NOTE IMDb
6,8/10
7,3 k
MA NOTE
Un policier consciencieux enquête sur un cas violent de conflit familial dans l'appartement sordide d'un toxicomane. Il doit alors prendre la décision la plus méprisable de sa vie. Jusqu'où ... Tout lireUn policier consciencieux enquête sur un cas violent de conflit familial dans l'appartement sordide d'un toxicomane. Il doit alors prendre la décision la plus méprisable de sa vie. Jusqu'où irait un parent pour obtenir une seconde chance?Un policier consciencieux enquête sur un cas violent de conflit familial dans l'appartement sordide d'un toxicomane. Il doit alors prendre la décision la plus méprisable de sa vie. Jusqu'où irait un parent pour obtenir une seconde chance?
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 5 nominations au total
Henrik Noël Olesen
- Fuld mand
- (as Henrik Noél Olesen)
May Andersen
- Sanne
- (as Lykke May Andersen)
Avis à la une
I think this is a very good film, but I can understand how it struck negative chords with kevjfarrell (see the above review). There is a pedestrian quality about the plot. In some places we can almost imagine the filming of a scene. Transitions are seamless, but they have a seemingly manufactured quality about them. Perhaps it is all a matter of a frame of mind. Perhaps I am tired of guns, noise, furious action and the hyperventilating in today's popular entertainment. So I just let myself go and became immersed in the drama.
I disagree with Mr Farrell in regards to the acting. Far from seeing it as sophomoric posturing for entry into film school, I found it natural, gripping and well-paced. In a word, realistic.
I have noted that photography has not been mentioned in the above reviews. The camera is very much a part of this film. The cinematography contains a full pallet of colour and texture with intriguing, grainless resolution and depth of field. Scenes shift between chromatic hues to almost monochrome where light and shadow replace contrasting colour. You are neither jarred nor bullied by these changes. There is a gentleness, which is complimentary to the subject.
The argument in the film is staged by gentleness vs violence, understanding and compassion vs reactive predilection. It is difficult to rate this film on a purely technical level. It could be rated less than my 8, and it could be rated more highly. I'll settle on 8 and just say that I am very glad I watched this film, and I hope to watch it again. I recommend the Danish version with subtitles.
I disagree with Mr Farrell in regards to the acting. Far from seeing it as sophomoric posturing for entry into film school, I found it natural, gripping and well-paced. In a word, realistic.
I have noted that photography has not been mentioned in the above reviews. The camera is very much a part of this film. The cinematography contains a full pallet of colour and texture with intriguing, grainless resolution and depth of field. Scenes shift between chromatic hues to almost monochrome where light and shadow replace contrasting colour. You are neither jarred nor bullied by these changes. There is a gentleness, which is complimentary to the subject.
The argument in the film is staged by gentleness vs violence, understanding and compassion vs reactive predilection. It is difficult to rate this film on a purely technical level. It could be rated less than my 8, and it could be rated more highly. I'll settle on 8 and just say that I am very glad I watched this film, and I hope to watch it again. I recommend the Danish version with subtitles.
To say much about the plot of Suzanne Bier's film about parenthood would be to risk depriving it of its power - the less you know going in, the better. The film is a succession of well-timed punches to the gut, and the cast is good enough to make the characters' difficult choices understandable. Nikolaj Coaster-Waldau carries a lot of the weight of the film, but he's well-supported - May Andersen is impressive as Sanne in her first acting role, and Bier's previous collaborator Nikolaj Lie Kaas does well to avoid making his character a one-dimensional.
Not an easy watch by any means, and not an entertainment, but a very well-made and powerful social drama.
Not an easy watch by any means, and not an entertainment, but a very well-made and powerful social drama.
We were left speechless at the end of this film. great story and acting. perfect danish film.
Great drama,thriller, I'm finding that these foreign films are so well crafted,...this is a hidden gem for sure.....
A very good movie. Powerful and unsettling. Very clever plot and great cast makes this an absorbing watch. Any spoilers will definitely spoil this movie so be very careful to avoid them in other reviews.
The moral dilemmas presented here are deep and disturbing. That said, very well handled as one would expect from the Danes.
Highly recommended.
The moral dilemmas presented here are deep and disturbing. That said, very well handled as one would expect from the Danes.
Highly recommended.
Le saviez-vous
- AnecdotesThis was model May Anderson's first acting role. Suzanne Bier met her at a party and cast her as Sanne. She resisted making Anderson audition because she thought the audition would be bad, but that Anderson would be right for the role.
- Bandes originalesGrown Up
By Emilie Nicolas
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Détails
Box-office
- Budget
- 35 000 000 DKK (estimé)
- Montant brut mondial
- 12 468 099 $US
- Durée1 heure 42 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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By what name was A second chance (2014) officially released in Canada in French?
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