Esas Oglan

It's a waste of your money. Why did the actors act so badly? Is it because the job is bad? Scenes and shootings that happen for no reason. A complete waste of time... they all seem so fake I just finished it, to be honest, it wasn't what I expected, well with Hadise and Seda, I don't know what I expected, so don't set your expectations high.

Hadise's upper lip looks wrinkled like it's duct-taped together with money, and I haven't been able to concentrate on the series for 10 minutes because of this horrible image.

Hadise, Seda, please, if possible, let this be your last acting experience. Seda, You always play the same, that's why you never can't be a drama actress.

This series is not worth a cent since it is so recommended and put on the agenda by phenomenon accounts with its most intelligent scenes on social networks, and these scenes could not be more false.

I watched the first episode of the series just because I was curious about Hadise and Seda's acting, but it was so bad that I forgot about the acting, the series didn't even exist, they literally wasted the other male actors.

Hadise, Seda, your performances are embarrassing. Did the director not pay attention to you? Seda's acting is always the same, it is boring and that annoying voice!

The story is extremely cliché. They just tried to make it look erotic in the trailers, but only to get attention. One will be a girl with her childhood friend, the other will be with her friend's ex-boyfriend, by the way, the course of events is very obvious.

You can skip it before starting.

It's so good that it shouldn't be watched, so don't watch it either. Bad roles, bad script, Hadise's interesting character, and Seda Bakan's performance, which I didn't like for the first time in a project. The TV series Esas Oglan received widespread criticism, particularly for its script, character development, and acting performances. First and foremost, the script's reliance on clichés and predictability leads to a dull viewing experience. The motivations and relationships of the main characters are handled in a shallow and superficial manner, making it difficult for the audience to connect with them.

Hadise's character, which is meant to be intriguing, is nothing more than a poorly written figure. There is almost no depth to her character, and this lack of complexity creates a natural inadequacy in her performance. Seda Bakan, on the other hand, delivers a much weaker performance than in her previous projects; it seems as if her talents are constrained by the script. Despite efforts to add dynamism, these characters fail to make an impact due to the weaknesses of the overall script.

In conclusion, Esas Oglan fails to offer anything new, either through its story or characters. This production only repeats a formula typical of Turkish television and ultimately fails to satisfy its audience.

This series is very entertaining and fun. It has a very interesting and new topic. It is about women's problems in their relationships. They examine the personality types of men in different cultural and occupational situations and provide their listeners with their own assessment of these people in the form of a podcast.

I think the reason for its low rating is its erotic scenes, which are against the culture of the Turkish people, otherwise the story of the series and its actors are quite fine.

I have seen all the episodes and I am impatiently waiting for the next episodes and I hope that people's negative opinions of this series will not discourage the continuation of the series.

Esas Oglan isn't so much a TV series as it is a masterclass in how low expectations can become a collective lifestyle. The plot stumbles along like a toddler in oversized shoes, tripping over every possible cliché known to mankind - and yet, the fanbase applauds as if witnessing Shakespeare reborn in slow motion.

The titular "hero" delivers each line as though he's trying to remember if he left the stove on, while simultaneously trying to act through a fog of protein shakes and hair gel. And yet, online forums light up with discussions like "Did you see how intense his stare was in episode 12???" No, Jessica, that wasn't intensity - that was confusion.

The show is obsessed with drama, but allergic to logic. Each twist is telegraphed five scenes ahead, and yet the audience reacts as if they've just witnessed the invention of fire. It's performance art at this point - not on screen, but in the comments section.

To be fair, Esas Oglan is probably a great watch... if your idea of entertainment is watching wallpaper peel while someone plays a sad violin in the background.