Maargan

Vijay Antony playing in 'Dhruv' character is really nice to see. I liked the make over used in the movie for the cast and screenplay was too good. The concept used in this movie to create thrilling experience is really awesome to see. This is different from usual movies. The 'Tamilarivu' character definition and acting was too good to see and the way he helped in unravelling the case was interesting to see.

I liked second half more than the first half because nothing much happened in the first half and second half moved real faster which is needed for a thriller movie to keep the audience engaging. I liked the way the movie ended leaving us with a strong message.

Overall, a unique kind of thrilling experience to witness in this movie.

A tier 2 whodunit about a serial killer starring Vijay Anthony. Starts off well but midway becomes quite predictable. Casting was OK, Script could have been stronger. Minor misses here and there spoil the plot. Arivu angle keeps the movie afloat, but midway here as well the script faltered.

Can watch ones.

I recently seen movie on Amazon prime... movie start with killing of girl and progress to serial killer... starting of film is quite impressive...and supernatural elements are also add thrilling moments...I thoroughly enjoyed film..all actors has done decent job...only think I don't like is ending...I wish it should be more details about killing methods...but overall enjoyable movie.even social issues are described nicely.

"Maargan" (2025) presents an intriguing concept with potential for a gripping narrative, yet it ultimately struggles to fully coalesce into a consistently engaging cinematic experience. While the film offers some compelling elements, there's an underlying disconnect that prevents it from truly resonating.

The film introduces a premise that feels fresh and potentially thought-provoking, hinting at deeper themes or an unconventional plot. It draws the viewer in with its initial setup, suggesting a story that could challenge expectations or offer a unique perspective.

However, as the narrative unfolds, something doesn't quite feel right. The execution seems to miss a beat, leading to moments where the story doesn't fully land its intended impact. This could be due to uneven pacing, character motivations that aren't fully clear, or a screenplay that loses its grip on its promising core idea. The lack of a cohesive flow or consistent tension can make it difficult for the audience to stay fully immersed.

While "Maargan" might feature strong performances or commendable technical aspects in certain areas, these strengths are not consistently leveraged to overcome the narrative's shortcomings. It's a film that leaves the viewer with a sense of unfulfilled potential, hinting at a better movie that might have been.

Overall, "Maargan" (2025) is a watchable film that introduces an interesting idea. However, its inability to fully capitalize on its premise and maintain consistent engagement prevents it from being a truly memorable or impactful cinematic endeavor.

A whodunnit crime thriller, Maargan engages you with its unique storyline and strong performances despite having some loopholes/flaws.

As expected Vijay Antony is good. But it is the debutant Ajay Dhishan, who steals the show.

Arvind (Ajay Dhishan) is an ace swimmer with an eidectic memory - relating to or denoting mental images having unusual vividness and detail, as if actually visible. His character is modelled after Dorothy Allison (1924-1999), a psychic who assisted the police in a number of crime investigations in the USA. This superhuman quality: an out-of-body experience of Arvind, becomes the flesh and backbone for the screenplay to move forward.

The director also carefully builds and shows us interesting back stories of all the key characters.

Until the last 10 minutes, i bet you cannot second-guess who the real serial killer is! Full marks to the editor, who is also the director! That trailer cut and the film cut was in such a way that at no point was i able to pinpoint the killer.

The final reveal is good, but then the film nosedives into social commentary espousing a social cause. And that's where the whole film collapses even though the killer's motivations and reasoning are well-woven into the plot.

The metaphorical descriptions of the killer's instincts and feelings are superb, and in fact it is something that i have never thought about it in that manner - despite reading and knowing about the issue! The killer's motivations certainly threw me off.

Leo John Paul, who has directed the film, makes smart sense of his editing skills to stitch scenes back and forth for an interesting non-linear narrative.

But, the sudden induction of social messaging into an investigative crime thriller is definitely a let down.

Story: 5/10 Direction: 6/10 Screenplay: 7/10 Editing: 8/10 Cinematography: 7/10 (Swimming pool sequences are good.) VFx: 6/10 (Unnecessary VFx shots in few scenes.) Music: 7/10 Acting: 7/10

The film is a one-time watch for the way it was presented on-screen!