The Falling

Always best on IMDb to ignore the entire crop of 5 starred reviews. They are either deliberate plants to puff the film or starry eyed peeps of little discrimination. I really wanted to like this film. More than decent cast; great location; credible period (late 60's) After 20 minutes I was struggling to keep my eyes open. Several people in the audience just got up and left. Can't quite put my finger on it. It kept hinting as social 'issues' but nobody actually verbalised them. Lots of serious thesps giving deep and meaningful looks, but never saying anything. And why do directors think everyone in the 60s chain- smoked....at assemblies! They didn't!

"Picnic at Hanging Rock" a fine film of the 70s, telling a story of how a group of schoolgirls disappeared on a visit to Ayers Rock. This film had it eerie, creepy, atmospheric, less talky than this; in other words classy.

Alas this film, which I thought would match this from the reviews I read, did not come anywhere near it. Whereas this was certainly a personal project to writer / director, to everyone else it really is a non-sensical load of tosh. Neither eerie, classy, engaging or atmospheric.

The school group was similar to "Picnic" i.e. pretty centre of attention girl, mixed up clever girl down to fat eat a lot girl...pretty stereotypical characters.

When the fainting/shaking actually occurs, especially in the school assembly scene I'm afraid it became comical. They were obviously well drilled on how to faint.

The Director did try to convey a sense of nature at work here. For example, intimating that Abbie's spirit lingered among the old oak tree, straight through to hearing fox cries, owls hooting, even in the scenes shot in Lydia's house! Needless to say the (step)brother and (step)sister "getting it on" scenes were pretty uncomfortable. On that point was not convinced on the Mother character, especially the acting.

Major plus however, Florence Pugh, she is going to go far. A great looking girl with a distinctive voice and she can sing play guitar.

THE FALLING is a film detailing an outbreak of fainting at an all-girl school in 1969. Such events are well-documented in real life and often have the authorities and various specialists puzzled, although it's widely acknowledged that they're psychosomatic in nature. So there's potential here for an interesting storyline.

Unfortunately, the storyline of THE FALLING is all over the place. For the first half hour it's a typical tale of teenage angst and friendship. Things take a darker turn with the introduction of incestuous sub-plots and the like, but then they become ridiculous with the well-choreographed fainting spells. Subliminal imagery abounds, alongside some hinted-at supernatural aspects, but it all adds up to far less than the sum of its components. What's the message here, anyway? What's it all about?

I previously saw director Carol Morley's docu-drama DREAMS OF A LIFE and that was a similar film in that it had an interesting premise but sub-standard execution. Plus, Morley doesn't seem to be very assured at getting good performances out of her actors, and the acting is of a distinctly wishy-washy standard here. I love Maisie Williams in GAME OF THRONES, but she seems unsure of herself here and sometimes just feels like Arya in a school uniform.

Maisie Williams is a good actress but the film is slow moving and almost nothing really happens other than closed minded people not wanting to talk about the realities of life.

That being said, there is an actually problem and it's not with the film itself but rather with those that have watched it and how clueless the conclusions seem to be.

1. The reason Lydia is acting the way she is is obvious. Because her semi lesbian relationship was in the process of disintegration when the other girl died after cheating on her. She doesn't know how to deal with it so she begins acting out. She is, after all, only a child.

2. The fainting spells are also rather obvious. They are real for some of the girls and not for others. They have been picking at the wall in one of the rooms. Obviously there must be mold or something in the crack. It could also be lead poisoning given the time period. And then they are sticking their fingers into each others mouths or their own. It's quite obvious that some of them have ingested something that will harm them.

3. Not all of them die, so there is another issue. Abigail was pregnant. There is a blood toxicity that can happen while pregnant. When I was little my best friends mum was confined to bed for months while she was pregnant because this almost killed her. She ended up in the hospital for almost a month. This, combined with what might be in that wall, is likely the cause of Abigails death. Given that technology wasn't nearly as sophisticated at the time this movie takes place, they may not have known what caused it.

The movie may be boring but thinking through the answers shouldn't be so difficult.

One of the London Film Festival's handful of world premieres, The Falling had naturally generated buzz as it's a film funded by the BFI, which is quite unusual for them. Unfortunately, while it has its merits, it doesn't quite live up to expectation as a whole. That said, the limited budget is impressively spread out with a solid cast including Game of Thrones' Maisie Williams and convincing 1960s production and costume design. The creativity of director/writer Carol Morley is less striking. It's a film interested in starting a lot of tangents without finishing them, or instead giving us underwhelming payoffs. It's built on the backbone of an odd mystery, one it's uninterested in resolving, but interested in escalating.

Set in a 1969 girls school, when the promiscuous student Abbie, played by Florence Pugh, accidentally gets pregnant, she begins to suffer from fits of fainting seemingly at random. Her best friend Lydia, played by Williams, deals with the consequences after the epidemic spreads across the school with girls fainting out of control. The film appears to be a story about the friendship between Lydia and Abbie, but it fractures off into different directions, some more engaging than others. Most dramatically is exploration into Lydia's past, or rather, how she came into this world. Her relationship with her agoraphobic mother, played by Maxine Peake, is a key aspect of the film and one of the few things that eventually pay off in a satisfying way, if a disturbing one. It needed some more development beforehand to feel fully fleshed out, but the delivery of it in the third act is the film's greatest strength.

While kept deliberately ambiguous, it appears that the fainting is somewhat of a punishment for early sexual behaviour (which incidentally appears to mostly be instigated by Lydia's brother, played by Joe Cole). There's no charm in its apparent disdain and shaming for the young girls' urges and it doesn't feel like a thought thoroughly argued through enough. It's most interesting for the way the authority figures react, which is in complete denial that anything is wrong, even when Lydia is on her knees in the hallway. Even so, characters don't react the way people would react to others fainting, though perhaps it's supposed to hint about how it's become so tiresome. It contributes to the uneasy atmosphere of the film with its dreamlike eeriness.

It is quite rewarding to see Maisie Williams in this type of environment for a change. It's clear that she's making the most of it and trying her best to feel natural, but she doesn't quite have the conviction to make it work just yet. In time she'll be a great actress. It just feels as though Morley has misjudged what the film was trying to do for the most part, thematically and tonally. It does have some good aspects and interesting tidbits, existentialism that's valid if unremarkable, but as a whole it brings nothing new stylistically to the table and is often too uninspired in execution. It has a bizarre sense of humour that doesn't quite gel with its thoughtfulness and mystery. Solid production for the budget, interesting and engaging moments here and there, but The Falling is misguided from the script's initial intentions direction.

6/10

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