Just Jim

Diminutive Craig Roberts did a memorable turn in the BBC3 series Being Human. In Just Jim he stars as well as directing and writing the film.

He plays lonely Welsh teenager Jim, who is a bit of a social outcast. Even his dog runs away from him. Then a mysterious American called Dean (Emile Hirsch) moves next door to him and Dean is modelled on a rebellious James Dean.

He makes Jim look cool by giving him a kind of 50s American look. Jim's newly rebellious attitude lands him in trouble at school and it is left open ended if Dean is just a figment of an over- imaginative teenage brain.

This is a slight coming of age story with a jagged tonal shift in the latter part of the film. It is a little bit weird and off kilter but really does not amount to much.

If you enjoy black comedy, deliberate pacing, and having to come to your own conclusions on plot ambiguity - think Barton Fink for example - then you're in for a treat. If you need a neatly resolved ending, you'll be frustrated. As the former I loved it. Excellent direction, photography, and score; tight performances - I'm looking forward to his next. Makes a good double-bill with Aki Kaurismäki's "The Match Factory Girl".

Obviously there's not much happening in that little British town. Jim tries escaping the boredom and loneliness by going to the only cinema in town where they keep playing the same old films over and over, and usually he's the only visitor. On top of that boredom he's also bullied by the other kids and, honestly, he hasn't much to offer. When that new cool American guy Dean moves in next door and tries to make friends with Jim this set-up comes across rather constructed for the sake of a plot. But the further developments seem even more unrealistic. Jim tries to come across as a "mysterious" guy but by God neither he or this film has even a hint of mysteriousness. It is one of the general challenges when depicting a boring character in a boring surrounding - the film plainly tends to get boring itself if you are not a master of subtleties or you don't bring in humor & irony. The film unfortunately lacks either of those qualities.

"I am depressed" from protagonist Jim, especially after the introduction of Emile Hirsch's kitschy cool foil, was probably unnecessary and a bit much. Up to that point, the film uses what it has to build this well balanced psychology: the trauma experienced as a victim of bullying and the subsequent introversion (spoiler free Brother Yee called it from the trailer), which in and of itself can be embraced rather than be seen as a responsive crutch to the act of bullying itself. Roberts never loses sight of this though and rides this one out nicely, even if his character is, at times, overshadowed/muddied by Hirsch's gratuitous performance. Overall, if you're a fan of teenage angst, Gen Y self-conscious, self-depreciative dialogue, and a good eye for shots and rendering, then there's plenty to smile – and laugh with in Just Jim.

"Do you believe in God? No. I think if he exists, he needs to give me a break. Maybe you just need to man up a bit, instead of being a little bitch."

A surprising film and quite different than I expected. I thought it would be a film about a bullied, dorky, funny looking boy who learns to defend himself against the merciless bullies with the help of a new neighbor. Partly this is true. Jim (Craig Roberts) is an outsider everyone hates and who also has some bizarre habits. An introverted, insecure teenager and victim of teasing and mockery. Even his parents aren't exactly supporting him. The total isolation of Jim is portrayed in a visually stunning way. Sometimes you feel sad about it all. Certainly when his own dog leaves him behind. But mostly the images are pretty hilarious. The garden gate that falls down. Jim watching at his race track apathetically with two remote controls in his hands. A birthday party organized by his parents with a large banner. Naturally the specified age is wrong. And then it swirls down in a "Jurassic Park" kind of way, while he's sitting there pathetic on his own.

This all seems to be changing, the day the neighbor Dean (Emile Hirsch) moves into the adjacent house. An American James Dean clone who quickly manages to gain the trust of Jim. Dean tries to boost Jim's confidence by giving him advice on how to put his life back on track and take matters into his own hands. As Jim's confidence grows, Dean's behavior begins to take bizarre and aggressive forms. The way he imposes himself on Jim's parents (especially the coquettish mother) isn't exactly kosher. The rebellion side of Dean's ego starts to revolt against Jim, who slowly begins to wonder whether this American guardian angel is reliable or not.

The first surprise about this film is that 24-year-old Craig directed and wrote the film. A not inconsiderable feat for such a young individual. Notwithstanding that there are some weak elements in this film, which might be annoying, the end result isn't so bad. What struck me the most were the beautiful fragments and stylistic camera setups. If you'd take single snapshots of the patchy-ranging situations, you could start an exhibition of surrealistic, experimental photography. That's at the same time something many could make a comment about. The entire movie seems like a fusion of several film experiments, which makes it sometimes confusing and complicated. But are you a David Lynch fan (and to a lesser extent you can add Refn) then you'll definitely appreciate it.

There's one thing that intrigued me. Was this a story with a double meaning? Was Dean a real person or was he just a fantasy Jim imagined because of his psychologically tormented personality? In hindsight it appears as if the whole movie is occupied by individuals with a mental illness. The crazy ex-soldier (I guess he's off his head in a way) Jim always encounters when walking the dog ( "Yeah, copy that, Clive"). A bizarre responding guard at the local cinema (a typical "Twin Peaks" character). Then there is psychotic Dean. The unworldly and apathetic parents of Jim. And finally the skeptical and introverted lead character. Could Dean be a metaphorical appearance? A way to portray the rebellious Jim, whose true and jovial personality is fighting back in the end? Or is Jim really an outsider who's just attempting to conquer a place in society? The sometimes hallucinatory and confusing images (such as the underwater moments) didn't help me to draw a final conclusion.

"Just Jim" isn't exactly a commercially oriented film and certainly won't be well received by many. It's sinister, absurd and does give you sometimes an uncomfortable and voyeuristic feeling. The film manages to mix together a depressing and at the same time a humorous atmosphere. Perhaps it sometimes tends to degenerate into an art-house experimental film. But overall it was a pleasant and surprising experience.

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