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IMDbPro

All Things Must Pass: The Rise and Fall of Tower Records

  • 2015
  • Not Rated
  • 1h 34min
NOTE IMDb
7,3/10
3,7 k
MA NOTE
All Things Must Pass: The Rise and Fall of Tower Records (2015)
A documentary that explores the rise and fall of Tower Records, and its legacy forged by its rebellious founder, Russ Solomon.
Lire trailer2:05
2 Videos
8 photos
DocumentaireL'histoireMusique

Ajouter une intrigue dans votre langue'All Things Must Pass' is a documentary that explores the rise and fall of Tower Records, and its legacy forged by its rebellious founder, Russ Solomon.'All Things Must Pass' is a documentary that explores the rise and fall of Tower Records, and its legacy forged by its rebellious founder, Russ Solomon.'All Things Must Pass' is a documentary that explores the rise and fall of Tower Records, and its legacy forged by its rebellious founder, Russ Solomon.

  • Réalisation
    • Colin Hanks
  • Scénario
    • Steven Leckart
  • Casting principal
    • Russ Solomon
    • Michael Solomon
    • Heidi Cotler
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    3,7 k
    MA NOTE
    • Réalisation
      • Colin Hanks
    • Scénario
      • Steven Leckart
    • Casting principal
      • Russ Solomon
      • Michael Solomon
      • Heidi Cotler
    • 27avis d'utilisateurs
    • 27avis des critiques
    • 73Métascore
  • Voir les informations de production sur IMDbPro
  • Vidéos2

    Official Trailer
    Trailer 2:05
    Official Trailer
    All Things Must Pass
    Promo 0:27
    All Things Must Pass
    All Things Must Pass
    Promo 0:27
    All Things Must Pass

    Photos7

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    Rôles principaux22

    Modifier
    Russ Solomon
    Russ Solomon
    • Self - Founder, Tower Records
    Michael Solomon
    • Self - Russ's Son
    Heidi Cotler
    Heidi Cotler
    • Self - VP of Operations, Tower Books
    Paul Brown
    • Self - Manager, Watt Avenue, Sacramento
    Stan Goman
    • Self - Chief Operating Officer, Tower Worldwide
    Steve Knopper
    • Self - Contributing Editor, Rolling Stone
    David Geffen
    David Geffen
    • Self - Founder, Geffen Records DGC
    Rudy Danzinger
    • Self - VP of Community Relations
    Mike Farrace
    • Self - VP of Marketing, Tower Partners
    Steve Nikkel
    • Self - VP of Worldwide Advertising
    Bruce Springsteen
    Bruce Springsteen
    • Self - Singer-Songwriter
    Mark Viducich
    • Self - Shipping & Receiving Clerk
    Ken Sockolov
    • Self - Store Clerk, Watt Avenue
    Dave Grohl
    Dave Grohl
    • Self - Store Clerk, Washington D. C.
    Bob Delanoy
    • Self - Stan's Neighbor
    Elton John
    Elton John
    • Self - Singer-Songwriter
    • (as Sir Elton John)
    Jim Urie
    • Self - Former President & CEO, Universal Music Group
    Patty Drosins
    • Self - Russ's Wife
    • (as Patti Drosins-Solomon)
    • Réalisation
      • Colin Hanks
    • Scénario
      • Steven Leckart
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs27

    7,33.7K
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    Avis à la une

    8jellopuke

    Nostalgic look at a lost era

    A loving look at an old store and its impact with lots of warm thoughts and good thoughts. Might not be much for people who didn't live it, but for anyone that remembers that era it's going to be worth seeing. Will definitely make you miss record stores and long to go to Japan.
    7imseeg

    Bye bye records...

    Nostalgic, slowburning (sometimes a bit boring) story about the rise and fall of the biggest record store company in the world called Tower Records, which rose to fame during the seventies. Bruce Springsteen and Elton John declare their unconditional love for Tower Records, because both and many other famous artists where household guests at Tower Records, which opened an hour earlier especially for these popstars to let them be able to go on their weekly shopping spree for new records.

    There was something quite special about that feeling of visiting an actual existing recordstore, which simple can not be experienced by simply downloading A TRACK.Going to the record store, with all these zillion records stacked up high, gave a feeling of coming home. And it was a home, for many music lovers AND musicians for many many years.

    Internet killed the record store though after 2000. But the record store miraculously DID SURVIVE in Japan, of all places!

    A bit too many management talking heads are the only downside of this documentary. For that reason I skipped the middle part. But the first part of the origin and rise to fame of Tower Records and the last part about the downfall are pretty interesting and fun to watch.
    6Prismark10

    Put the needle on the record

    I recall being excited to visit the Tower Records store in LA in the mid 1990s on my first visit to the west coast of the USA. When I returned a decade later to their San Francisco store, it somehow felt less exciting, the store looked a little too ordinary and it seems they were having a fire sale on. A few months later Tower Records had gone bust.

    Colin Hanks documentary examines the growth of this record chain from its early years from founder's Russ Solomon's dad's drug store where he had a section which sold records.

    Russ took over the business in the 1960s, starting in the west coast and moving to the east coast and then internationally to Japan.

    As is the case, these heady years of the counterculture was a supposedly drug and drink fuelled hazy party for the staff (it always seem to be the case with maverick start ups.) Live hard and party hard was the motto. The staff I saw in the 1990s seemed to be mainly bored teenagers on minimum wage.

    At the turn of the millennium Tower Records was valued at $1 billion. Their seemed to be no end to its success and they were determined to sell albums, preferably CDs.

    The impact of online shopping was a body blow. The Apple Store allowed you to buy singles you wanted for 99 cents. Tower Records wanted you to buy the whole album for an ever increasing price and their online servers was on AOL.

    Even worse the young IT savvy consumer could now get music for free from Napster and other torrent sites. Combined with the company's debt laden expansion, choppy waters awaited them.

    The documentary interviews key staff from the early days as well as the man himself Russ Soloman who comes across as a charismatic maverick. We also get to hear from musicians such as Dave Grohl, Elton John and Bruce Springsteen about their joy in visiting the Tower Record stores, browsing, talking to aficionados. Elton admits he spent a fortune in their shops.

    The documentary was a bit messy, in fact a little overlong. We see a former executive being fired by a new management team and how Russ took him out for a meal after a Christmas party which bought him to tears. I wanted to know why he was fired, why he could not get another job, what happened after he went for a meal with Russ and then the same executive turns up later on when the attention shifts to the company's declining fortunes.

    In fact seeing some of the staff being interviewed I was impressed how they managed to become so big, it seemed to be more by serendipity than design.
    8cockezville

    Back in Time

    I live in a major east coast city and we never had a Tower Records but I was certainly aware of it and always visited when in NYC, or Los Angeles. It really did have its own sort of ambiance and each franchise was different. For me Tower Records was at its peak during the vinyl period.

    Colin Hanks does an outstanding job of showing the progression of Tower Records from initially a Sacramento pharmacy selling 45's to an international record giant and the vision of Russ Solomon and his team of loyalists . Russ is portrayed as an all around good guy who enjoyed nurturing employees to find their strength and grow with the company. I loved the interviews with the employees and recording artists who loved the place. Unfortunately digital music and the death of the CD killed the stores . But Russ was not bitter and had a great attitude. Glad this was filmed before he died so we could get his perspective. An excellently paced documentary.
    6bonsai-superstar

    Karma At Work

    Unlikeable men fall into a CANNOT LOSE business (baby boomer, rock buying generation) and milk the customer dry for decades. Despite making millions, and eventually billions, this is not enough for these offensive parasites. These supposed "businessmen" (actually simple-minded drunkards and coke heads), fail to see digital coming and greedily refuse to offer their goods at reasonable prices. Now that these people are exposed for the lowlife scum that they are, they can only weep at the loss of their jobs (and at the loss of a fellow drunk, a gentleman who hilariously, literally wears a lampshade on his head. What a cutup! This, and the David Crosby / walrus-mustachioed Cletus are these people's idea of interesting people.

    Despite each working for decades, adding up to centuries worth of experience, in a music-related field, it is notable that music - remember music? - is never a discussion point for these selfish greed heads, only the good times they enjoyed and the incredible profit they were making, both at the customer's expense.

    Tower Records was a good store in spite of these people. Everyone loves music, all you needed to do was sell it to them at a reasonable price. See the Beatles' Apple Records for a similar example of what happens when you put burnt-out hippies in charge of your business. It's a shame alright, shameful actions.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      To promote the release of the film, the still empty building which once housed the Tower Records on Sunset Blvd. in West Hollywood had its facade repainted to appear as it once had. This led to rumors that the store may reopen, but in fact the building had been sold to Gibson Guitars in 2014 with the intention of opening a guitar showroom, while preserving the historic building itself. Not yet ready to open their showroom, Gibson worked with the documentary makers to repaint the building to display the Tower facade. The repaint was planned to be taken down after the premiere party was held inside the empty building, but remained up for over a year while Gibson continued to plan their new store.
    • Gaffes
      In the closing credits the Japanese Translator, Kyoko Nishijima, is listed twice.
    • Citations

      Dave Grohl, Himself: [Describing the cover of Nirvana's "Nevermind" LP] People went to great lengths. Like they'd get that weird foam and cardboard stuff and make a baby and there's a actual dollar bill dangling in front of it and it looks like water behind it. And, you know, when you would see people go to that much trouble for you, for your band, we were just, like, we were just shocked.

    • Connexions
      Referenced in Late Night with Seth Meyers: Carol Burnett/Colin Hanks/Baio/Abe Laboriel Jr. (2015)
    • Bandes originales
      Bless This Morning Year
      Written and Performed by Helios

      Courtesy of Unseen Music LLC.

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    FAQ16

    • How long is All Things Must Pass?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 16 octobre 2015 (États-Unis)
    • Pays d’origine
      • États-Unis
      • Japon
    • Sites officiels
      • Official Facebook
      • Official Trailer
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • All Things Must Pass
    • Lieux de tournage
      • 8801 Sunset Blvd West Hollywood, Californie, États-Unis(Tower Records Sunset Blvd. location)
    • Sociétés de production
      • Company Name
      • Michaelgion
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 172 394 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 19 001 $US
      • 18 oct. 2015
    • Montant brut mondial
      • 172 394 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 34min(94 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.78 : 1

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