Une jeune femme est poursuivie par une force surnaturelle inconnue après une relation sexuelle.Une jeune femme est poursuivie par une force surnaturelle inconnue après une relation sexuelle.Une jeune femme est poursuivie par une force surnaturelle inconnue après une relation sexuelle.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 25 victoires et 44 nominations au total
Debbie Williams
- Mrs. Height
- (as Deborah Williams)
D.J. Oliver
- Police Officer
- (as DJ Oliver)
Linda Boston
- Teacher
- (as Linda B. Boston-Gilbert)
Avis à la une
I just recently rewatched this film and really enjoyed it. I had forgotten how well made it is. I love the way it makes you feel tense and unsettled, but does it in a way that feels like the old school classic horror films. It's got a good pace, believable characters and feels very real. Like this could happen to you, which is why I think it works so well. It definitely is thought-provoking, and has the same kind of feeling as a John Carpenter movie. On second viewing, you start to see all the creative elements going on that all work well together. (score, choice of locations, production value, props) Some have said the idea of having a curse put on you through having sex is a little silly, but I think it's a fresh approach and like that the writer was thinking outside the box. Too many people like to bash on filmmakers, but I am here to praise people for their creativity and their hard work. It's not easy to get a film made, and I commend anybody for getting it from script to screen.
Does anyone else wish this had been a short film? The mood and atmosphere are so thick for the first half hour or 45 minutes and then it just trucks along for the rest of the movie without a lot of energy. Fantastic cinematography and music, but the characters are pretty limp and it's hard to care what happens to them. Once they go into the investigation part of the film, everything falls apart and it becomes a chore.
That is the only way to review this film.
The goal of every journeyman film-maker from the beginning of the medium to the present, is to produce something that has the most impact per dollar spent.
Think of the first Night of the Living Dead. Shot on location with unknowns and local residents as extras. And the local butcher donated the entrails.
Think Ginger Snaps, which started as an obscure Canadian horror flick but found an audience because of the great writing and the charisma of its stars.
What we have here is another attempt to strike film gold by going for a high I/B ratio.
A small cast. Minimal special effects. No special sets or backgrounds.
A really clever idea, sort of a take off on the Ring which itself was a riff off a Japanese horror classic.
So what's the bottom line? Well done for what you get. Writer/Director Mitchell has a heck of a career ahead of him. Several "jump out of your seat" moments. And also a plot riff which you just know was contributed by some of the frat boys who crowd-sourced the film -- "you can get rid of the curse if you just sleep with someone, fast!"
The bad news? It is not in the same class as Living Dead or Ginger. There are lulls. There are gaps. There are times you start to wish you have purchased the extra large popcorn and coke.
Great career launch.
The goal of every journeyman film-maker from the beginning of the medium to the present, is to produce something that has the most impact per dollar spent.
Think of the first Night of the Living Dead. Shot on location with unknowns and local residents as extras. And the local butcher donated the entrails.
Think Ginger Snaps, which started as an obscure Canadian horror flick but found an audience because of the great writing and the charisma of its stars.
What we have here is another attempt to strike film gold by going for a high I/B ratio.
A small cast. Minimal special effects. No special sets or backgrounds.
A really clever idea, sort of a take off on the Ring which itself was a riff off a Japanese horror classic.
So what's the bottom line? Well done for what you get. Writer/Director Mitchell has a heck of a career ahead of him. Several "jump out of your seat" moments. And also a plot riff which you just know was contributed by some of the frat boys who crowd-sourced the film -- "you can get rid of the curse if you just sleep with someone, fast!"
The bad news? It is not in the same class as Living Dead or Ginger. There are lulls. There are gaps. There are times you start to wish you have purchased the extra large popcorn and coke.
Great career launch.
This is a creepy movie. It doesn't have a ton of jump scares, it isn't bloody or gory. What is has is enough creep factor to make you start looking around the room while you're watching it. Great music to help set the tone of a sense of dread. The acting is pretty good and it isn't too long. Overall a really good creepy movie that doesn't overdo it with the "sex" theme. There is plenty of tension and it starts at minute one and doesn't stop. There were no surprises and it was done "right". Definitely should be watched in a dark room at nighttime. Oh yeah, the females in the movie are really easy on the eyes. Just sayin. Worth the watch.
It Follows is one of the most unique and unsettling horror films of the last decade. The premise is simple yet chilling-after a sexual encounter, the protagonist Jay is cursed with a mysterious entity that relentlessly follows her. This creature, which can take the form of anyone, walks slowly but constantly toward its target. There's no way to outrun it forever, and if it catches up to you, it kills you. What makes the movie so terrifying is the ever-present threat that never rests. It's a brilliant concept because it taps into a deep, primal fear of being pursued.
What stands out about It Follows is how it builds tension. There are no cheap jump scares; instead, it relies on creating an atmosphere of dread. You'll often find yourself scanning the background, looking for figures slowly creeping toward the camera, which keeps you on edge the entire time. The 80s-inspired synth soundtrack amplifies the eerie vibe, making the whole experience feel dreamlike and nightmarish at the same time. By the end of the movie, you'll be left with a lingering sense of paranoia, questioning if someone-or something-is slowly walking toward you.
What stands out about It Follows is how it builds tension. There are no cheap jump scares; instead, it relies on creating an atmosphere of dread. You'll often find yourself scanning the background, looking for figures slowly creeping toward the camera, which keeps you on edge the entire time. The 80s-inspired synth soundtrack amplifies the eerie vibe, making the whole experience feel dreamlike and nightmarish at the same time. By the end of the movie, you'll be left with a lingering sense of paranoia, questioning if someone-or something-is slowly walking toward you.
Le saviez-vous
- AnecdotesThe film's concept derives from a recurring nightmare the director used to have, in which he would be stalked by a predator that continually walked slowly towards him.
- Gaffes(at around 8 mins) In the bedroom, the camera is reflected in the TV set.
- Crédits fousThere are no opening credits at all, and the title does not appear on-screen until the end of the film.
- ConnexionsFeatured in Film '72: Épisode #44.2 (2015)
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- How long is It Follows?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Está detrás de ti
- Lieux de tournage
- Redford Theatre, Détroit, Michigan, États-Unis(theatre interiors and exteriors)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 14 674 076 $US
- Week-end de sortie aux États-Unis et au Canada
- 160 089 $US
- 15 mars 2015
- Montant brut mondial
- 21 808 393 $US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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