L'Affaire Yara: sans le moindre doute ?

To whom is familiar with the case, this show is an absolute joke. It is so biased that it becomes immediately evident that the only purpose behind is to draw media attention, and instill doubts where there is literally none left. The director decided to focus only on the elements that were not strong in the proceeding, totally ignoring the DNA testing proof which undoubtedly pointed in one direction: 100% guilty. The enormous work done in order to identify the subject lasted years, it was very complex and brought to discover things that were unknown even to the perpetrator. There is no way that all of this was fabricated to blame an innocent person, because years of work led to him, not just a suggestion. Even circumtancial evidences are compelling here, but DNA traces on the body say it all. It is painful that the parents of the victim must go through this unfair and unnecessary biased review of the facts.

The continuous back and forth between multiple time lines is extremely confusing and irritating. At one point in the 3rd episode I just didn't know what part of the sequence of events was I even seeing anymore.

If you want to go back and forth, then just keep it to 2 timelines OR better just go in a sequential order.

The editor has made a mess of things completely destroying the documentary.

Also wassup with the subtitles and audio translation? Every scene starts off with the original Italian audio and then the English audio cuts in, the screen at the same time shows the original Italian text (name of the person talking on screen), and the subtitles then randomly shows the person's name in between what is being said.

I still completed the series because I really wanted to find out what happened. But my god, the production of this thing is a complete mess.

STOP inserting the original audio language in translated versions.

STOP inserting the original language words on-screen in translated versions.

STOP with the multiple timelines if you don't know what you are doing. You are NOT Nolan.

Frankly speaking, a good reason to cancel the Netflix subscription.

The documentary exclusively supports the defendant's point of view and ends by claiming that the prosecutor is under investigation for fraud.

The reality is that criminal prosecution in Italy is mandatory when there is a complaint (and the defendant's attorney filed a complaint) but the action ended with the prosecutor's acquittal of all charges.

The evidence brought by the public prosecution in this case is indisputable. The genetic profiles of person of interest 1 and 2 were ascertained well before the people to whom they belong were identified. What is extraordinary in this case is that the genetic profiling of almost 20,000 volunteers made it possible to determine the existence of an illegitimate child, the result of an extramarital relationship of which no one was aware, except the mother of the accused and his natural father, who died 12 years earlier. This illegitimate child was found guilty of killing Yara Gambirasio.

Netflix documentary falsely claims the evidence of the defendant's van, circling 16 times around the gym, was fabricated. The reality is that a video released by investigators showed images shot by 5 different cameras. Only one provided images of such quality as to allow certain identification of the defendant's van. The images shot by the other four cameras only show a van "compatible" with the defendant's one. However, in the entire province of Bergamo (1,060 square kilometers in area and 1,115 million inhabitants) there were only three vans compatible with that of the defendant. The probability that other vehicles, compatible to the defendant's one, were circulating around the Yara gym, on the same day at the same time, thus reducing the identifications from 16 to "only" 5, was considered by the jury to be low and, ultimately, irrelevant. Bossetti's van was indeed circling around the gym when Yara disappeared, as for the evidence presented by the prosecution.

Much emphasis is placed on the trainer's genetic material found on Yara's jacket or on cell phone traces. The jury found these elements irrelevant. Yara and the coach met regularly at the gym. The genetic material may have been deposited on the vest days, or even weeks, before Yara disappeared.

The cell phones do not prove at all that the defendant was at home at the time of Yara's disappearance. No one confirmed his alibi, not even his family, and the defendant has no explanation as to why his van was circling around Yara's gym at the time of her disappearance.

Massimo Bossetti is rotting in jail and deservedly so.

This documentary should just be called "A one sided case for the defence of an obviously guilty man". Because that's what it is. I didn't pick up on it until the end of the third episode just how formulaic it was. It's like this: 1) bring up a point that makes Bossetti look clearly guilty or just plain bad. (Which he is. And which he is.) 2) have the defence lawyer and other advocates explain it away. Oh it's nothing. Could happen to anyone. 3) quote the prosecution to make them look incompetent. 4) quote the defence again to explain what a farce it all was and how biased the media is. 5) we, the viewer, are supposed to be shocked and outraged at Italy's legal system, and are meant to somehow feel sorry for the utter psycho Bossetti and his wife.

One of these 5-step cycles lasts about 8 mins. So repeat it for about 25 different points. Most of which make him look very guilty, but we are meant to feel sorry for him because of the media storm. Or something. The documentary makers even try to muddy the waters and divert blame to completely innocent people just because some touch dna (not blood!) of a woman was found on the dead girl's jacket sleeve. (Umm hello. Bossetti's dna was found on her underwear. I think this counts for more.)

Netflix has done it again. You think people would have learnt after being sucked in by Making A Murderer. This one is just as deceptive. But it seems to be working with people who cannot think critically about what they're watching.

This documentary cought my attention, it is heartbreaking as any similar case would be and I was really interested in finding out what happened but on the half of second episode I had to stop watching because of disturbed timeline. Constant back and forth between various years is making me nervous and I can't follow any more what is happening when. Don't understand the reason behind this but I see it often in documentaries lately especially true crimes. It's purpose is I suppose to make dynamics which is fine but should be made moderately. This just confuses, iritates and makes documentary impossible to follow.