good junk, as Hollywood junk goes. The production is beautiful, the plot isn't too silly, and Kelsey Grammer's performance is great fun to watch. So I give it a 7, a good effort and well worth watching.
But it still should not have gone beyond its nine episodes. That wrapped up the plot and was the end. To go further would mean adding real Hollywood junk. The greatest skill is knowing when to stop.
What they wound up adding to finish it was some typical Hollywood junk that Fitzgerald would never have written, that Stahr (or Thalberg) would never have produced. But it's pretty good junk, as Hollywood junk goes. The production is beautiful, the plot isn't too silly, and Kelsey Grammer's performance is great fun to watch. So I give it a 7, a good effort and well worth watching.
But it still should not have gone beyond its nine episodes. That wrapped up the plot and was the end. To go further would mean adding real Hollywood junk. The greatest skill is knowing when to stop.
Once again, a series I have really enjoyed has been canceled by the powers that be! I will admit the first few episodes of the first season were a little slow (perhaps there was room for improvement in the dialogue), but as the series progressed, I was fully engrossed in the story. The physical details of the hairstyles and clothing were absolutely believable and the filming itself was gorgeous. I was particularly impressed by Kelsey Grammar's performance.
For anyone who has not yet seen the mere two seasons that exist, allow me to inform you there is an extremely interesting twist in the plot! I don't think this will disappoint. How it was canceled with such a high IMDb rating remains a mystery.
For anyone who has not yet seen the mere two seasons that exist, allow me to inform you there is an extremely interesting twist in the plot! I don't think this will disappoint. How it was canceled with such a high IMDb rating remains a mystery.
Le saviez-vous
- AnecdotesIt was in development for HBO until Amazon picked it up in 2014.
- GaffesIn the opening scene telling the story of Minna Davis, the Brady-American News card shows the copyright date as MXMXXXVI. MXM is improper usage and given the period should read MCMXXXVI, which translates to 1936.
- Citations
Monroe Stahr: That's a lovely dress, Cecelia.
Cecelia Brady: You should see what it looks like in a ball on the floor.
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Détails
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- Sites officiels
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- Aussi connu sous le nom de
- 終極大亨
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What was the official certification given to The Last Tycoon (2016) in Canada?
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