Athhoi

I don't know why bengali films with classics stories always ends up having english dialogues with cringe accent...otherwise everything was good..and somethings were outstanding.

Choice of screenplay was awesome.

A film based on a village should also be based on its intellect.

Atthoi's character would have been better if it was near to reality.

Some scenes were truly beautiful to watch and complements the current bengal situation.

Switching from health care fund function to item song was truly hilarious which truly explans why people prefers freebies and alcohol over development.

Thanks to the director for not making it that slow pace as a first timer big scale project holder.

We need more of these kind of direction.

Must watch 👌!!

Outstanding acting by all characters, specially by Anirban and actor/director Arna Mukherjee .

I would count this as one of all time best acting by Anirban Bhattacharya. Other actors also significantly did well in their account .

The direction ,cinematography, storytelling are very well done which successfully captures viewers attentions right from the beginning.

Use of BGM ,colours and lights are also commendable.

Well there are very few negative opinions also I have on the movie.

In a few scenes the transition was little fast which did not gave enough focus and empathy to some other parallel events which were happening, It showed an anomaly with respect to the whole cinema.

Some parts of this movie were added only for commercial interests,which is fine but on the same thing a little more logical approach would have been better planning some scenes.

While this movie is not for everyone but still this is excellently well done and an good adaptation of the famous Shakespearean play "Othello" .True cinema lovers will love this one.

I really wonder how can someone be so bad with a bulletproof story like Omkara (leave alone Othello). Scene by scene copy, and still go so wrong? This was so bad, it made me write my first review on IMDB.

Below average acting, bad production, arguably the worst possible writing ever. I am writing this here coz I put Omkara as one of the pinnacles of Indian Cinema, and to be this cruel to it needed to be told. I have seen some fair share of Bengali movies, and many had Anirban too, but this is not just his worst, but also the worst Bengali cinema ever.

Even if you have a lifetime subscription of Hoichoi, don't. Just don't.

Anirban Bhattacharya's performance in this film is nothing short of exceptional. Every time he appears on screen, it's impossible to look away. His portrayal of these psychopathic narcissist characters has reached a level where it is genuinely unsettling.

Arna Mukhopadhyay, Sohini Sarkar and the rest of the cast also delivers truly brilliant performances.

The direction and choice of screenplay were exceptional. However, what truly stood out was the cinematography. The lighting in each scene is particularly noteworthy. The use of colour, shadows and lighting to create mood and tension is masterful.

The camera work introduces a fresh perspective to Bengali cinema. Anirban breaking the fourth wall is innovative and adds an intriguing layer to the storytelling. This approach, combined with the overall narrative style, offers a unique viewing experience that stands out in the realm of Bengali cinema. It is a bold move that pays off.

Despite the many positive aspects, there are a few criticisms. The most significant issue is the lack of clarity regarding Gogo's motive. This ambiguity leaves a somewhat sour taste. Although there was some hint, a more explicit exploration of his motivations would have added depth to his character and provided a more satisfying conclusion to the story. And at times, the dialogues sound cringe.

But overall, Anirban Bhattacharya's stellar performance, great acting of the supporting cast, excellent direction, and innovative cinematography all makes it a must-watch.

I had one nagging doubt, going in for 'Atthoi'. One litmus test, if you may. Would the film be effective for an audience that had never read 'Othello'? (Or watched 'Omkara' for that matter?)

For the most part, the answer is in the affirmative, and I can't be happier about it. Arna Mukherjee's directorial debut (adapted from the now-famous theater play) is raw, moody, and entirely cinematic. Overstylized and indulgent, for sure. But entertaining nonetheless. It almost takes you by surprise from the get-go. The Bangla cinema audience is so used to mediocrity at this point, that a project that attempts anything remotely cinematic amazes us instantly.

'Atthoi', with its constant fourth-wall breaking, smart camera work, gorgeous visuals, and amazing musical score, grabs the audience by their throats and pulls them into the world of 'Vinsura'. It's hard to escape the intensity that the movie unleashes from the very beginning, and you can't help but surrender to this understated stage play and its never-ending barrage of tension.

It's an enthralling theatrical experience with Anirban Bhattacharya, pulling off an all-timer of a performance. He is in exemplary form in this movie. Single-handedly transforming 'Atthoi' into a one-man show. A solo play of sorts, where he screams, shouts, cries, and abuses in rampant feats of villainy. He chews the scenery with glee and hams it up, cartoonishly, whenever the occasion calls for it.

It's effective. His motivations are vague. His intentions are disdainful. The connivance makes your skin crawl. The performance does the maximum heavy lifting in elevating the end product. So much so that Arna's portrayal of Atthoi ends up falling short of the mark. Him and Sohini's Diamona (and their undercooked arcs) seem pale, and devoid of chemistry when compared to Anirban and his manic take on Gogo. Almost like a proverbial double-edged sword that cuts both ways.

The dialogue is intriguing. Hit-or-miss, at times. Sometimes crude, sometimes prone to expository soliloquys, considering the scope of the venture. Several sensitive topics are broached as well. Some, like cast identities and colorism, take precedence, staying true to the original source material. While others, like poverty and social oppression, are introduced but not really explored beyond the basic surface level. Mostly in favor of the tantalizing relationship drama.

Or, as Gogo calls it, 'The Game' and its dismal repercussions.

However, the runtime makes its presence felt by the end. There's a shallow attempt at commercialisation that doesn't really work out for the movie. The screenplay drags on by the second half. The engagement falters as the tension slackens. The movie parades slowly towards the 'Tragedy of Atthoi' and you can sense the gloom taking over. The penultimate descend feels slightly repetitive and rushed as well. Thus, the weaker (see : loopy/fantastical) ending stretch makes this one a 4-star watch. Not one star less, not one more.

As such, go out and watch 'Atthoi' for all it's pent-up angst. Watch it for the moody shots of winter vistas and decaying humanity. Watch it for the subtle homoerotic tension seeping through. Watch it in theaters to experience something fresh and visually rewarding in the Bengali language. God knows, the industry needs more of this. God knows, we, the ticket payers, do as well.

More of this. Fingers crossed.