Last Days in Vietnam

I sat in a small theater with people that were at least a generation older than me watching this documentary. I'm too young to remember Vietnam, was born in 1972. I am a Vietnam War history buff and have visited Vietnam on three separate occasions. This documentary was extremely well made and it includes some never seen before footage of the chaotic evacuation from Saigon. For an hour and a half I was glued to the movie screen. The story telling is excellent and it includes words from both the Americans and the South Vietnamese. Perhaps it would have been interesting to add a perspective from the North Vietnamese who were storming the city and why they allowed the helicopters to leave without challenging the evacuation. All and in all and excellent documentary and one that I enjoyed very much.

After building enough history to emphasize about the exodus event itself the movie nicely serves the incredible sub stories that happen during the incident. I really like the movie's approach of previously serving the interviews without giving out the speaker's names, building up the start of their opinions and then weave together all those sub stories into link to the greater story of the event. What makes this movie very good is that the movie makers were able to obtain many authentic footage and photographs that give visuals to the stories told by the interviews.This makes the movie deeply visual, without having to resort to other ways to invoke the drama and emotions.

It's quite amazing how much was captured on film and photographs and it's put together so well that it almost seems like one was watching a movie of the fall of Saigon - it feels so complete. There are interesting interviews with witnesses mainly military personnel both US and South Vietnamese.

Unlike a typical Vietnam war movie this covers a different angle - not about fighting the war but the end of the war. There is criticism of Ambassador Graham Martin's refusal to organize an evacuation till it was too late leading the the chaos that took place. Would have liked to know more of his reasons for being so obstinate and the diplomatic failure at the end.

One minor fault is subtitles are in white sometimes against a white background and so hard to make out.

This makes one want a follow up on what happened to those left behind beyond the words of epilogue at the end.

Some reviewers here have missed the point: in no way, shape, or form does Last Days in Vietnam purport to be a documentary covering the whole of the Vietnam War and the rights and wrongs behind it. That documentary would take hours to chronicle such events. Instead, this is a snapshot of a single situation, the airlifting to safety of many South Vietnamese people in the dying days of Saigon.

Where Last Days in Vietnam excels is in the contemporary footage of the event. The entire film is made up of old news footage of crowds fleeing and the unfolding situation at the US embassy in Saigon. Talking head footage is cut in to humanise the story, and the documentary as a whole turns out to be thoroughly engrossing: it's gripping stuff, moving with it, in which the best and worst of human nature is brought to life.

Every talking head character here has an interesting story to tell. The director, Rory Kennedy, is the daughter of none other than Robert Kennedy and although I wasn't familiar with her work previously I'll be looking out for her in future. Last Days in Vietnam is superlative stuff, and unmissable viewing for anyone with an interest in those ill-remembered times.

Rory Kennedy is a masterful story teller, and has combined that talent with historical accuracy in this engaging and truthful documentary. Having been a former AP reporter in Vietnam, I can verify that the US evacuation in 1975 is a little told story---a critical element of the war story, but often disregarded in the annuls of this war. But the evacuation is a catalyst for Ms. Kennedy to recreate the dynamics of how easy it is to get into war, but how difficult to get out. For Vietnam veterans, often not wanting to talk about their war experiences, Ms. Kennedy deftly interweaves the soldiers stories who were there, with an out of touch US ambassador who refused to believe that Saigon would ever be defeated, to a Congress that blocked any more funding to support a falling regime. But the soul of this story is how they all were morally and personally torn by leaving behind many of their Vietnamese counterparts who could not be evacuated in a very hasty and uncoordinated US departure. To add another original dimension, one of the US Kirk navy men had hours of 8mm footage of the evacuation that was uncovered in his attic and remastered by Ms. Kennedy for use on the documentary. One of our soldiers spoke for many of our troops when he said "that he sometimes even dreamed in Vietnamese." In one of the same, this may have been a small part of the war's history, but at the same time epitomized the entire war in 98 minutes of drama, skilled cinematography, stunning resolution and sound, and the riveting pain of war. As an educator and child advocate, I would urge that this be used as a resource in every social studies, history, and political science class rooms in the country.