NOTE IMDb
4,6/10
13 k
MA NOTE
Quatre courts métrages d'horreur réalisés et écrits par des femmes.Quatre courts métrages d'horreur réalisés et écrits par des femmes.Quatre courts métrages d'horreur réalisés et écrits par des femmes.
- Récompenses
- 1 nomination au total
Histoire
Le saviez-vous
- AnecdotesThe segment "The Box" is the only one of the four segments that is not actually an original story by the women but is instead an adaptation of the Jack Ketchum story.
- GaffesIn The Box all three characters die of starvation in a hospital after refusing to eat for long periods of time, but even when they've gone comatose the hospital never inserts a feeding tube, which would surely have reversed their condition.
- Citations
Susan Jacobs (segment "The Box"): You love spaghetti.
Susan Jacobs (segment "The Box"): It... It's been three days.
- ConnexionsFeatured in Starfilm (2017)
Commentaire à la une
When the very poster draws heavy focus to the fact that the shorts are directed by women, one assumes that you will finally be able to see film through a female lens. Those in the film industry are frequently excited by the prospect of having the stories and viewpoints of women shown as it opens up stories that previously have been masked. Female characters frequently are left underdeveloped and masked in the backgrounds of features. You can imagine my disappointment to read that tag line on the poster, just to find that 3 of the 4 shorts are as generic and soulless as the dregs of the horror industry.
The first 3 shorts are as uninspired, uninteresting and cliché as imaginable. 3 of the 4 stories feature white, middle-aged stay-at-home mothers, of which are the manifestation of what most people complain about when a female character is given minimal attention and effort from a male director.
The 1st and 3rd short offer absolutely nothing we haven't seen before, and the 2nd short isn't even remotely within the horror genre. The director of the 2nd short has somehow managed to convince herself that adding loud, eerie music to a regular scene creates a horror short.
The 2nd of the 4 shorts is vastly the worst, followed by the 3rd and then the 1st. The 4th short however is an interesting, if not still un-creative piece of horror. Whilst the 4th short feels reminiscent of films like The Babadook, it still manages to differentiate itself enough to warrant at least a 7/10.
Ultimately generic, uninspired and frustrating. The intermission, stop motion segments are the pinnacle of this feature. 3/10
The first 3 shorts are as uninspired, uninteresting and cliché as imaginable. 3 of the 4 stories feature white, middle-aged stay-at-home mothers, of which are the manifestation of what most people complain about when a female character is given minimal attention and effort from a male director.
The 1st and 3rd short offer absolutely nothing we haven't seen before, and the 2nd short isn't even remotely within the horror genre. The director of the 2nd short has somehow managed to convince herself that adding loud, eerie music to a regular scene creates a horror short.
The 2nd of the 4 shorts is vastly the worst, followed by the 3rd and then the 1st. The 4th short however is an interesting, if not still un-creative piece of horror. Whilst the 4th short feels reminiscent of films like The Babadook, it still manages to differentiate itself enough to warrant at least a 7/10.
Ultimately generic, uninspired and frustrating. The intermission, stop motion segments are the pinnacle of this feature. 3/10
- Jacob_Feirclough
- 3 mars 2017
- Permalien
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Korku Tüneli
- Lieux de tournage
- Los Angeles, Californie, États-Unis(location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 30 911 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 222 $US
- 19 févr. 2017
- Montant brut mondial
- 55 668 $US
- Durée1 heure 20 minutes
- Couleur
- Rapport de forme
- 2.39:1
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