A cappella

Han Gong-Ju was emotionally devastating. The storytelling was skillful and while it was easy to figure out what the central event was, the details only began to unravel as the story progressed, resulting in a captivating plot that culminated in some very heartbreaking scenes. Chun Woo-Hee's performance was arresting and the film's harrowing subject matter was handled delicately yet made all the more disturbing by the fact it's based on a real incident.

i could easily give this film an 8 or 8.5 stars higher rating, but two things simply made it impossible. but first of all, i have to say this is quite emotional movie about the atrocity a teenage girl could ever face or deal with. a very sad story lack of any humanity in it. human beings are indeed the worst species this planet earth could do without, men and women, how heartless they could be, how senseless they could do, to a teenage girl. the loneliness that this main character suffered and had to deal with were simply beyond any word may be able to describe.

i have to praise the young actor who played Han Gong Ju, a sometimes plain, sometimes ugly, but most of the time looked beautiful young woman, depending how the camera's angles. i rarely saw a young actor could give such subtle performance by using her body language and expressions to show the gradual transformation of her mood under different conditions without any pretentiousness and exaggeration. a very talented natural young actor indeed.

the subject of the screenplay was also well scripted with deep feelings of helplessness and cruelty. if the casting job could do better and the editing could be more clearer, then this film could be on par with "oldboy", but it didn't.

first, about the casting: why hired two almost similar look alike female actors to play the young girl's mother and the teacher's mother? we know that almost 99% of the Korean women are having their faces(or even their body parts) fixed up by plastic surgery. so these two mature women sometimes were very difficult to identify who's who. they all looked alike, thus caused a lot of confusion in this film.

secondly, about the editing: the past and the present, the flashbacks, the connection, the transferring from the past to the present...were so carelessly arranged and edited. thus also caused so many confusions during watch. some of the flashbacks were so abrupt and so clueless until viewers realized they were the past instead of the present tense.

other than these two shortcomings, i have no other complaints against this little gem.

This film is horrible in the best way possible. The lead has been through so much but still continues to move forward creating a new life for herself. Although this film is absolute heartbreaking the message it conveys is beautiful. There were times when I laughed and times my heart absolutely broke for Gong-ji, I hate how hard her life's been at such a young age but I'm also so happy she prevailed through the tough times. During some flash backs I was a little confused but surprised how well they blended together so nicely. I would 100% recommend this to a more mature audience as it's definitely not for ages under 16. Overall this is an amazingly heartwarming and breaking film.

Very good realistic works. Although the narrative line is a little messy, it is also the interweaving of light and shadow, which always reminds the audience how cruel the reality is. I also hope that a strong woman can start a new life, unfortunately~

I just finished watching this unique movie and - I have to put this out there before saying anything else - huge trigger warning for sexual assault and related traumatic events.

That said, and despite the trigger warning, one of the major strengths of the movie is its sensitive and non-exploitative treatment of what is, by all accounts, a harrowing and deeply painful subject. The writing, direction, editing, and performances are all commendable in how impressionably but carefully they expose rape culture and the costs it imposes on its victim-survivors. Indeed, the movie does what very few of its kind manage to do: to communicate the horrors and harms of rape and of its aftermath to audiences while avoiding catering to the male gaze and sexually objectifying its female characters, or exploiting its female characters in other ways purely for the male audiences' entertainment.

As a consequence, Su-jin Lee and his crew succeed, in a way that is rarely seen in cinema, to show just how hard coming out with a rape allegation is to victims of sexual assault and/or rape and how existing patriarchal institutions and agents all work together to ensure that this remains the reality for victim-survivors. And this is so, to a large part, due to the centering of the narrative on Han Gong-Ju's mental and social life; the award-worthy editing that shifts between Gong-Ju's present and past often without prior indication; and the emotionally laden performance by Chun-Woo-He (Hann Gong-Ju) who most often does not even have to speak to communicate her motivations and emotions to the viewer. Some would attribute these strengths to the particulars of Korean drama filmmaking in general but, as someone who's watched a number of classic Korean drama movies, I'd object to this and argue that due credit should be given to the creators of this unique and woefully under-watched and underrated classic.

In all, this is a movie that I would recommend to almost everyone for artistic, educational, sociological, entertainment, and moral reasons because, I guarantee, it has something for nearly all viewers, no matter their interests and motivations in movie-watching and in social and educational issues. The only negatives I noted in the movie include its promotion of alcohol and cigarette use and its plot development with regards to how the editing is used as a narrative tool (which takes a while to get used to while watching it).