Après avoir échappé à une tentative de meurtre, Franck Lazareff doit retrouver sa femme Léo, enlevée par un mystérieux groupe d'hommes armés. Il est rattrapé par son passé et plongé dans une... Tout lireAprès avoir échappé à une tentative de meurtre, Franck Lazareff doit retrouver sa femme Léo, enlevée par un mystérieux groupe d'hommes armés. Il est rattrapé par son passé et plongé dans une affaire d'Etat qui le dépasse.Après avoir échappé à une tentative de meurtre, Franck Lazareff doit retrouver sa femme Léo, enlevée par un mystérieux groupe d'hommes armés. Il est rattrapé par son passé et plongé dans une affaire d'Etat qui le dépasse.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Avis à la une
Rodolphe Lauga delivers a top-notch action movie that stands out in the genre. What makes French films so appealing compared to Hollywood blockbusters is their focus on realistic scripts, grounded action, and authentic characters, which result in true emotional depth and drama. These are the kinds of action films you want to watch because, unlike Marvel movies, you're not stuck watching the same superheroes in endless, exaggerated battles. In this film, the people, the situations, the locations, and the thrilling chases all feel incredibly lifelike, pulling you into the story and making you feel like you're right there with the characters. It's a refreshing change from the typical formulaic films where you're just watching the same A-list stars in the same predictable shootouts. This is an action movie with real substance-a film that no John Wick can quite match.
A parade of the usual tropes - cops as one big, happy family, the lonely Arab kid who cannot find friends, Semper Fi, the usual stuff, mixed with some betrayals and high stakes political treachery. But you get a chase involving parachutes and helicopters, plus fatally wounded pregnant woman arriving last minute to the hospital, so at least that's that. In the end, in a (cough-cough) unexpected plot twist, the befuddled viewer finds out the heroic to-be-shot wife submitted all the critical evidence to the authorities in time, so all the chases and shootouts were in fact a waste of time and taxpayer money, but the movie does not give us the time to think about such details. In the end, the evil CIA guy is exposed, everybody not shot in the first half survives, and family values triumph. Instantly forgettable and spectacularly bland.
At the beginning of the film, it is interesting enough for the viewer to watch the film and the story depends on the heroic man for his family and his child who will be born through his wife. He faces all the difficulties that come to him with great precision and faces people who break into his house. One time he and his wife were captured, and with goodness the heroic man was able to save his wife and child through his friend. Who worked with them to ensure their protection, and the story was detailed from beginning to end.
My rating is very sure about this movie who need a very important watcher to review this movie.
My rating is very sure about this movie who need a very important watcher to review this movie.
Ad Vitam (2025), directed by Rodolphe Lauga, is a thriller that follows Franck Lazareff (Guillaume Canet), who survives an attempted murder and embarks on a quest to find his kidnapped wife, Leo. As Franck delves deeper into a world of mystery, he is confronted by his past and swept into a state conspiracy that proves more than he bargained for. While the premise offers potential for a gripping and emotional story, the film fails to rise above the clichés of the genre.
Guillaume Canet, despite being a talented actor, feels miscast in this film. His performance, while competent, lacks the depth and complexity that might have made his character truly compelling. It's surprising that an actor of his caliber chose to take on a role in such a formulaic and uninspired narrative. The supporting cast, including Jamel Blissat and Rayan Bouazza, doesn't bring anything particularly noteworthy to their roles, with their performances often feeling wooden and lacking emotional engagement.
The film's biggest weakness lies in its screenplay. The story follows a predictable path, offering few surprises or twists. While it tries to combine elements of action, mystery, and conspiracy, it never fully commits to any one genre, leaving the narrative feeling disjointed. The pacing also suffers, with certain plot points dragging on too long, and the dialogue feels repetitive and uninspired, leaving little for the viewer to truly connect with.
Visually, the film offers some decent action sequences, but the cinematography doesn't bring anything fresh or innovative to the genre. The direction is competent but lacks the flair needed to elevate the film beyond its generic premise. Ultimately, Ad Vitam feels like a classic example of a film that is forgettable, offering only brief moments of intrigue before fading into obscurity.
Rating: 5/10. A passable thriller with little to distinguish it from others in the genre, despite a talented cast and a promising premise.
Guillaume Canet, despite being a talented actor, feels miscast in this film. His performance, while competent, lacks the depth and complexity that might have made his character truly compelling. It's surprising that an actor of his caliber chose to take on a role in such a formulaic and uninspired narrative. The supporting cast, including Jamel Blissat and Rayan Bouazza, doesn't bring anything particularly noteworthy to their roles, with their performances often feeling wooden and lacking emotional engagement.
The film's biggest weakness lies in its screenplay. The story follows a predictable path, offering few surprises or twists. While it tries to combine elements of action, mystery, and conspiracy, it never fully commits to any one genre, leaving the narrative feeling disjointed. The pacing also suffers, with certain plot points dragging on too long, and the dialogue feels repetitive and uninspired, leaving little for the viewer to truly connect with.
Visually, the film offers some decent action sequences, but the cinematography doesn't bring anything fresh or innovative to the genre. The direction is competent but lacks the flair needed to elevate the film beyond its generic premise. Ultimately, Ad Vitam feels like a classic example of a film that is forgettable, offering only brief moments of intrigue before fading into obscurity.
Rating: 5/10. A passable thriller with little to distinguish it from others in the genre, despite a talented cast and a promising premise.
Of course some people just can not enjoy this kind of movie, finding it too shallow or whatever, but then again I wonder why they even bother to watch an action movie if they don't like this genre. Because an action movie it definitely is, and a good one in my opinion. Of course you have some exaggerated scenes but not too much and not too exaggerated like we're normally used to in this genre. A good French action movie, it's been awhile since I watched one, this one deserves a good rating. The story is simple in the beginning but there are some good twists towards the end which made it a movie worth watching. The acting was also convincing so give it a shot if you're looking for a good foreign action movie.
Le saviez-vous
- AnecdotesThis French-language drama takes its name from a real-life Latin phrase "Ad Vitam" or "for life." The phrase is notably featured on the police badge of the main character, Franck, a heirloom that was left behind by his late father.
- Bandes originalesPour le Plaisir
Music by Julien Lepers
Lyrics by Vline Buggy and Arlette Tabart
Performed by Christophe Offenstein
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Détails
- Durée1 heure 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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