Explore l'ascension de Gary Coleman en tant qu'enfant star, ses difficultés à vivre sous les feux de la rampe, ses problèmes financiers, sa dépression et la controverse entourant sa mort tra... Tout lireExplore l'ascension de Gary Coleman en tant qu'enfant star, ses difficultés à vivre sous les feux de la rampe, ses problèmes financiers, sa dépression et la controverse entourant sa mort tragique à l'âge de 42 ans.Explore l'ascension de Gary Coleman en tant qu'enfant star, ses difficultés à vivre sous les feux de la rampe, ses problèmes financiers, sa dépression et la controverse entourant sa mort tragique à l'âge de 42 ans.
- Self
- (images d'archives)
- Self - Gary's Father
- (as Willie Coleman)
- Self - Hairstylist, Diff'rent Strokes
- (as Joann Stafford-Chaney)
- Self - Gary's Utah Theatrical Agent
- (as Sheila Erickson Rolls)
- Self - 'Philip' in Diff'rent Strokes
- (images d'archives)
- Self - 'Kimberly' in Diff'rent Strokes
- (images d'archives)
- Self - Producer, Good Times
- (images d'archives)
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It is a cautionary tale in that he could have enjoyed the millions that he worked hard over the years yet as a minor (and I somewhat do not blame him for this), he had to entrust his money to a group of individuals who took advantage of him. It is even worse that he was Black.
His story is a cautionary tale never to entrust one's money to individuals who at the end will take advantage of you.
This documentary highlights his health condition, his talent, his relationships, and the people who either truly or possibly loved him. That's for each one of us watching to decide. I'm leaving it with the point of the documentary. He was so very talented and it was so unfortunate that he never had the opportunity to show us his full range.
What dominates this special are the countless dramatic moments that followed Coleman, either dealing with parents and agents who micromanaged his career and finances to a critical point, where the actor was being literally robbed by nearly everyone around him. It's sad to say it, but it's the usual textbook that followed many child actors/artists through decades (rare these days, but still happens). But seeing the scope of things, what happened to an already frail kid with many health issues, and that "fate" of dealing with untrsuty people followed him even when he got married later on, it's tragic.
The presence of his parents, the wife and the agent who profitted of him can revolt the most sensitive viewer - I was in total disbelief seeing their "serious" act on screen. Gotta have a lot of nerve.
But it also follows his true loyal friends who helped him out whenever needed (Dion Mial, who later became his manager after a falling out with a previous agent, shares many amazing stories of genuine friendship. Lucky folks might have a buddy like him). Co-star Todd Bridges and a few others who worked on "Diff'rent Strokes" offer the good stories from behind the scenes of the show, and some serious ones concerning Coleman's dad bossing around on the set.
I can't offer a view of Gary Coleman as a fan since I know very little about him, in fact I only know him because of that show (called "Arnold" in here) which had a re-run a lot later but very popular to audiences. I didn't know about the whole issue concerning his death and the foul play suspicious on the ex-wife, and that really took me by surprise. But if comparing with other documentaries made about important personalities, I can understand the criticism and rejection some viewers will have with this project since it's too downer and focused on gossips or "he said/she said", and very little about his work and attempts to rebuild his career outside of the Arnold Jackson character. We have plenty of great clips of his TV and cinema work, but without the input from critics or artists who were inspired by Coleman, there's something missing to understand one of the greatest TV icons of the 1970's-1980's.
Yet I was thrilled with it. It was a quite emotional journey with many surprising facts, dramatic moments and some humored as well - I couldn't resist laughing at his loan/credit commercial where he was poking fun of his downer financial problems. And viewers can take a closer look at Coleman that goes beyond Arnold: the funny kid; the brave kid who loved his work and continued with it despite being sick; the young man who struggled a lot, almost gave up of everything when things weren't going his way, made some mistakes but kept going facing the obstacles. It's mostly a downer, but there are inspiring moments that can make you look at things in a positive way, and just be critical of this fame thing and how it ruins bright talents who aren't sheltered with a great support network. As Mial says, this was a cautionary tale. 9/10.
He made the money, all they had to do was make sure it was being allocated correctly. I'm not sure why they could not have picked up a book to read on entertainment business or even hire someone to teach them entertainment business. Or even hire people to run quarterly audits. There's no way $18 million should have just vanished. Second, the wife he married was a complete dimwit and soulless individual, she isn't even a real person. Thirdly, The realist person that was in Gary's life seem to have been Dion.
Le saviez-vous
- Citations
Gary Coleman: Celebrity's always a burden. I don't care who you are. I don't care how much you claim you like it. You're stuck with it for life. You're gonna die a celebrity. Even if you haven't worked in 20 years.
- ConnexionsFeatures Good Times (1974)
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Détails
- Durée1 heure 31 minutes
- Couleur