This Time Each Year

I hate not giving this movie more stars, because we very much like both Alison Sweeny and Niall Matter. Plus Laura Soltis always makes a beautiful mother of the female lead, and she does that VERY often. LOL

Here Lauren (Sweeney) and Kevin (Matter) are separated, but she hasn't told her mother? So when her mother comes for Christmas, she wants to hide that fact? In the real world, their young son is going to inadvertantly give up that secret in a very short span of the visit.

The movie was so bland that within a few days of viewing it, I already can't remember very many details about it. Nothing about it was offensive, but nothing was memorable, either. Sad.

This movie was just too off kilter for me to really care much about it. First of all, how old was this couple supposed to be? Going by the dated Christmas cards at the beginning showing their engagement and the pregnancy, it is clear that they were supposed to be in their mid 30s at the most. This is a case of Hallmark straining credibility by shoehorning actors in their late 40s into scripts meant for younger actors. I thought Hallmark had gotten over that. I mean are you telling me that an adult family man in his 40s still hasn't finished his degree and whose chosen career is a bartender? An alcoholic bartender? Bad enough for a 35 year old. When he said he "lost his licence" I assumed he meant his medical license or teaching license, or contracting license. But his driver's license? They just couldn't bear to confirm that he was arrested for drinking and driving? Or that a professional business manager would buy a house without reading the contract and getting it inspected first? And it's so messed up they can't even live in it and are paying rent and a mortgage? Or she could be so mentally damaged by being called "Miss Mess" when she was a kid? I was expecting her mother to be a cruel old harridan. But she could not have been nicer or more supportive of her 35 (or 45?) year old daughter.

I love both Alison Sweeney and Niall Matter but Hallmark did them no favors by miscasting them in these roles.

Even for Hallmark, why would lying to the mom be a smart thing to do? Why do so many of these movies start with a lie? Maybe if they didn't have a child already ten months into the separation, they wouldn't come off so selfish. How would that have been anything but confusing for him? On top of asking him to play along. That alone nearly put me off the whole movie and I find it hard to believe that if she'd talked to her grandson at all in the last year that he didn't say something that would clue her into his home life.

I knew right away that Kevin meant he lost his driver's license but I agree that with the movies they've had over the last couple of years, HM not being willing to call him an alcoholic outright is rich. I also noticed that the movie doesn't have him attend meetings or mention them so they were clearly trying to dance around the subject for whatever reason. Why would a bar be the only place he could find a job? Why would his boss think it was a good idea to fire him right before Christmas bc he didn't want to be responsible for a relapse? Huh? Why hire him in the first place then. Why ask an addict to lie and pretend everything was fine?

What was up with the house? If it was supposed to be a metaphor for their broken relationship that just needed repairs then it didn't hit the mark. This story had too many threads for them to reach a resolution to everything in mere days. The house, Kevin's job loss, his potential for relapse, the dad having health issues. It was a lot. Sometimes simpler is better.

Cranberry Christmas and A Mrs Miracle's Christmas are movies that deal with relationship crises in a much more believable, focused, and logical way with all the standard Hallmark Christmas trimmings. In those movies, both couples had struggles but nothing that couldn't be handled with proper communication. This movie lost me with the plan to lie as if it made sense. I get trying to take a more serious tone, but imo when you add elements like divorce/separation or addiction, one would think the writing would take better care of such subjects. Again it might have been more tolerable (but still not great) if they didn't have a young son.

Lastly, I am sure we all know by now about the longtime casting director's lawsuit. Her name is in so many credits for the network that it probably has merit. That said, most of their "veterans" are 40 and up. I just turned 41 so watching a romcom with 23 year olds is not something I'm likely to do, but can we grow up the stories for the older cast please? I don't think this story would be appealing for 30 year olds but it definitely is not appealing to have 40-45 year old actors acting so immature. I think without the lying and the alcoholism (since they purposely didn't call it that), this could have been a story of rediscovery and the redeeming power of love after the trials of life.

Niall and Ally deserve better. They both have better films and I'm one who prefers the Miracles of Christmas to Countdown. I looked at the writer's imdb and she's done several of the Hannah Swenson and Murder She Baked movies so perhaps Allison likes her work. I just wasn't feeling this. Understand what I'm saying.... I do NOT want a movie that is so drab and grim that there is no hope unless they hand wave it all away, but Miracles usually have a better tone and story than this.

Something positive. I loved the scenes with Kevin and his brother. They played bffs and teammates in Frozen in Love so it was nice to see them again.

Please go back to new movies only after Thanksgiving. Maybe beginning on December 1st. Perhaps fewer movies will help the quality.

Five stars only for Niall and Allison.

All that's gold doesn't glitter. This is a heartwarming and heartbreaking story of real emotions and tough times and choices. Lauren and Kevin are at a crossroads in their marriage. After over a decade building a life and love together, bad decisions and circumstances land them in a place of estrangement. Kevin had to deal with personal demons and Lauren has to overcome bearing the weight of guilt she rests squarely on her own shoulders. The reason she is so hard on herself is revealed in a way that is so impactful. As parents, we sometimes don't realize the profound impact any and everything we say and do has on our children who look to us as heroes and judges. Such a powerful message in those two small scenes.

They both move through the movie in such distress that it's hard for them to find the joy in the traditions of the season.

With Hallmark Channel putting out so many lead characters that act more like they are 12 years old than the adults they are supposed to be, it is refreshing to watch a movie that mirrors life as many of us see and experience it. Yes, we need the feel good fantasy silliness holiday movie, but Hallmark Channel also was known for giving us true to life stories that we all can relate to no matter our culture, age, gender or whatever. Bravo for telling a story so many of us can relate to and understand.

If you're looking for a funny romcom, this movie is not going to be it. In fact, there's very little rom and com in it. But if you're looking for something more real and less like the usual holiday fare Hallmark serves up this time of year, give this one a try. I had to watch this twice to appreciate all of the nuanced performances of every actor, especially the two leads.

Niall Matter and Alison Sweeney portray Kevin and Lauren, a couple who are at the one-year point of a marital separation and it's the holidays. Early on it is revealed why they're separated, and I'll leave it at that. They coparent a young son; and Lauren has just found out that her mom, who isn't aware of the separation, will be making a last-minute visit. Kevin and Lauren scramble to appear like a united family, but their tension and uncertainty are palpable. They also attend therapy sessions. Do they end up together? Watch and find out.

The nuanced, but palpable tension throughout by the family members also gives this movie realism. Alison Sweeney plays uneasy beautifully, and this surprisingly turned out to be one of my favorite performances of Niall Matter. In their capable hands, I found myself genuinely rooting for the couple as they navigated through uncharted, awkward waters. This one won't give you the warm fuzzies, but all the performances are solid and that's what I appreciated most about it.