En fuite, accusé d'un crime terrible, l'inspecteur Marcus Farrow de Manchester tente de prouver son innocence tout en étant traqué par ses anciens amis et collègues.En fuite, accusé d'un crime terrible, l'inspecteur Marcus Farrow de Manchester tente de prouver son innocence tout en étant traqué par ses anciens amis et collègues.En fuite, accusé d'un crime terrible, l'inspecteur Marcus Farrow de Manchester tente de prouver son innocence tout en étant traqué par ses anciens amis et collègues.
- Nomination aux 1 BAFTA Award
- 4 nominations au total
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I enjoyed this series, or is it a mini-series?
It's an interesting story. I won't give it away.
The production is very well executed. Good use of available light and normal locations. The acting is very good. Everyone really seems to be living their roles convincingly.
There are a few places I thought the plot kind of faltered.
It should have been either more believable or generated more intrigue. But instead it did neither, opting for a more emotional outcome. Or at the very least kept our protagonist in play.
For example, I would really have enjoyed a bit more detective work and shaking down the bad guys. Finding out more tantalizing clues that lead to more revelations. I enjoy watching crime dramas and cop shows for that aspect. Like the Mike Chiklis show The Shield.
This series has some of that rotten cop aspect but they don't explore it very much. I also wish that they had explored a bit more of the female co-star's life while all this is going on. She is actually the protagonist. And Simm's character would be better described as the anti-hero. Overall pretty good, darn site better than most American TV these days which is all about explosions and cliff hangers.
It's an interesting story. I won't give it away.
The production is very well executed. Good use of available light and normal locations. The acting is very good. Everyone really seems to be living their roles convincingly.
There are a few places I thought the plot kind of faltered.
It should have been either more believable or generated more intrigue. But instead it did neither, opting for a more emotional outcome. Or at the very least kept our protagonist in play.
For example, I would really have enjoyed a bit more detective work and shaking down the bad guys. Finding out more tantalizing clues that lead to more revelations. I enjoy watching crime dramas and cop shows for that aspect. Like the Mike Chiklis show The Shield.
This series has some of that rotten cop aspect but they don't explore it very much. I also wish that they had explored a bit more of the female co-star's life while all this is going on. She is actually the protagonist. And Simm's character would be better described as the anti-hero. Overall pretty good, darn site better than most American TV these days which is all about explosions and cliff hangers.
Nick Murphy's drama 'Prey' is a fast-moving, gritty crime drama, with a typically strong performance from John Simm in the lead role. Although the plot is complex, the audience isn't really encouraged to waste too much time on it: the twists and turns are mainly Maguffins, serving mainly to justify the next explosive chase. If aspects of the series (lone hero set up for a crime he didn't commit) are generic, Simm keeps it real, and with just three episodes, it doesn't outstay its welcome. It's not quite up to the level of 'Prime Suspect', but it's nice to see ITV still keeping their hand in with authentic-feeling police procedurals.
As interesting, compelling, and flawed as the three-part miniseries of Season 1 was, I am surprised that not one of the reviewers noted and called out the debt owed to both the US television series and the US movie, The Fugitive. If you've watched (or are watching) Season 1, think about it and you will know what I mean. If you've not yet watched and plan to, think about what I've said as you watch it.
This is one weak British crime drama. Falsely accused fugitive...got. Implausible at best and not remotely entertaining. Not a lot of coppering going on but plenty of running back and forth. Acting...not much to work with give the story and available dialogue.
A taut and exciting mini-series, the better for being condensed to just three as opposed to the more usual six, eight or ten episodes with Manchester-based detective John Simm out to prove his innocence after his wife and child are murdered at their home. Behind it all is a nefarious insider plot framing him for the deed, involving his so-called best friend (played by Craig "Dot Cotton" Parkinson) and a trusted senior colleague but after a spectacularly staged escape from a police van, Simm goes on the run to uncover the truth and clear his name.
There was little that was original in the plotting, but with sharp, pacy direction and good acting throughout, while it may not have outdone say, "Line of Duty" or "Happy Valley", this was a superior TV thriller. As usual I found some of the background characterisations, particularly that of chasing cop Rosie Cavallero to be superfluous and surplus to requirements, but when it concentrated on Simm's character's relentless chase for the truth, it was very good indeed.
Naturally he gets to run about a lot just one step ahead of the pursuing police pack, meaning hand-camera location shots a-plenty and the body-count grows wherever he goes but allowing the usual dramatic licence for coincidence, few actors can do haunted and hunted better than Simm or devious and deceptive like Parkinson. Some of the supporting cast I was less convinced by (especially a miscast Adrian Edmundson as a senior officer) but between these two, plus Cavallero and Anastasia Hille as his trusted former boss, this made for good viewing all round.
There was little that was original in the plotting, but with sharp, pacy direction and good acting throughout, while it may not have outdone say, "Line of Duty" or "Happy Valley", this was a superior TV thriller. As usual I found some of the background characterisations, particularly that of chasing cop Rosie Cavallero to be superfluous and surplus to requirements, but when it concentrated on Simm's character's relentless chase for the truth, it was very good indeed.
Naturally he gets to run about a lot just one step ahead of the pursuing police pack, meaning hand-camera location shots a-plenty and the body-count grows wherever he goes but allowing the usual dramatic licence for coincidence, few actors can do haunted and hunted better than Simm or devious and deceptive like Parkinson. Some of the supporting cast I was less convinced by (especially a miscast Adrian Edmundson as a senior officer) but between these two, plus Cavallero and Anastasia Hille as his trusted former boss, this made for good viewing all round.
Le saviez-vous
- AnecdotesThis project was shot using available light only (without film lighting) and without traditional grip equipment. It is thought to be the first mainstream show shot this way in UK.
- ConnexionsFeatured in The Wright Stuff: Épisode #19.80 (2014)
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- How many seasons does Prey have?Alimenté par Alexa
Détails
- Durée
- 1h(60 min)
- Couleur
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