Harbinger Down

The Harbinger is a crab fishing ship sailing in the Bering sea. The captain is Bill Graff (ever reliable Lance Henriksen), and on board are students looking to study the effects of climate change on the lives of beluga whales. One of the students is Bills' own granddaughter, Sadie (Camille Balsamo). Soon they discover something interesting inside an ice floe: the long missing remains of a Soviet space capsule, a perfectly preserved cosmonaut...and something else, a malevolent life form that can change forms and liquify at will. Trapped on this ship with nowhere to go, Bill, Sadie, and others realize that they all could have been infected by this thing.

"Harbinger Down" was made by veteran makeup and creature effects creators Alec Gillis (making his writing / directing debut) and Tom Woodruff Jr. as a response to seeing all their hard work for the prequel to John Carpenters' "The Thing" replaced with CGI. That frustration is understandable, but the result is a pretty routine genre entry. Gillis's script is under developed and populated with lame characters, especially the idiotic, jealous professor played by Matt Winston (son of the late, great effects maestro Stan Winston). The character stuff in this movie, in general, is of the eye rolling variety, and Gillis fares a little better with the technical aspects of filmmaking.

He's able to generate some decent suspense, and the atmosphere is pretty impressive for the budget. Obviously, this was made as a direct tribute to "The Thing" (it even begins on June 25, 1982, the date that Carpenters' classic debuted in theatres), and it can't quite exploit the element of paranoia that the earlier film did so well. Some fans may appreciate that it's a quickly paced story that runs a mere 82 minutes, but others will likely wish that it had been fleshed out more.

As a showcase for creature effects that were *supposedly* 100% practical, it does a passable job, but the effects are often under lit, and none of them are really going to blow the audience away.

Chalk this one up as a well intentioned miss.

Five out of 10.

I've been following the progress of Harbinger Down for over a year now, eagerly awaiting each update. Films like John Carpenter's The Thing and David Cronenberg's The Fly are some of my favourite films ever, and Harbinger Down looked to bring this classic 80s practical monster effects goodness to the present day.

The reality? For a movie that's whole purpose is to showcase practical effects (PFX), it doesn't do this nearly enough, nor does it feature Studio ADI's expected level of quality for these effects.

Almost all the scenes that feature the monster are poorly lit (often only by a flashlight). This is to be expected to a certain extent, being a horror film, however if you watch The Thing/The Fly, you'll notice the creature is always at the forefront, in all it's grisly detail. In Harbinger Down you never truly get a good look at the creature, which I'm sure will be disappointing to many, as the whole point of the movie was to show off an awesome looking creature. What's more, there is a distinct lack of quality for some of the monster effects, something that is unheard of in Studio ADI's other work. Presumably this is why the effects are often obscured by shadow and low light. The few scenes that are well lit are either far too brief or garishly poor quality (the first appearance of the monster comes to mind). There is also a distinct lack of blood/gore in the film, which is a major shortfall. John Carpenter's The Thing is a hideously gruesome film, and that plays a big part in why the film is so loved. This film features barely any blood and gore, and the few scenes that do are often brief and very conservative on the bloodiness. I don't believe I'm wrong in assuming most people interested in these kind of films want to see gruesome practical creature effects and all the bloody mess that goes with that. Harbinger Down completely fails on this.

It feels below Studio ADI, as I know what incredible work they can do. I appreciate the budget was low for this movie, but the movie's whole purpose was to show off PFX and prove to the industry that CGI isn't always the best option. It feels like they have shot themselves in the foot, as this film is a poor effort at showcasing the power of PFX. A little more time and money could have refined the effects and really made a statement about PFX (which, ultimately, could lead to much more work for Studio ADI).

Unfortunately there's nothing outside the creature effects that is even remotely noteworthy. There's a lot of inexperience here, with directing, writing, movie pacing and acting, and it shows. But this is something that is hardly surprising, or overly important. All I was expecting was some gorgeously gruesome creature effects. I was happy to settle down for a hammy, poorly acted film - but in a "so bad it's good" way - where the monster would take centre stage and wreck up the place. The monster instead cowers in a dark corner, ashamed to show it's ugly face, while unlikeable characters and a largely un-engaging plot take the centre stage.

I'm a huge fan of Studio ADI's work and I adore practical creature effects. But this doesn't cut it. This is a poor movie. A poor movie that could have redeemed all it's shortcomings in acting, filmwork, writing, etc by just having regular, explicit monster appearances showcasing ADI work at it's best. This is, sadly, not what Harbinger Down is.

Did you see Alien or Aliens? Did you see John Carpenter's The Thing? Did you see Jaws? Have you watched Deadliest Catch? If yes, then you've seen this film, almost everything about it is derivative-- dialogue, plot, characters etc. That being said, this film is surprisingly much better than it's one star rating on Netflix would suggest.

I've recently made it my mission to see as many one stars as possibly and I can assure you this film is pretty well put together. If anything, it could use a more consistent and "big budget" looking color correction and I think the standard viewer's impression might raise their impression of this film up a notch.

This is a very uneven movie.

On the one hand, it's not bad for an independent movie with a tiny budget. The settings is pretty nice and the actors are OK.

The movie is an obvious reference to "The Thing" and it uses practical effects and no CGI. And here lies the first problem: The effects aren't impressive. From a company that deals with practical effects, which has some veteran effects guys and lots of experience, I expected more. A lot more. The effects here only show how amazing Rob Bottin's work was over 30 years ago. I also expected the effects to be a lot more explicit, yet I always got the feeling they try to hide them by shaking the camera, cutting, putting something in front, etc.

The last problem has to do with direction: It's pretty obvious that this is the work of a first time director/writer - The movie is very uneven, there are good scenes and bad scenes, there are continuity problems, coverage problems, editing problems, things that simply don't connect and hard to understand what the director meant to do and also many scenes that seem to be missing a dialog.

All in all, this is a so-so movie for something independent without a budget. I expected more and I'm a bit disappointed, but I'd still think it's worth a watch, at least for the effort.

A crab fishing vessel takes on board a team of conservationists, who are tracking down belugas, they discover something frozen in a block of ice, something that turns out to be a former Soviet space station.

I really wanted to enjoy this movie, I have something of a soft spot for lower budget horrors, but this just doesn't work. On paper, it sounded like fun, I'm all for that idea of a Soviet space shuttle containing something nasty.....

However, the something nasty turned out to be a bit of a poor copy of The Thing. The pink goo may have sounded like a good idea, but it just didn't work, throw in the dodgy CGI, 1980's style Russian agent and a ridiculously simplistic ending, and I'm afraid you're left with a clunker.

Some of the acting wasn't too bad, I thought Camille Balsamo did a decent job as Sadie, her boss though, that was quite something.

I couldn't sit through this one again.

4/10.