Saint-Pierre

This show has me scratching my head, and partly at my own response to it. There's definitely something (or a few things) not quite right, but I'm not sure if it's the occasionally disastrous acting or actors (the actor who plays Arch's boss Marcus is abysmal, with one and only one facial expression in his toolbox), their inability to rise above sometimes mediocre and/or clichéd scripts, or simply bad direction. So I don't want to blame it all on the writers or actors, because direction has got to have something to do with it. And yet despite all that, I watch the show religiously every week and continue to be entertained by it. Maybe it's the earnestness of the leads, IDK, but I still enjoy it and I hope they can work out the problems for a better S2.

This show has me hooked and there have only been 4 episodes so far. The plotline of a cop/detective entering a new working environment and working with new people is something that I always enjoy watching.

In this series the two lead characters are very likeable and interesting as they both have background stories that we want to see. The stories of each episode are also very interesting and you never get bored.

I would love to see many more episodes of this show as the characters have a lot of chemistry and there is also a very fine balance of drama, action and comedy that makes it so fun to watch.

SEASON 1 (3/5)

I'm very happy to finally see some nice productions taking place in the Saint-Pierre et Miquelon islands! It's such a hidden gem in the world.

The show is the formulaic detective show to watch after work we all know. It doesn't re-invent anything for the genre but gives you some entertaining investigations and a very charismatic cast, especially the main duo, Josephine Jobert and Allan Hawco, who shine in their respective roles.

The show seems to be stuck in their "crime of the week" format, each episode ends with a reveal that is supposed to make move forward an overaching story which it's nice but it's usually five minutes of it and then they barely come back to these reveals until the end of the next episode. I think the show would gain by mixing in a better way their main story and the episodic crimes.

It's a comfort show; despite the murders, Saint-Pierre never shared any heavy subjects or any very sad/difficult moments.

As someone from Saint-Pierre, I had a fun time guessing which scenes were shot in Saint-Pierre and which one was shot in Canada, but if you don't know the islands by heart like myself, the edits made everything pretty smooth.

The last episode made me excited and very intrigued about the next season, but it was a little unfair to end like that.

This is worth watching. The setting is great and Arch and Fitz are good characters that seem well anchored and with room to grow. The mysteries are on the cozy side, but without the main characters being ridiculous/camp, though there is a sense that things are going to get more serious.

I like that Arch is smart/capable - she holds her own and isn't dressed ridiculously. Fitz is a bit of a curious mix - in exile and aware of past decisions that were bad or questionable. He has an air of regret, but also an unwavering belief in his own instincts.

We are slowly getting to know more about the characters and I find myself wanting to know more about them. Looking forward to the rest of the season.

Love love the setting. Exquisite. It is the star of the show for now.

However, we are damned with the same old, stale plot line of a crime that is solved in 47 minutes. People are more sophisticated now with Netflix and British crime series that take the crime over a number of episodes. Stop the "Murder She Wrote" template and go for the more complex, like Netflix "Lincoln Lawyer" or "Mr. & Mrs. Smith". Both only an hour long but gave the viewer a story that we could sink our teeth into. Hence their success! Trust me we can handle it.

Same with the character development. Too many paper-thin tropes. The sassy female, the crooked captain, the rich villain, the newcomer with a sorry tale. All of these are fine in general, but you absolutely need to give them some depth. Make them interesting, juicy. Canada's "Family Law", for instance, their characters have some meat on the bones. Have to engage your viewer in stories with weight and characters we care about and want to know more.