Un frère et une sœur découvrent un rituel terrifiant dans la maison isolée de leur nouvelle mère adoptive.Un frère et une sœur découvrent un rituel terrifiant dans la maison isolée de leur nouvelle mère adoptive.Un frère et une sœur découvrent un rituel terrifiant dans la maison isolée de leur nouvelle mère adoptive.
- Réalisation
- Scénaristes
- Stars
- Récompenses
- 3 victoires et 33 nominations au total
Avis à la une
83/100
Bring Her Back is one of those rare horror films that hit both emotionally and technically. The story is intimate and unsettling, but it's the execution that makes it stand out.
First, Sally Hawkins delivers a phenomenal performance - raw, layered, and painfully real. She holds the entire film on her shoulders with such precision and emotion that it's honestly Oscar-worthy. I couldn't help but think of Hereditary (2018), where Toni Collette also gave a mind-blowing performance but was completely snubbed by the Academy. Let's hope history doesn't repeat itself.
Atmosphere is tense from the very first scene. The film masterfully builds dread without relying on cheap jump scares. The cinematography is elegant and intimate, often using close shots and cold tones to create a feeling of claustrophobia and grief. Sound design and music are subtle but deeply effective - at times you don't even notice them, but they're working in the background, crawling under your skin.
This is not just another horror flick. It's thoughtful, beautifully acted, and full of emotional weight. Highly recommended if you appreciate horror that respects your intelligence.
Bring Her Back is one of those rare horror films that hit both emotionally and technically. The story is intimate and unsettling, but it's the execution that makes it stand out.
First, Sally Hawkins delivers a phenomenal performance - raw, layered, and painfully real. She holds the entire film on her shoulders with such precision and emotion that it's honestly Oscar-worthy. I couldn't help but think of Hereditary (2018), where Toni Collette also gave a mind-blowing performance but was completely snubbed by the Academy. Let's hope history doesn't repeat itself.
Atmosphere is tense from the very first scene. The film masterfully builds dread without relying on cheap jump scares. The cinematography is elegant and intimate, often using close shots and cold tones to create a feeling of claustrophobia and grief. Sound design and music are subtle but deeply effective - at times you don't even notice them, but they're working in the background, crawling under your skin.
This is not just another horror flick. It's thoughtful, beautifully acted, and full of emotional weight. Highly recommended if you appreciate horror that respects your intelligence.
I loved the acting , specially of Sally. Between moments you'd feel like you'd wanna punch her ,that's how good her acting is. Jonah tries his best for some sprinkle of horror, everytime he's on screen, he'd make sure you feel uncomfortable. Loved this movie for particularly the characters. The brother sister love is all over the movie.
It's not particularly horror, it's dark and depressing along with some gore elements sprinkled on top. Wait for the first half an hour for the character development and it takes off and never feels like a drag. No jump scare, wonderfully shot and the background score beautifully compliments the gore nature.
I'd recommend this movie wholeheartedly to everyone and would rate it a solid 8/10.
It's not particularly horror, it's dark and depressing along with some gore elements sprinkled on top. Wait for the first half an hour for the character development and it takes off and never feels like a drag. No jump scare, wonderfully shot and the background score beautifully compliments the gore nature.
I'd recommend this movie wholeheartedly to everyone and would rate it a solid 8/10.
From the very first scenes, the film sets a heavy unsettling tone. From the beginning, the story doesn't really try to hide much I think you kind of understand where it's going early on. It's not particularly scary in the traditional sense, but it really messes with your nerves, and that's where the movie puts all its power.
It never really lands anywhere specific though...By the time the credits roll, you're left thinking, "All that... for nothing?". Not because it was a bad film, but because it left you with an emotional emptiness. It lingers in a sad, slightly disappointing way not from poor storytelling, but from how little it seemed to leave behind.
It never really lands anywhere specific though...By the time the credits roll, you're left thinking, "All that... for nothing?". Not because it was a bad film, but because it left you with an emotional emptiness. It lingers in a sad, slightly disappointing way not from poor storytelling, but from how little it seemed to leave behind.
This is a horror movie that doesn't have to rely on jumpscares; it doesn't have to rely on possession or creepy rituals, even though it's got both. And gore; I had to look away in one scene in particular. The actual horror is the all-too believable manipulations of a foster mother with a hidden agenda, and our feeling of powerlessness to stop her. This was the kind of film that it would be excruciating to have to leave before seeing the end, because it makes you care about its characters so much. You'll probably even finding yourself root for the villain. This is the best horror movie I've seen in a while and it stuck with me for days.
After the success of "Talk To Me," Danny and Michael Philippou teamed up again to make "Bring Her Back." This movie had a lot of buzz when it came out, but I never got around to seeing it until recently. Starring Billy Barratt, Sally Hawkins, and Sora Wong, this movie is about a pair of siblings moving to a foster home after their dad died. However, some things don't seem to be normal at their new home.
It is a type of movie that I suggest going into blind, so you can get the best experience. It is a story that has been seen before, but it's done in a unique way. Horror this year has been giving us a lot of good original stories. The gore and effects were disturbing and gnarly. The effects seemed practical, but if they weren't, the CGI was great. I found the characters to be interesting and well-acted. Sora Wong is actually visually impaired in real life, but she was able to emote and connect to the scene really well. There were many tense situations due to her character's condition. Billy Barratt was a strong protagonist who had a compelling character arc mostly. Sally Hawkins was the standout, however. Her character had a different mask for each character she interacted with.
From the beginning of the movie, there were rules set about certain things. The movie follows those rules loosely, especially in the third act, but it was never explained why these rules existed. There was a lot of ambiguity involved that allowed the movie to go where it did. The third act also seemed to fizzle out. I was let down by how weakly the movie ended. We never got a satisfying ending to the stories of multiple characters, but this is also due to how poorly they handled one of the main characters toward the end. There was a setup that they never capitalized on. It is almost like the studio said there had to be some positivity in this movie, so they threw it in at the very end.
Overall, "Bring Her Back" was a decent movie exploring grief. The gore and horror elements were very good, but the film dragged on in what should have been a simple ending. I would only recommend this to horror fans.
It is a type of movie that I suggest going into blind, so you can get the best experience. It is a story that has been seen before, but it's done in a unique way. Horror this year has been giving us a lot of good original stories. The gore and effects were disturbing and gnarly. The effects seemed practical, but if they weren't, the CGI was great. I found the characters to be interesting and well-acted. Sora Wong is actually visually impaired in real life, but she was able to emote and connect to the scene really well. There were many tense situations due to her character's condition. Billy Barratt was a strong protagonist who had a compelling character arc mostly. Sally Hawkins was the standout, however. Her character had a different mask for each character she interacted with.
From the beginning of the movie, there were rules set about certain things. The movie follows those rules loosely, especially in the third act, but it was never explained why these rules existed. There was a lot of ambiguity involved that allowed the movie to go where it did. The third act also seemed to fizzle out. I was let down by how weakly the movie ended. We never got a satisfying ending to the stories of multiple characters, but this is also due to how poorly they handled one of the main characters toward the end. There was a setup that they never capitalized on. It is almost like the studio said there had to be some positivity in this movie, so they threw it in at the very end.
Overall, "Bring Her Back" was a decent movie exploring grief. The gore and horror elements were very good, but the film dragged on in what should have been a simple ending. I would only recommend this to horror fans.
Theatrical Releases You Can Stream or Rent
Theatrical Releases You Can Stream or Rent
These big screen releases can now be watched from the comfort of your couch.
Le saviez-vous
- AnecdotesSora Wong had "zero experience" acting professionally before she was cast in the film. Her mother came across a casting call on Facebook looking for a visually impaired girl. Wong was born with coloboma and microphthalmia, which left her blind in her left eye, with very weak vision in the right.
- GaffesWhen Piper tries to break away from Laura during their fight towards the end, the sleeve of Piper's cardigan rips off. When Piper is seen being dragged over the floor by Laura, the sleeve is whole and undamaged.
- ConnexionsFeatured in WatchMojo: 10 Must Watch Movies and Shows of May 2025 (2025)
- Bandes originalesSummer with You
Written by Billy Barratt, Cody Molko, Myla Tailor, Bruno Bentovim and Carolyn Stenwall
Performed by The Hunger
Published by Control (PRS)
Licensed courtesy of Empire Artist Management/+44 MGMT
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Haz Que Regrese
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 19 333 305 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 194 666 $US
- 1 juin 2025
- Montant brut mondial
- 39 410 222 $US
- Durée
- 1h 44min(104 min)
- Couleur
- Mixage
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