Frères Ennemis

If one wants to watch good war movies he should look out for Scandinavian or Eastern Europe productions - war movies from there of course got not the big budget of Hollywood blockbusters but beat them easy - they are far more realistic, got better characters and more interesting stories to tell. 1944 is one of those movies: it tells us the story of Estonian soldiers fighting the Sowjets - and against Estonians fighting on the side of the Red Army. Action scenes and acting are good, the story too. Beats Dunkirk and 1917 and such Hollywood overpraised stuff easy - of course no Brad Pitt or Tom Hardy around who beat single-handed a battalion of enemies. Good.

Solid anti-war film told from the perspective of the Estonians who fought for the Germans and the Russians, blends the violence of battles with the emotional conflicts when your country is a pawn between two much more powerful neighbors. This film stands with some of the better war films ever produced but has it's own voice. I liked how the film switched sides half way through and told how, in these circumstances, the only "winners" are the survivors.

I would like to address other reviewers comments that this film is anti- Russian/Soviet propaganda. Outside of the Soviet political officer (who seem to be an Estonia communist rather that a Russian) and the mention that the Russians, after they invaded, sent large quality of Estonians to the gulags (a true fact), this seems to be the only negative reference to the Russians. And is it propaganda when the the actual plan of the Soviets was to conquer and turn Estonia into a Russian client state?.Are the reviewers actual trying to convince us that somehow the Stalinites were better than the Hitlerites? Or the somehow the Russians weren't equally as bad as the Germans? Estonians, at the time, forced into service against their will and having to choice between to bad two options did what they had to do to survive. And if they had to choose, would have with the attitude that the enemy of my enemy is my friend.

Set during the Battle of Tannenburg in 1944 this is the story of several Estonian men who fought for either Stalin or Hitler. The story is both simple and moving and it really does not pull its punches.

The action is as good as any you will see and the materiel all seemed to be spot on as well as the uniforms. The Russian T34 tanks looked very real and even though there is some CGI here it makes no difference to the overall quality of the film.

There is a love interest too but that is both incidental and also a large part in that the affections in war time can often be magnified due to the constant proximity of death and injury. The acting is just perfect and the direction seemingly effortless in how well it was done. There is very little to find fault with here. In Estonian, Russian and German with good sub titles.

This is a film for those who appreciate a quality production and it may also shine a light on a part of that war that many of us know very little about, completely recommended.

If you have ever swum in the ocean and been caught between a receding wave and an incoming tide, you'll understand this film. Without giving away the story line, let me just say, just try to imagine the opposing tidal waves of Soviet vs. Nazi power converging on the tiny Baltic states. This film catalogs the war time experiences of but a few representative Estonian young men involved in the action and political intrigue. Intensely emotive, and frightening, with action filled battled sequences,1944 will have you squirming in your seat and reaching for more than one tissue. I am both happy and sad that I watched it.

Roughly speaking, there are 2 sorts of war films - those focusing on a big battle/offensive, and those where a war is a background excuse/reason to substantiate the actions of the characters. The Estonian 1944 has nicely managed to combine both of them in the 1.5-hour-film, without a single protagonist, but still with many personages and events. The script is smooth and motivated (based on several diaries), the venues and dates are real - at least for most of Estonians; foreigners might need additional information as even cardinal points for locations may be confusing. The cast is evenly strong, but again - almost all performers are well known in Estonia, also those in smaller roles, and local viewers would have joy of recognition, but there is no actor with fame beyond Estonia. So, the budget of below EUR 2 million was followed...

All in all, a painful yet realistic story, a fine creation to think back / find out how the things were in this part of the world in 1944, even when the concepts and approaches are clearly visible. A balanced story without political correctness or "decent" views on history.