Last Days in Vietnam

I sat in a small theater with people that were at least a generation older than me watching this documentary. I'm too young to remember Vietnam, was born in 1972. I am a Vietnam War history buff and have visited Vietnam on three separate occasions. This documentary was extremely well made and it includes some never seen before footage of the chaotic evacuation from Saigon. For an hour and a half I was glued to the movie screen. The story telling is excellent and it includes words from both the Americans and the South Vietnamese. Perhaps it would have been interesting to add a perspective from the North Vietnamese who were storming the city and why they allowed the helicopters to leave without challenging the evacuation. All and in all and excellent documentary and one that I enjoyed very much.

It's quite amazing how much was captured on film and photographs and it's put together so well that it almost seems like one was watching a movie of the fall of Saigon - it feels so complete. There are interesting interviews with witnesses mainly military personnel both US and South Vietnamese.

Unlike a typical Vietnam war movie this covers a different angle - not about fighting the war but the end of the war. There is criticism of Ambassador Graham Martin's refusal to organize an evacuation till it was too late leading the the chaos that took place. Would have liked to know more of his reasons for being so obstinate and the diplomatic failure at the end.

One minor fault is subtitles are in white sometimes against a white background and so hard to make out.

This makes one want a follow up on what happened to those left behind beyond the words of epilogue at the end.

Some reviewers here have missed the point: in no way, shape, or form does Last Days in Vietnam purport to be a documentary covering the whole of the Vietnam War and the rights and wrongs behind it. That documentary would take hours to chronicle such events. Instead, this is a snapshot of a single situation, the airlifting to safety of many South Vietnamese people in the dying days of Saigon.

Where Last Days in Vietnam excels is in the contemporary footage of the event. The entire film is made up of old news footage of crowds fleeing and the unfolding situation at the US embassy in Saigon. Talking head footage is cut in to humanise the story, and the documentary as a whole turns out to be thoroughly engrossing: it's gripping stuff, moving with it, in which the best and worst of human nature is brought to life.

Every talking head character here has an interesting story to tell. The director, Rory Kennedy, is the daughter of none other than Robert Kennedy and although I wasn't familiar with her work previously I'll be looking out for her in future. Last Days in Vietnam is superlative stuff, and unmissable viewing for anyone with an interest in those ill-remembered times.

After building enough history to emphasize about the exodus event itself the movie nicely serves the incredible sub stories that happen during the incident. I really like the movie's approach of previously serving the interviews without giving out the speaker's names, building up the start of their opinions and then weave together all those sub stories into link to the greater story of the event. What makes this movie very good is that the movie makers were able to obtain many authentic footage and photographs that give visuals to the stories told by the interviews.This makes the movie deeply visual, without having to resort to other ways to invoke the drama and emotions.

When an occupying army gives up, and retreats, the immediate consequences are always going to be worst for those of the indigenous population who collaborated with the outgoing forces. For years, the United States helped keep South Vietnam independent from the north; once the U.S. troops had departed, re-unification was inevitable and eventually, the remaining Americans evacuated themselves, taking with them just some of the Vietnamese who had worked or fought for them and who now faced an uncertain future under a communist regime. Indeed, with the North VIetnamese forces on the edges of Saigon, the only way the evacuation could be staged was by helicopter, leading to extraordinary scenes all captured on film, and re-lived in this documentary. Having gotten in this mess, it's hard to see what the U.S. government could have done differently; with hindsight, of course, the whole story of U.S. involvement in Vietnam is a dreadful mistake. There's a vividness to the film clips, and to the recollections of those involved, which makes Rory Kennedy's film a particularly personal and intimate representation of the war as a whole. What doesn't need stressing is the totality of the defeat suffered by the U.S., an event that has arguably infused U.S. politics to this day.