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Anesthesia

  • 2015
  • R
  • 1h 30min
NOTE IMDb
6,1/10
5,2 k
MA NOTE
Anesthesia (2015)
Multiple lives intersect in the aftermath of the violent mugging of a Columbia University philosophy professor.
Lire trailer2:01
2 Videos
10 photos
CriminalitéDrame

Ajouter une intrigue dans votre langueMultiple lives intersect in the aftermath of the violent mugging of a Columbia University philosophy professor.Multiple lives intersect in the aftermath of the violent mugging of a Columbia University philosophy professor.Multiple lives intersect in the aftermath of the violent mugging of a Columbia University philosophy professor.

  • Réalisation
    • Tim Blake Nelson
  • Scénario
    • Tim Blake Nelson
  • Casting principal
    • Sam Waterston
    • Kristen Stewart
    • Corey Stoll
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,1/10
    5,2 k
    MA NOTE
    • Réalisation
      • Tim Blake Nelson
    • Scénario
      • Tim Blake Nelson
    • Casting principal
      • Sam Waterston
      • Kristen Stewart
      • Corey Stoll
    • 41avis d'utilisateurs
    • 41avis des critiques
    • 55Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos2

    Official Trailer
    Trailer 2:01
    Official Trailer
    Anesthesia Official Trailer
    Trailer 2:01
    Anesthesia Official Trailer
    Anesthesia Official Trailer
    Trailer 2:01
    Anesthesia Official Trailer

    Photos9

    Voir l'affiche
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    Rôles principaux49

    Modifier
    Sam Waterston
    Sam Waterston
    • Walter Zarrow
    Kristen Stewart
    Kristen Stewart
    • Sophie
    Corey Stoll
    Corey Stoll
    • Sam
    Gretchen Mol
    Gretchen Mol
    • Sarah
    Ivan Goris
    Ivan Goris
    • Ignacio
    Rob Morgan
    Rob Morgan
    • Parnell
    Mickey Sumner
    Mickey Sumner
    • Nicole
    Kaipo Schwab
    Kaipo Schwab
    • Tenant
    Tim Blake Nelson
    Tim Blake Nelson
    • Adam
    Philip Ettinger
    Philip Ettinger
    • Roger
    • (as Phil Ettinger)
    Natasha Gregson Wagner
    Natasha Gregson Wagner
    • Marta
    Erica Cho
    • Teacher
    Jacqueline Baum
    • Allie
    Ekaterina Samsonov
    Ekaterina Samsonov
    • Angie
    Hannah Marks
    Hannah Marks
    • Ella
    Ben Konigsberg
    Ben Konigsberg
    • Hal
    K. Todd Freeman
    K. Todd Freeman
    • Joe
    Michael Kenneth Williams
    Michael Kenneth Williams
    • Jeffrey
    • (as Michael K. Williams)
    • Réalisation
      • Tim Blake Nelson
    • Scénario
      • Tim Blake Nelson
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs41

    6,15.2K
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    Avis à la une

    9StorytellerKefi

    This is New York. Great story

    Wonderful movie! Randomly caught this at the 2015 TriBeCa Film festival and was not disappointed.

    Although there were some minor editing hiccups, this story holds up fantastically as it documents the lives of different New Yorkers. The story gives food for thought and deserves a watch as it has clever dialogue, and authentic acting performances. Thankfully, as the plot got predictable, it made a left turn for a satisfying ending. This story was everything Crash (2004) wanted to be but better. It's also the most honest depiction of New York life I've seen in a long while. I wish this movie well in theaters!
    VoyagerMN1986

    Intersecting stories trope done pretentiously and badly

    At first it is hard to pin down why this film just doesn't work. Ultimately it is a preachy, dull -- and dull minded -- mediocre work.

    Ok, so we have the intersecting story line. Not only is this getting tired but it is becoming the refuge of second rate ideas. Essentially a gimmick, and it is painfully just that here.

    Then we have philosophy "lite", ie some Socratic musings smattered with a bit of plagiarism of Plutarch and a mention of August. Its undergrad "western philosophy 101" haphazardly superimposed over unimportant events and uninteresting people.

    The kicker is the completely inappropriate apologia for predatory violence. Explain muggers who assault their victims, or rapists, or any other violent criminal as essentially no different than you or I, is just insulting. That is not a case of but the grace of god there go you or I, it is a case of a very small proportion of the population habitually committing predatory violence and choosing to permanently harm people
    7kymchala

    Poignant, raw, sincere, heartfelt and entertaining.

    Anesthesia is a good title referencing the methods people use to escape, deal with and numb life's myriad of pain as opiates like pot, heroin, alcohol, sex, love, an affair, self-mutilation, charity, heroism and technology. Despite the huge impersonal gap caused by tech, this snapshot of one area shows how little our human dilemmas have changed and how interconnected we still can be. I enjoyed the storytelling, the acting and the philosophy. I do wish the end wasn't quite so abrupt though, leaving a feeling of loose ends.
    6SnoopyStyle

    good acting

    Professor Walter Zarrow (Sam Waterston) and another man are attacked on the streets of New York. Sam (Corey Stoll) comes to his side as he lies dying. Walter was bringing his weekly flowers to his wife Marcia (Glenn Close). His son Adam (Tim Blake Nelson) is dealing with his wife Jill (Jessica Hecht)'s cancer scare. Their kids Hal (Ben Konigsberg) and Ella (Hannah Marks) are dealing with sex issues while smoking weed on the roof. Walter's student Sophie (Kristen Stewart) is struggling with self-harm. Jeffrey (Michael Kenneth Williams) is desperate to force Joe (K. Todd Freeman) into drug treatment. Sarah (Gretchen Mol) is a soccer mom struggling with buried anger. These characters weave a tapestry of interconnected lives.

    The cast is top level. They deliver fine individual scenes. There is a compelling drive to uncover the connection between the characters. The connections aren't as poignant as it needs to be. The extended mugging section should come a little earlier so that the characters have more space to deal with the consequences. There is plenty of good acting. The plot is interesting although not the most compelling.
    5PeterLormeReviews

    An indie drama that is a mixed-bag.

    Anesthesia (2015) is an indie drama is produced,written,directed by Tim Blake Nelson, who also stars in the film. This film is a mixed bag for me. I thought the acting was phenomenal. The script was creative, but at times I found it dull. I was bored for most of the film. The ending was investing and pulled me in. I cannot say that about the majority of the film. The movie centers around several characters. This can either work or flop. The movie manages to do both. The characters I liked/cared about: the professor, the self-destructive student and the junkie. The characters that I didn't like/care about: The cheating husband and his alcoholic wife, the junkie's brother, the professor's wife. The other characters are neutral, mainly because they are completely forgettable. Solid start, flat middle, great ending.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The film wasn't announced by trade publications until after college students spotted Kristen Stewart filming on their campus in New York City.
    • Citations

      Prof. Walter Zarrow: But then, what do all these thinkers we've examined this semester have in common? If we truly explore to find a common thread? At the outset of a century that would constitute the bloodiest in human history. Along with scientific and technological advancements that would literally make us like Gods. Even as we began to dismantle the very meaning of God. They ask, what is a life? Does to live any longer have a how? Does it any longer have a why? Against a backdrop of industrialization, people will contend with alienation, dislocation, population on a mass scale, and murder on a mass scale. They'll consider the constraints of truth. Whether metaphor or paradigm, with many concluding actual truth has never existed. A nexus in the great human saga, when we dared to trade the organizing bliss, of good and evil, right and wrong, as determined by a creator for other opiates: communism, socialism, capitalism, psychology, technology, any learnable system to replace what had begun to evaporate: the 20th century. My own. But also the one into which each of you was born. For many, an era of hope liberation, possibility. For others of abandonment and despair. A most human century in which we begin really to understand that Nietzsche was right: we are beautifully, finally, achingly, alone. In this void, philosophy at its worst becomes self-reflective, linguistic, semantic, relativism having rendered any discussion of right and wrong, good and evil, to be the quaint concerns of another age. At its most provocative, it asks other questions. Those concerned with locating our stranded selves, when meaning seems to have died, nothing less, in short, then 'why do we live at all?' and 'what makes us who we are?' They ask, 'what now?' And we're still asking it. What will fortify us as another century, your century, commences? Do we abandon finally the search for truths that seem ever more elusive, even silly to some? The ethical? The moral? The good? Principles that by definition can never be prove when so much now can be proved? Or is all this finally and forever pointless? Are we done? We can destroy cities, alter the planet irreversibly, speak instantaneously face-to-face from across the globe, create life where there was to be none, even while intoxicating ourselves with it all. And yet, how do we still seek purpose? And where do we hope to find it if we're so busy convincing ourselves there needn't be any? And so we wander, eyes closed to the dark, while technology, science, medicine and godlessness blaze illusions around us, with less to guide us now than ever, seemingly omnipotent, but more human and just as afraid. These quandaries do not end with this course in a week from today. They begin. And I certainly haven't taught these writers for 30 years just so you can drop references to existential thinkers and their antecedents at dinner parties. The crowd is untruth. In an era darkened by the false shade of imperviousness, you and those who pause to question, carry the light. It's been a wonderful 34 years. Let's not be strangers, either to one another, or more importantly, to everything we've learned from one another. May your best years be yet to come. And so for us all.

      [all applauding]

      Prof. Walter Zarrow: [all cheering] Thank you, thank you, thank you.

    • Connexions
      Referenced in The Tonight Show Starring Jimmy Fallon: Kristen Stewart/Michael Shannon/Cage the Elephant (2016)
    • Bandes originales
      Tenderly
      Performed by Bill Evans

      Written By Walter Gross and Jack Lawrence

      Used by Permission of Edwin H. Morris & Company,

      A Division of MPL Music Publishing, Inc.,

      and Range Road Music, Inc.

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    FAQ

    • How long is Anesthesia?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 8 janvier 2016 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Crímenes y virtudes
    • Lieux de tournage
      • Ville de New York, New York, États-Unis
    • Sociétés de production
      • Grand Schema
      • Hello Please
      • Nicholson International Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 32 163 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 6 747 $US
      • 10 janv. 2016
    • Montant brut mondial
      • 78 270 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 30 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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