Ajouter une intrigue dans votre langueAn unexpected family issue sparks tensions between a father and his sons, compelling them to collectively seek a resolution.An unexpected family issue sparks tensions between a father and his sons, compelling them to collectively seek a resolution.An unexpected family issue sparks tensions between a father and his sons, compelling them to collectively seek a resolution.
- Réalisation
- Scénario
- Casting principal
Avis à la une
Very very poor sound direction. After watching the movie I came to the conclusion that Director Sarath Chandran never watched the movie post production. A poor try hard effort to release "a" movie I guess. Couple of people are walking across a water-stream and footsteps are dubbed in, not the water sound. If the sound director had put the effort he used to add the cigarette lighter sound he added every time Kalabhavan Shajon lit one, I would've given the movie a 4* rating. Again - a poor try hard effort. That's all I can say about this. Props to Vijayaraghavan Chettan for his unparalleled acting.
10raj5251
Ouseppinte Osiyathu is a brilliantly crafted Malayalam drama that dives deep into the complexities of family dynamics, moral dilemmas, and the haunting weight of unspoken regrets. Directed with a keen sense of storytelling, the film gracefully navigates the tensions between tradition and integrity, making every frame resonate with emotion and authenticity.
At the heart of the story is Ousep, a self-made plantation owner whose decision to pass his entire estate to his youngest son Roy sends shockwaves through the family. What unravels is not just the battle for inheritance, but a poignant examination of what it truly means to earn one's legacy. Vijayaraghavan's portrayal of Ousep is nothing short of spectacular-his silent resolve and sharp gaze speak volumes about the burdens of fatherhood and the weight of trust.
The standout performance, however, comes from the actor playing Roy. His idealistic yet grounded nature brings a refreshing layer of sincerity to the screen, making it easy to understand why Ousep places his faith in him. In stark contrast, the elder brothers, Michael and George, serve as cautionary tales of ambition tainted by greed.
Cinematography deserves special mention for its ability to capture the lush landscapes of the plantations while also reflecting the darker undertones of family conflict. The script is tightly woven, with each conversation feeling purposeful and loaded with subtext.
Ouseppinte Osiyathu is more than just a tale of inheritance-it's a powerful exploration of trust, redemption, and the legacy we choose to leave behind. For those who appreciate rich storytelling and deeply human characters, this film is an unmissable gem.
At the heart of the story is Ousep, a self-made plantation owner whose decision to pass his entire estate to his youngest son Roy sends shockwaves through the family. What unravels is not just the battle for inheritance, but a poignant examination of what it truly means to earn one's legacy. Vijayaraghavan's portrayal of Ousep is nothing short of spectacular-his silent resolve and sharp gaze speak volumes about the burdens of fatherhood and the weight of trust.
The standout performance, however, comes from the actor playing Roy. His idealistic yet grounded nature brings a refreshing layer of sincerity to the screen, making it easy to understand why Ousep places his faith in him. In stark contrast, the elder brothers, Michael and George, serve as cautionary tales of ambition tainted by greed.
Cinematography deserves special mention for its ability to capture the lush landscapes of the plantations while also reflecting the darker undertones of family conflict. The script is tightly woven, with each conversation feeling purposeful and loaded with subtext.
Ouseppinte Osiyathu is more than just a tale of inheritance-it's a powerful exploration of trust, redemption, and the legacy we choose to leave behind. For those who appreciate rich storytelling and deeply human characters, this film is an unmissable gem.
This movie had a simple plot and keeping aside the flows in the screenplay, the execution was above average. The veteran actors helped elevate the movie so that it wouldn't collapse like a house of cards.
The cinematography and production design deserves 10/10. It's always a refreshing experience to see Idukki on the big screen.
As mentioned above, there were a few flows in the screenplay that could have been easily avoided. There was a possibility to execute the second half more smoothly.
All the actors have done a fine job and I guess that Dileesh Pothan selects a script that has that'minimum' quality and most of his movies are good to watch.
The cinematography and production design deserves 10/10. It's always a refreshing experience to see Idukki on the big screen.
As mentioned above, there were a few flows in the screenplay that could have been easily avoided. There was a possibility to execute the second half more smoothly.
All the actors have done a fine job and I guess that Dileesh Pothan selects a script that has that'minimum' quality and most of his movies are good to watch.
Start till first half of the movie was pretty decent -a but slow, but realistic, showing a slice of life with good dialogues, screenplay and pretty good acting - but from middle to end - story just meanders and honestly the director and actors themselves were all over the place - the grounded, slice of life and realistic elements get stretched at many occasions in the second half.
Now that being said some of the performances were really good - but I do have a bone to pick some steller actors not used to anywhere their potential like Vigayaragavan, Kani Kusruti, Sherin Shihab etc.
Climax was slightly better - but it came out a bit abruptly. A better screenplay and more skilled director could have made this into decent movie - as it stands if you give this a miss, you won't be regretting at all. But should you watch, the first half would engage and you can skip through the later parts.
Now that being said some of the performances were really good - but I do have a bone to pick some steller actors not used to anywhere their potential like Vigayaragavan, Kani Kusruti, Sherin Shihab etc.
Climax was slightly better - but it came out a bit abruptly. A better screenplay and more skilled director could have made this into decent movie - as it stands if you give this a miss, you won't be regretting at all. But should you watch, the first half would engage and you can skip through the later parts.
Ouseppinte Osiyathu is a rare film that speaks softly but leaves a lasting impact. Rooted in emotion and layered with meaning, it captures the tension between faith, loss, and quiet resilience. The performances are honest and grounded, especially from the lead cast, who carry the emotional weight of the story effortlessly. The visuals are beautifully composed, and the film's atmosphere is immersive without relying on theatrics. While the pacing may feel slow in parts, it serves the narrative's meditative tone. It's not just a story-it's a feeling. The kind of film that stays with you long after the screen fades to black. Highly recommended for those who appreciate cinema that's thoughtful, poetic, and emotionally rich.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
Box-office
- Montant brut mondial
- 23 432 $US
- Durée1 heure 59 minutes
- Couleur
- Mixage
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant