Good Kill
- 2014
- Tous publics
- 1h 42min
NOTE IMDb
6,4/10
26 k
MA NOTE
Un père de famille commence à remettre en question l'éthique de son métier de pilote de drone.Un père de famille commence à remettre en question l'éthique de son métier de pilote de drone.Un père de famille commence à remettre en question l'éthique de son métier de pilote de drone.
- Récompenses
- 1 nomination au total
Fatima El Bahraouy
- The Woman
- (as Fatima El Bahraquy)
Zion Rain Leyba
- Travis Egan
- (as Zion Leyba)
Peter Coyote
- Langley
- (voix)
Kristen DeVore Rakes
- Iris
- (as Kristen Rakes)
Avis à la une
Greetings again from the darkness. It sounds like a screenwriter's workshop: write a story centered on a joystick, a computer monitor, a speaker phone and a shipping container. Most would surrender their Pulitzer dream and head back to the day job. Andrew Niccol, on the other hand, is a talented writer/director known for such projects as Gattaca, Lord of War, and The Truman Show. His story is set in 2010 and is "based on a true story" of drone warfare.
It could seem a bit dated to explore a topic that most have known about for years, but Niccol manages to wring out a story that keeps us engaged and more importantly, encourages discussion about the concept of "video game warfare".
Ethan Hawke plays a fighter pilot who has been reassigned as a drone pilot after serving 6 tours in Afghanistan. Each day he reports to duty on a Las Vegas base and spends 12 hours locked away in a cramped shipping container staring at a video monitor while delicately manipulating a joystick that can kill people 7000 miles away within 10 seconds. These killer drones have transformed warfare, and as far as I know, this is the first film version dedicated to the daily lives of the men and women serving this duty.
Given what we know about fighter pilots, it's not surprising that Hawke's character is crumbling emotionally missing the danger that comes with a real cockpit. His marriage to January Jones is void of any intimacy or communication (partially due to his alcoholism), though surprisingly, Ms. Jones delivers something other than her typical cardboard cutout performance. Watching the suburban lifestyle of these two – grilling, backyard parties, math homework with the kids – brings nothing new to the screen, but tension is palpable as Hawke and his co-drone-pilot Zoe Kravitz are locked away and forced to follow morally-questionable orders from Langley (voiced by the great Peter Coyote). Put yourself on that joystick and imagine what you would do.
The story pushes us to discuss the dehumanization of war, and the idea that the Air Force is now best described as the "Chair Force". Especially interesting is the official verbiage used by the CIA and military in an effort to avoid "killing" and "innocent bystanders". Think about the fact that 3 decades have passed since we got caught up in the thrill of Tom Cruise and Val Kilmer as Top Gun pilots, and now some of the most deadly decisions are made based on a visual feed from a done hovering at 10,000 feet.
Mr. Niccol delivers a thought-provoking movie, which alone sets it above many. The drone's eye view follows not just the movements of the enemy, but also those of Hawke at home and in his car. Hawke's commanding officer is played by Bruce Greenwood, who delivers the film's best line: as Hawke is looking at Greenwood's fighter pilot photos, he says, you are probably thinking "I must have been a pilot before Pontius". It's a great line and one that reinforces how warfare has changed from boots on the ground to recruits based on their video game savvy. Surgical strikes are the preferred manner of warfare, so watch this and ask yourself what would you do?
It could seem a bit dated to explore a topic that most have known about for years, but Niccol manages to wring out a story that keeps us engaged and more importantly, encourages discussion about the concept of "video game warfare".
Ethan Hawke plays a fighter pilot who has been reassigned as a drone pilot after serving 6 tours in Afghanistan. Each day he reports to duty on a Las Vegas base and spends 12 hours locked away in a cramped shipping container staring at a video monitor while delicately manipulating a joystick that can kill people 7000 miles away within 10 seconds. These killer drones have transformed warfare, and as far as I know, this is the first film version dedicated to the daily lives of the men and women serving this duty.
Given what we know about fighter pilots, it's not surprising that Hawke's character is crumbling emotionally missing the danger that comes with a real cockpit. His marriage to January Jones is void of any intimacy or communication (partially due to his alcoholism), though surprisingly, Ms. Jones delivers something other than her typical cardboard cutout performance. Watching the suburban lifestyle of these two – grilling, backyard parties, math homework with the kids – brings nothing new to the screen, but tension is palpable as Hawke and his co-drone-pilot Zoe Kravitz are locked away and forced to follow morally-questionable orders from Langley (voiced by the great Peter Coyote). Put yourself on that joystick and imagine what you would do.
The story pushes us to discuss the dehumanization of war, and the idea that the Air Force is now best described as the "Chair Force". Especially interesting is the official verbiage used by the CIA and military in an effort to avoid "killing" and "innocent bystanders". Think about the fact that 3 decades have passed since we got caught up in the thrill of Tom Cruise and Val Kilmer as Top Gun pilots, and now some of the most deadly decisions are made based on a visual feed from a done hovering at 10,000 feet.
Mr. Niccol delivers a thought-provoking movie, which alone sets it above many. The drone's eye view follows not just the movements of the enemy, but also those of Hawke at home and in his car. Hawke's commanding officer is played by Bruce Greenwood, who delivers the film's best line: as Hawke is looking at Greenwood's fighter pilot photos, he says, you are probably thinking "I must have been a pilot before Pontius". It's a great line and one that reinforces how warfare has changed from boots on the ground to recruits based on their video game savvy. Surgical strikes are the preferred manner of warfare, so watch this and ask yourself what would you do?
This movie highlights important societal issues. Drone warfare is the future and soon many drones will be flying over US soil. Not just military drones mind you, but your local police will have them as well.
The reality is this. The US kills many innocent people with drones. For example, in Pakistan alone 41 men were targeted but 1,147 people killed. If you wish, you can search on this statistic and it will take you to the article about this.
It is time America dealt with the reality of what it is doing and this film is a small step in that direction. I will not write an exhaustive review because I hate spoiling movies for people, but the movie is worth watching and more importantly, thinking about.
The reality is this. The US kills many innocent people with drones. For example, in Pakistan alone 41 men were targeted but 1,147 people killed. If you wish, you can search on this statistic and it will take you to the article about this.
It is time America dealt with the reality of what it is doing and this film is a small step in that direction. I will not write an exhaustive review because I hate spoiling movies for people, but the movie is worth watching and more importantly, thinking about.
"I had information that the Taliban commander's brother would attend the funeral. So I waited until they were all there, saying their prayers... and then I blew them up too. That's my job." Thomas Egan (Hawke) is a major in the US Airforce who is trying to adjust to the modern "flying", piloting drones. He spends his days bombing and surveying damage 7000 miles away and his nights trying to reconcile what he as done. His life causes strain on his marriage and overall well being. This is a very interesting movie. It deals with something I never really thought of before, drone pilots can get PTSD too. This is not a happy movie at all, but it is a very realistic movie. Half of the movie shows how the pilots feels about piloting drones and the aftermath of their consequences. The other half is about the commanders and how they feel about the effectiveness and usefulness of them. Both sides make convincing arguments and that keeps you interested, invested and involved in the movie. Unlike some recent war movies this one does nothing to glorify the awfulness of battle and really makes you think. Overall, one of the best and most realistic war movies I have seen. More like Platoon than American Sniper. I really liked this one. I give it an A-.
This is a, at least in my opinion, a realistic portrayal of the inner conflict of UAV "pilot" and has very real characters with very real moral conflicts, and to me, that's a very interesting setup and my kind of movie. I don't think this'll be everyone's movie though. There's no epic awesome action sequence or extremely tense moments (there is a couple of moments that are more intense than the overall feel of the movie but not super intense). The main thing this movie has going for it is the deep gray-area type of moral conflict that the characters (not just the main character) face and it makes you think about them. Towards the end however, there is a very satisfactory feel that made you feel good and "all is just in the world" and that's a big plus for a movie like this, because a lot of these types of movie end in somewhat of an empty way. Now, as stated, because this isn't a entertainment kind of movie, there are going to be people saying that the characters were boring and monotonous, etc., but really, that's what fit the movie setup, and that's what is realistic. It's definitely not for everyone, but it was my type of film and I enjoyed it and plan to rewatch it to rethink through the moral conflicts in the movie.
Drones with Hellfire missiles lurk for entire days over selected targets around the world. Those who control the drones, sitting in air conditioned shipping containers near Las Vegas, are close enough sometimes to see the expressions on the faces of people as the missiles strike. The film explores complications involved in the strikes including; how easy it is for innocents to end up among the dead, difficulties in determining when and who to hit, confused chains of command, how easy it is to make mistakes or corrupt the process, and how we might feel if we were in the shoes of our targets. Major Thomas Egan (Ethan Hawke) is a vodka guzzling former pilot who laments how the U.S. Air Force has become the "U.S. Chair Force." We follow him in the office and at home as he sinks into depression, indifference and fatigue, and he still controls the trigger that determines, somewhat shakily at times, who lives or dies. While the plot could use some additional creativity and depth, and the acting is somewhat shallow, the film explores a fascinating subject. Actual strikes, from Wikileaks, add an extra dose or realism. Seen at the 2014 Toronto International Film Festival.
Le saviez-vous
- AnecdotesApproximately an hour into the film, the team engage in an operation in Yemen. Vera Suarez says, "I've never been to Yemen, sir," and the footage cuts to the drone camera over a traditional Yemeni home with open courtyards. This is actually a movie set, constructed in Ouarzazate, Morocco for the Jerusalem sequence in Ridley Scott 's Kingdom of Heaven (2005). By agreement with the town's government it remained standing after the film wrapped, and is a popular location for productions involving similarly medieval architecture. It was recently featured during Season 4 of the TV show Game of Thrones (2011). Despite being mostly complete, you can identify it as a movie set from the shot in the film, by noting the scaffolding on the bottom of the structure revealing an incomplete wall. A battering ram prop from Kingdom of Heaven (2005) can be seen next to this scaffolding.
- GaffesIn one scene, Major Egan speaks of enjoying the fear of flying combat missions. That includes the fear and danger of making a landing on the pitching deck of an aircraft carrier at night. However, Major Egan is in the Air Force and they do not land on aircraft carriers; only Navy or Marine aviators do. Also, the plane Major Egan flies, the F-16 Fighting Falcon, does not land on aircraft carriers in any case.
- Citations
Vera Suarez: Was that a war crime, sir?
Jack Johns: Shut the fuck up, Suarez!
- ConnexionsFeatured in Projector: Paul Blart: Mall Cop 2/Good Kill (2015)
- Bandes originalesBang Bang Boom
Written by Tim Myers
Performed by The Unknown
Courtesy of Palladium Records
By arrangement with Zync Music Group, LLC
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- How long is Good Kill?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Trò Choi Giêt Nguoi
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 316 472 $US
- Week-end de sortie aux États-Unis et au Canada
- 17 750 $US
- 17 mai 2015
- Montant brut mondial
- 1 474 471 $US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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