Hellions

It's Halloween again and my thoughts about this film, which I saw at TIFF 2015, are as mixed as ever. Bruce McDonald's art-house take on Halloween horror is terrific until the frustrating non-ending. I was loving the eccentric direction, off-kilter cinematography, sympathetic performances, mysterious killer kids, end the whole dream-or-reality puzzle. But then...

I suppose the short run time should be a hint this is an unfinished movie, but honestly what were the producers thinking, letting this be released? Why not sit down with the director, point out this glaring problem, and offer to scare up funds for some additional writing and shooting to finish a potentially worthy follow-up to his great Pontypool.

All that said, I still can't recommend against watching it; you don't want to miss what there is, but be prepared to imagine a third act.

Boring, clichéd teen ghost story/slasher that is more of an exercise in how to recycle tired elements such as overused sound effects, children being creepy, and the whole unborn demon pregnancy angle.

What's worse is most of the movie is filmed in this gross purple-pink filter, which doesn't make sense... and as expected, the main character makes several unrealistic, irrational choices that help escalate the situation she's a victim of.

I feel for Robert Patrick, who now seems relegated to playing the generic role of a small town cop in lame horror movies. His minimal screen time suggests he probably did not earn much for this appearance, though he is or was always a relatively dignified actor.

This movie made me roll my eyes so hard that I could hear it, and incidentally it was the first time I jumped.

Hellions is the latest film from Bruce McDonald who helmed Pontypool (2008), a film which showed that he was a director who was not afraid to approach old ideas in new ways. With Hellions, it could be said that he is adopting the same philosophy. Its story focuses on a teenage girl who lives in a town famed for its pumpkin crop. On Halloween night she discovers she is pregnant to her boyfriend and very soon finds herself home alone and terrorized by strange, costumed, demonic children who seem to be after her unborn child.

To be honest just going by the synopsis you could be forgiven for thinking this is going to be no more than a routine horror outing with little to differentiate itself from the pack. But in practice it's a whole lot better than that. This is mainly on account of the stylised manner in which its story has been brought to the screen. Once our heroine is in the midst of her struggles, lots of colour filters are used to create a weird Halloween fantasy land which creates quite a nice off-kilter atmosphere. Not only that but this is one of the few recent horror films that actually makes an effort with its soundtrack too; the score by Todor Kobakov and Ian LeFeuvre is a consistently inventive, layered and spooky concoction. Rounding things off there is a strong central performance from Chloe Rose and decent support work from Robert Patrick.

Content-wise, there's nothing especially new here but the manner in which it is brought to the screen shows considerable care and effort. There's quite a lot to appreciate in the visuals and soundtrack in particular, while the creepy kids are donned out in some imaginatively sinister costumes. This one successfully creates its own distinctive ambiance and that seems like a pretty good enough achievement to me.

Really weird surrealistic scenes. Sometimes really nice. Totally absurd though . No story line and cause its over the Hill artistic iT never gets scary .

This movie popped up in an email from Netflix as "something you may enjoy". Netflix, you couldn't have been more wrong.

To be honest, I'm still not sure what the hell I just watched. I thought it started out decent. It felt like I was watching The Strangers, but with children; home invasion and children, two very creepy things in my opinion. The movie quickly turned into "demons from hell" type movie, which I could get on board, if it weren't for the quick turn it made into that direction.

Some people say it's a pro-life propaganda movie, which I could kind of see, but that also may be reaching a little bit.

I thought the acting was good in some spots; I thought the music was definitely creepy (Christmas sounding music with a child like tone); and I thought some of the visual effects and costumes were cool.

What I didn't like were the lingering effects in scenes that looked choppy (the constant shot of her in the hanging sheets). I thought some of the dialogue was extremely lame. And, because the movie kind of goes by so quick, it's really hard to pin down what is actually happening. I felt like the film maker had a bunch of different good ideas in his head, and instead of picking one and running with it, he crammed everything into one movie.

Overall I think the movie could have been so much better. There are definitely good elements there, they just need to be justly presented.