Une femme est sauvée d'un culte apocalyptique et recommence sa vie à zéro dans la ville de New York.Une femme est sauvée d'un culte apocalyptique et recommence sa vie à zéro dans la ville de New York.Une femme est sauvée d'un culte apocalyptique et recommence sa vie à zéro dans la ville de New York.
- Nommé pour 18 Primetime Emmys
- 25 victoires et 98 nominations au total
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What a brilliant, brilliant show. I'm surprised that I'm the first reviewer on here! Seriously though, I began streaming this show just about an hour ago, with netflix's system of 'single-day-season-releases' I've just kept streaming. I'm now up to the third episode and I'm blown away with how funny this show is. Tina fey has always been hilarious to me, and same with Ellie Kemper, so i've been intrigued by this show since it's announcement. This show is, at it's roots, a very funny show, chances are you will laugh a lot during this show. But it's not all about that, this show has several layers, it's got lots of heart and fantastic characters. As I mentioned before, I'm only up to the 3rd episode but this show is showing fantastic promise, I haven't been this invested in a show's pilot in a while. Hilarious story, fantastic acting, great writing, great direction. This looks like a good one, stream it when you get the chance! 9/10 (so far)
I know this show is getting a lot of crap but I adore kimmy shes sweet and too cute for words I like the humor the story is great too its a fantastic show and its really too good too miss you cant resist kimmy or titious they both work perfectly together and are hilarious you really need to watch this one
2019 sees the end of the Netflix series that began with such fanfare and acclaim but ends with a whimper rather than a bang.
Ellie Kemper plays Kimmy Schmidt, held hostage in an underground bunker for much of her twenties, by a doomsday cult. She's given a new lease of life following her rescue, so moves to New York. She moves in with Titus Andromedon (Tituss Burgess) a struggling actor who dreams of Broadway and gets a job as a nanny for Jaqueline White (Jane Krakowski) an uptown divorcee whose husband has left her with a young son and teenage daughter to look after.
For the first couple of seasons, I felt like "Kimmy Schmidt" was essential viewing. Shorn of the restrictions of Network TV, Tina Fey created a warm but hilarious series with characters specifically written for most of the lead actors but also able to use her star power to pull in some dynamite guest stars. It's a touch sad then that I feel the show has dropped off a bit with each of his subsequent seasons. I'm not sure, because although her specific writing credits remain a couple per season, whether Fey's general involvement has waned as the show has run on, or if some other creative force moved on but although the style of humour stayed the same, it just didn't seem to land as well.
I think, on the whole, if asked whether or not to recommend the show to someone, I'd still say that I would. There are only 51 episodes and of those the vast majority are very good - it's just a little unfortunate that it couldn't maintain the high standards that the early seasons set.
Ellie Kemper plays Kimmy Schmidt, held hostage in an underground bunker for much of her twenties, by a doomsday cult. She's given a new lease of life following her rescue, so moves to New York. She moves in with Titus Andromedon (Tituss Burgess) a struggling actor who dreams of Broadway and gets a job as a nanny for Jaqueline White (Jane Krakowski) an uptown divorcee whose husband has left her with a young son and teenage daughter to look after.
For the first couple of seasons, I felt like "Kimmy Schmidt" was essential viewing. Shorn of the restrictions of Network TV, Tina Fey created a warm but hilarious series with characters specifically written for most of the lead actors but also able to use her star power to pull in some dynamite guest stars. It's a touch sad then that I feel the show has dropped off a bit with each of his subsequent seasons. I'm not sure, because although her specific writing credits remain a couple per season, whether Fey's general involvement has waned as the show has run on, or if some other creative force moved on but although the style of humour stayed the same, it just didn't seem to land as well.
I think, on the whole, if asked whether or not to recommend the show to someone, I'd still say that I would. There are only 51 episodes and of those the vast majority are very good - it's just a little unfortunate that it couldn't maintain the high standards that the early seasons set.
I'm a little late to the party as I've only watched Unbreakable Kimmy Schmidt this year, but I figured it was time to watch it since I'm a fan of Tina Fey and 30 Rock. I like all of the characters, with my favorite being Titus since he has some of the most memorable and hilarious lines of the show. I quickly binge watched seasons 1 and 2 in the matter of days, but it took me a few weeks to get through season 3. I wanted to like it and I was very excited to watch it, but it was honestly a big let down compared to the previous two seasons. The jokes felt forced and I was very unhappy with some of the plot decisions. It felt like major story lines were built up only to be torn apart and it was disappointing to see that happen after spending so much time invested in them. The season 3 finale was a little better and I was relatively happy with how they set up the plot for season 4, but I'm worried they'll just repeat the same mistakes as this time around. Overall, this show is an amusing, feel good comedy and it does bring a smile to my face, I just hope that the writers will have some more focus and direction in the coming seasons.
Honestly, the two reviews that have been written so far are unreasonable. Unbreakable Kimmy Schimdt is by no means average, poor or unfunny. It shines through in it's originality, tactful balancing of humour and satire and it's absolutely endearing. The premise is strange and does not suggest it's a comedy even for a black comedy it seems like a stretch. A woman escapes a cult after being imprisoned for 15 years and starts a new life in New York City. The pilot begins as the women are being rescued and brought back out to the world after 15 years of imprisonment. It's a very unconventional idea for a comedy yet it exceeds expectations. Ellie Kemper, the subject of this show, is wonderfully quirky, sweet and her performance is enjoyable to watch.
Tina Fey's writing is clearly asserted as the main character, Kimmmy, is a strong, powerful, determined and unbreakable. Co-writer and producer, Robert Carlock, also deserves some credit in this. Unbreakable Kimmy Schmidt is not hidden in 30 Rock's shadow and does not attempt to duplicate results. It works in it's own right and is brilliantly executed. It's tone is gleefully upbeat and light-hearted yet it hints at darker themes and it's implementation of dark comedy is succinct and rewarding. So please don't be so quick to judge. Definitely give it a watch it's worthwhile.
Tina Fey's writing is clearly asserted as the main character, Kimmmy, is a strong, powerful, determined and unbreakable. Co-writer and producer, Robert Carlock, also deserves some credit in this. Unbreakable Kimmy Schmidt is not hidden in 30 Rock's shadow and does not attempt to duplicate results. It works in it's own right and is brilliantly executed. It's tone is gleefully upbeat and light-hearted yet it hints at darker themes and it's implementation of dark comedy is succinct and rewarding. So please don't be so quick to judge. Definitely give it a watch it's worthwhile.
Representation: LGBTQIA+ Characters On-Screen
Representation: LGBTQIA+ Characters On-Screen
Celebrate the LGBTQIA+ characters that captured our imaginations in everything from heartfelt dramas to surreal sci-fi stories.
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- AnecdotesBefore he came to Hollywood, Jon Hamm (Reverend Richard Wayne Gary Wayne) was a high school drama teacher at the John Burroughs School in Ladue, Missouri. One of his drama students was Ellie Kemper, who plays Kimmy.
- GaffesIn the opening sequence, the SWAT team member's weapon changes position between shots of reaching down into the bunker and the women emerging.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Kimmy Bất Bại
- Lieux de tournage
- Ville de New York, New York, États-Unis(The show is filmed around New York City.)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée30 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1
- 16:9 HD
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