I Heart Willie

I'm fairly glad I saw this demented nightmare fueled slasher! Crazy how this is about a menacing take on Mickey Mouse instead of the innocent one we all know and love this is pure madness. Average acting, excellent horror, solid dialogue, and amazing terror especially in the last half!

There was only a couple others seeing the film they'd seemed like a delightful interesting beings, a little unfortunate this isn't more known it's definitely great entertainment! I seem to be one of few that cares for special features made the 15 bucks more worth it although I was at the theater for 11 hours that's rare for me regardless of anything highly recommend however possible to see.

This is what happens when talentless hacks see a public domain loophole and think they can profit off it without doing any actual work. This no-budget atrocity is a shameless, soulless attempt to cash in on Mickey Mouse's new legal status, but instead of doing anything remotely creative, the filmmakers slapped together what feels like an AI-generated fever dream, then filmed it with all the production value of a high schooler's failed YouTube channel.

The script-if you can even call it that-is a string of nonsensical dialogue, delivered with the enthusiasm of someone being forced to participate in a hostage video. The acting is so bad it transcends unintentional comedy and becomes physically painful. The characters don't just lack development-they barely function as human beings, wandering aimlessly from one scene to the next like extras in a film that forgot to give them direction. The killer? A walking lawsuit waiting to happen, with zero menace, zero presence, and a costume that looks like it was fished out of a dumpster behind a Spirit Halloween.

And don't expect even remotely decent kills-this is pure amateur-hour nonsense. The "practical effects" amount to what looks like expired ketchup smeared on dollar-store props, with editing so incompetent that half the time, you can't even tell what's happening. The camera work is so shaky it could double as a medical test for vertigo, and the sound mixing is so horrendous you'll be constantly adjusting the volume to figure out if people are whispering or screaming.

But the real crime here is the producers-whoever greenlit this mess should be publicly shamed for thinking audiences are stupid enough to fall for it. This isn't filmmaking; it's a cheap, lazy scam, a pathetic attempt to ride the coattails of a beloved character while putting in the absolute minimum effort. I Heart Willie isn't just bad-it's insulting. If you watch this, the real horror is realizing the time you wasted can never be regained.

While it has most of the formulaic stereotypes of a typical slasher, this movie brings an original twist to the old formula. With all of the public domain movies coming out, I was expecting just another blood and guts horror movie starring a beloved character from my youth, but what I got was a love story woven into the fabric of a gruesome tale of caution. I didn't see a masked monster out for blood, but rather a man rejected by society who is forced to embrace his inner darkness in the search for acceptance. Willie's subtle attempts to bring joy to his victims left me feeling empathy for him. Surprisingly, it feels more like an antihero movie where you cheer for the bad guys. All in all, it was a lot of fun to watch. It made me think about how many quiet oddball kids I may have affected in my youth who are now struggling with their own darkness. Be nice out there folks, you never know who might be the next Willie.

This was a film that I got the chance to see via screener thanks to Erika from Gold Dust PR. When hearing that Steamboat Willie was going into the public domain, with a slew of other figures like Winnie the Pooh, I wasn't shocked to learn that there were horror films being made. Now at this time, I've seen Winnie the Pooh: Blood and Honey. I didn't hate it, but acknowledge it is an absurd, low budget slasher film. Since this is a wide 2025 release, I figured I'd give it a shot.

Synopsis: a group of friends' steps into a deadly mousetrap where pure evil seeks to harvest their skin in this horrific origin story of the most beloved cartoon character of modern times.

We start this with seeing violent images edited together with seeing a television showing what looks like the original Steamboat Willie. This also gives us newspaper headlines that tell the story of mouse-boy. He was the inspiration for this character. The boy was thought to have died in a fire at 16. There are reports of disappearances in the area of his family's manor. This is in Mexico, but his family was supposed to be from Germany. Going along with this, we see a large figure, who dons a Mickey mask, torturing someone. They are played by David Vaughn. It is here we see that he flays the person. There also is an exterminator who shows up and hears music, drawing them into his lair.

It is then from there we meet our group from the synopsis. Driving is Nico (Micho Camacho). He is friends with Daniel (Sergio Rogalto). They have a YouTube channel where they illegally explored haunted locations. That is the reason for their trip now. They're going to the home of Willie to film their next episode. Joining them is Daniel's ex-girlfriend, Nora (Maya Luna). They are now friends and broke up due to him moving away. She is an expert on the lore of Willie and also speaks Spanish. Lastly there is Jess (Daniela Porras), who has a crush on Daniel, despite being good friends with Nora.

This group explores and gets spooked by a homeless man living here, played by Drew Hartley. When they're settling in to eat and have drinks, Nora tells a story of an encounter she had here when she was younger. She might have even seen Willy. It doesn't make sense due to how old he would be. She believes that 'true evil never dies'. This group then finds the abandoned exterminator van, with blood in it. It then becomes a nightmare for them as they're targeted by this masked killer.

That is where I'll leave my recap and introduction to the characters. Something that I wanted to say here is that I doctored the synopsis I found online, because it feels to me like it has a spoiler in it. Another one was similar, but had incorrect information as well. If you can avoid those to let the reveal happen organically, I think it makes this better. What we are getting here though is a simple enough slasher with a group of people who come to this remote location and are attacked by a masked killer. The caveat is that the killer is Steamboat Willie. It made it surprisingly funny without being cheesy.

What made me smile was the care in the lore of Steamboat Willie that is incorporated here. Willie is supposed to have been deformed and called mouse boy. This then inspired the cartoon who would then become the face of Disney. This causes the killer to love the icon as well and even dresses like him. There are good touches there with shorts that have mouse buttons like Mickey. He then has the mouse mask that he wears. There is more to that I won't spoil that includes another character. Vaughn brings good size to this role as well which works.

Now I did want to shift to how I normally judge slasher films. They either need to have good characters or kills. I did want to start with the former. I thought this group and why they came to this location was good. It fits this modern era with everyone having a YouTube channel. We've seen similar things like with Grave Encounters. Nora is good as our expert. Daniel knows about this place as well. There is an information dump, but it worked for me because Nico and Jess don't know. It makes sense to fill them in as well as us as the audience. We are limited on the number of characters, because aside from that we have the homeless man, the exterminator, the first victim and then an after credits sequence that has a family. Everyone was distinct enough.

I'll then discuss the acting performances. Luna is good here as our lead. What I like is that, please forgive the pun, but she is mousey. She seems quiet. The more we learn about her though, the more depth that gets revealed. I do think there was one conversation that should have come later, but I get why it doesn't though. Rogalto and Camacho are solid as this duo who have the channel, they are filming the content for. We never see them filming, something I didn't think of until looking back. That's a misstep. Porras is interesting as this 'goth' who tagged along as the friend of Nora. What is odd there though is that she wants to hook up with Daniel, who is her friend's ex. Other than that, the rest of the cast was fine for what was needed.

All that is left then is the other part of what I look for, the kills. This falls under the filmmaking. Starting with the location, I do love using this isolated place like they do. It makes it difficult for help to arrive or just easily escape. The cinematography and framing were also good. Something that is interesting here is that this features torture. We don't see it on screen though. I will commend them that if they don't want to go too violent or can't make it look good, leave it to our imagination. My problem though is that I think we need to see just a bit more for this work. Then to bring up the soundtrack, I did like the use of the song 'Flight of the Valkyries'. The rest of the music and sound design fit what was needed. There are a couple moments where we hear a Mickey impersonation that made me smile.

In conclusion, this film is better than I was expecting. I do find it creative to incorporate different things from Steamboat Willie into the lore of this character. The writing here isn't bad. We have a simple slasher set up and I thought how that part of the story was executed was fine. The title makes sense as we get into this. I thought the look of Willie and the cast of characters he stalked was good. Luna was the standout there. This is made well enough. The only gripe there is not seeing more with the kills. The cinematography, framing and sound design were the standouts. If you're a slasher fan, I'd recommend this. It isn't cheesy and takes a standard approach.

My Rating: 7 out of 10.

Let's get my bias out of the way. I've worked with two of the producers previously. They're friends.

This is how I knew to come to Nashville to see a 'one night only' screening of the film on the silver screen. And boy am I glad I did.

The movie theater experience has dwindled for me over the last few years. Tickets are overpriced, you're forced to pick your seat before you get into the theater, the auditorium is often freezing, the floors are sticky, and the soundtrack--especially with music and sound effects--can be deafening. It sucks.

None of this matters too much because Hollywood movies have taken a nose-dive in recent years, as well. Fewer good films are made. Virtually none that are great.

What's the problem? A lack of originality and an over-reliance on CGI and similar tech. Everything is flat and fake. Comedies and dramas are formulaic and fantasy, action, sci-fi are all live-action cartoons. It's all a drag.

Horror is much more my wife's thing than mine. I'll watch something like Blood and Honey to see how the filmmakers flesh out their unfathomable premise. I'll be intrigued by practical effects and production design. A good performance may keep me invested. But ultimately, usually, my entertainment will come from watching my wife's reactions.

Not so with I Heart Willie.

First of all, I didn't have my wife to lean on. Nor did I have my producer friends. All I had were high hopes and well-meaning curiosities.

What the hell will the story be about? Who is the psycho in the poster? How'd he become demented? What does the title mean? Who's gonna die and will it be funny or believable?

I'm not here to answer any of these questions for you. As a fan of the film, I can tell you that the journey is intense and entertaining. The answers are not obvious, but they are fun to follow and try to work out as the story unfolds.

Just as the poster suggests, this is a crazy film. If you go in blind as I did, you may enjoy the unpredictable nuttiness more than you might having an inkling of what to expect. It's a dark, gruesome film with well-paced action, near-constant suspense, and splashes of humor.

Unlike similar films of its exploitative nature, the score, set design, acting, editing, and overall production value is on-par with your typical Hollywood fare, except this flick is filled with fresh ideas. I couldn't be more proud of my friends for delivering something so fun and original while staying true to the genre. Genres work for their expectations, but finding the balance between new and recycled gimmicks and plot twists is a challenge most fail at. Blood and Honey is a good example of this. While its concept is fresh and beautifully explained in an inventive animated opening sequence, the rest of the film drags with a few interesting and suspenseful spikes.

I Heart Willie, on the hand, never drags because it's constantly twisting and turning, staying ahead of its audience.

It's not a perfect film. It won't be a film I look forward to rewatching again and again. But it is a movie experience that I'll never forget.