Unbreakable Kimmy Schmidt

Honestly, the two reviews that have been written so far are unreasonable. Unbreakable Kimmy Schimdt is by no means average, poor or unfunny. It shines through in it's originality, tactful balancing of humour and satire and it's absolutely endearing. The premise is strange and does not suggest it's a comedy even for a black comedy it seems like a stretch. A woman escapes a cult after being imprisoned for 15 years and starts a new life in New York City. The pilot begins as the women are being rescued and brought back out to the world after 15 years of imprisonment. It's a very unconventional idea for a comedy yet it exceeds expectations. Ellie Kemper, the subject of this show, is wonderfully quirky, sweet and her performance is enjoyable to watch.

Tina Fey's writing is clearly asserted as the main character, Kimmmy, is a strong, powerful, determined and unbreakable. Co-writer and producer, Robert Carlock, also deserves some credit in this. Unbreakable Kimmy Schmidt is not hidden in 30 Rock's shadow and does not attempt to duplicate results. It works in it's own right and is brilliantly executed. It's tone is gleefully upbeat and light-hearted yet it hints at darker themes and it's implementation of dark comedy is succinct and rewarding. So please don't be so quick to judge. Definitely give it a watch it's worthwhile.

2019 sees the end of the Netflix series that began with such fanfare and acclaim but ends with a whimper rather than a bang.

Ellie Kemper plays Kimmy Schmidt, held hostage in an underground bunker for much of her twenties, by a doomsday cult. She's given a new lease of life following her rescue, so moves to New York. She moves in with Titus Andromedon (Tituss Burgess) a struggling actor who dreams of Broadway and gets a job as a nanny for Jaqueline White (Jane Krakowski) an uptown divorcee whose husband has left her with a young son and teenage daughter to look after.

For the first couple of seasons, I felt like "Kimmy Schmidt" was essential viewing. Shorn of the restrictions of Network TV, Tina Fey created a warm but hilarious series with characters specifically written for most of the lead actors but also able to use her star power to pull in some dynamite guest stars. It's a touch sad then that I feel the show has dropped off a bit with each of his subsequent seasons. I'm not sure, because although her specific writing credits remain a couple per season, whether Fey's general involvement has waned as the show has run on, or if some other creative force moved on but although the style of humour stayed the same, it just didn't seem to land as well.

I think, on the whole, if asked whether or not to recommend the show to someone, I'd still say that I would. There are only 51 episodes and of those the vast majority are very good - it's just a little unfortunate that it couldn't maintain the high standards that the early seasons set.

This show is ridiculous and the characters e over do it to what they can't get their stupid point across.

This show is so fun! You can tell it's written by Tina Fey because it's got a (perkier) 30 Rock vibe. UKS utilizes many aspects of New York (Today show, times square, pick pockets).

I think it's funny when Kimmy's lack of education comes into play (e.g. proclaiming "Urethra!" instead of "Eureka!") She also uses lingo from the 90s/00s that really clash with modern day.

I know many people are comparing UKS to other shows (that I have not seen). However, it seems original to me. I mean, doomsday cult member trying to make it in the big apple?

It's worth a watch!

Kimmy is cute, strong, and compassionate, a great blend. She is gullible, but she is also wise and vigilant. Tina Fey's touch of intelligent and strikingly blunt comedy shines through.