Il est toujours temps d'aimer

Reading the synopsis for this movie I thought I'd be in for an hour of sentimental slush about senior citizens like myself, but it isn't like that at all. Sure, it's about the kind of problems we old folk can encounter, and therefore how it will register with other sections of the population I can't tell. Some won't have any patience with it because it doesn't affect them. Yet. A pity, as they're the ones who'd benefit most from seeing it.

It's an intelligent, well-written, tactfully directed, thoughtful and touching movie. It is luxuriously cast with a bunch of top-level character actors who fill the screen with their warmth. It's invidious to single anyone out but I'm going to mention Martin Starr, an actor I don't remember encountering before in spite of his many credits. His scenes with Blythe Danner are particularly good. Danner herself, the movie's linchpin, is vulnerable without being self-pitying or cloying in any way. A fine performance in a fine film.

... is old age. Even though it is the most powerful movie villain of them all and takes many of our favorite actors away before their time.

This film is mainly for fans of Ms. Danner. Wait. Let me explain. Usually when a reviewer makes such a comment it is a negative. No it is not. That is this reviewer's heartfelt view and it is a fair one.

As a film, as a movie competing with 100s of 1000s of other movies for pride of place in the minds of viewers present and future, this film is simply OK.

It is a fairly well-paced and fairly authentic look at the oddities and awkwardness of growing old (a topic of acquired taste UNLESS YOU ALREADY ARE OLD) and holds up really well until the last 30 minutes when the writer simply can no longer control himself, and a lot of strange and improbable and non-authentic things suddenly start to happen.

But as a vehicle for Ms. Danner's fans, it is a joy. For those with short memories, Ms. Danner brought a certain light and energy and beauty to her many films and frankly she was missed. Another IMDb reviewer perhaps sums it up better than we do -- "she is in every scene" the reviewer said, and the message was clear.

Meanwhile that aforementioned silent villain moves on. For students of film -- and of Life -- there is a short scene with Max Gail. Not only was he a major TV star in his day, but he was considered so macho that they used him for shaving commercials (which requires EXTRA testosterone.) I did not recognize him at all.

But I got to admit, I did not know she had it in the first place.

Blythe Danner for me is usually recognized as the very attractive significant other when older actors want to pretend on screen that they are interested in age appropriate women.

But Danner is a very sexy, charming woman and she gets to show all of this in her leading role in this film. It's a strangely realistic look at what romance looks like in those golden years with Sam Elliot as Danner's love interest, a man who proves he still got the heat himself at his advanced aged.

Also liked seeing Rhea Perlman in the flick as one of Danner's aging friends in the movie. She plays a woman living in a senor citizens home, which I found hard to swallow. She showed far too much energy on the screen.

It's a good romantic comedy for any age but a lot more than what it's sold to be. For the most part, it's about a woman who's just going through a mood and this can happy to anyone at any age.

Recommend.

This film certainly seemed like a saccharine affair from the posters and the summary, but it was actually a very nice surprise. There's a real sensitivity and emotional depth to it that I didn't expect, and it actually doesn't really hit as many of the clichéd plot points as you think. Just when it's about to seem likely to hit one of them, it turns course and opts to go for something more realistic. The performances are also exquisite. I don't think I've ever seen Blythe Danner in anything else before this, but she was a revelation. not opting to make anything too obvious, it's a quiet, restrained but emotionally meaningful performance. She's certainly up to the task of demonstrating the nuance that the script and direction suggest. Overall, this is a very good film and definitely recommended.

Carol Petersen (Blythe Danner) is a widow of 20 years and a retired singer in a band. She has a simple life and her circle of friends (June Squibb, Rhea Perlman, Mary Kay Place). They want her to move into the retirement community. Her dog dies of old age. She starts a friendship with the new pool guy Lloyd (Martin Starr). He's a poet graduate and living with his mother. Bill (Sam Elliott) is the new love in Carol's life. Her daughter Katherine (Malin Akerman) comes for a visit.

A high June Squibb is hilarious. This is a rather light easy story. Blythe Danner is incredible. She encompasses every part of this movie. Her internal struggles even before she has them are all very effective. It's a quietly powerful performance.