Beautiful Something

I liked writer-director Joseph Graham's Strapped, and this movie, which is similar in treatment, lives up to the promise of the earlier one. Beautiful Something starts with our protagonist Brian stepping out to a gay bar where he meets a young man who asks him "Are you ummmm...gay?" Turns out he's one of those ambivalent types who's not sure about his sexuality. Brian brings him home and a pretty torrid sex scene follows with the young man going "please f**k me, please f**k me," but afterwards, he's all hostile and angry about it. As the movie moves on, Brian meets up with several other kinds of men, including an ex who he still loves who has gone straight. He also has a brief encounter with Jim, the other main protagonist in the film, which leads to good sex, but no emotional connection. Like Strapped, this movie has some incredibly hot sex scenes, though nothing is shown explicitly. It has a pretty good story line, with lots of different characters to keep you engaged. Though it's funny in parts, the film's mood is dark. There's an underlying theme on art (the protagonists are all artists in some way - sculptor, writer, actor - but I don't think that's really important). I watched it at Kashish, Mumbai's International Queer Film Festival. I hope it gets a larger audience over time.

Among the best of new gay films and an excellent effort by young director/writer Joseph Graham (his 2nd feature), Beautiful Something is original in conception and execution, taut and dramatic despite its restrained pacing (so that the viewer really feels the long night in which the film takes place) and a beautiful film to watch. Most important is the small ensemble cast's sensational acting and the director's and cinematographer's close attention to nuances of actions, facial expressions - the eyes of these actors are a marvel of expressiveness. The screenplay is idiomatic and feels very true, really engaging, if sometimes a touch long-winded.

Aesthetically it's also a delight with all the dark, gritty look and feel of Philly, and of the emotionally torn characters who inhabit it; the musical score and songs (many original with beautiful performances by Ryan Shaw) are also a pleasure as is the marvelous poetry of Richard Siken (from his first book "Crush") which is heard towards the end in voice-over - they stand in as the words and soul of main character, Brian, a poet himself, and come as the painful events of the night explode into epiphany, raw, honest and beautiful. (I found myself rewinding the end credits to ID all the music and poetry!)

The story rests tidily within one dark, wintry night with its limited resolution arriving only as the bright dawn arrives; Brian having been exhausted after the night's sexual and emotional exertions - disappointments - is totally exposed and honest so that the ending has an honesty and expresses each of the characters' vulnerability, through Brian, and this seems to me the film's purpose for being. It's a sexy film too, with some intense, brief and harsh, bareback sex, as well as tenderer moments; I think it's unclear what the director's attitude is toward unprotected sex and that's one of the few problems I've got with the film; but then random, unprotected sex is a reality of gay male sexuality these days and, of course, it adds an darker vibe, and undercurrent to the foolish, impulsive behaviour of the characters throughout the night's rambles and the searches for satisfying connection.

Brian is a frustrated poet who having lost his muse, now has also lost his inspiration. He seeks solace in easy love – that never works. Then there is Jim who is in a relationship with an older sculptor but he feels trapped. An ageing actor's agent, Bob, also cruises the streets in his limo looking for the young boys that will fill the void in his life.

On one night all the stories come together but in a way that is far from obvious and with enough drama to make you want to know more.

Now this also features a fair amount of bedroom rumpy pumpy and it is done in a realistic way. The actors are all excellent here and the direction is spot on. This is a film from Joseph Graham who you may remember from 'Strapped'. In some ways there are recurrent themes that were explored there but this is still an original, subtle, in your face and compelling piece of cinema that I can easily recommend.

We are back in the utterly strange and utterly human night-world of director Joseph Graham (Strapped). This time, in particular, men are trying to make art at the same time that they are trying to make connections, and they are trying not to sacrifice one for the other, though in the end they often do. These characters are who you and I are when no one is looking. That is the wonderful and unsettling thing about Graham's work: there is no movie-like artifice, no clichéd interactions you can see coming. Emotions erupt at odd times, as emotions do, and under it all lies a fateful loneliness that it is Graham's special task to explore, as he did so well in Strapped. This is another must-see.

Some people say this film has little or no plot but then you are missing the point of the movie. This is not about sex yet rather a single moment in the act where something beautiful takes place whether it be the act it self, a shared emotion during sex or what takes place after the act is completed. That moment of bliss. Some spend the rest of their lives trying to chase it repeatedly (Brian/Drew,) while others run away in fear or denial (Jim/Dan.) Or maybe you want to share in someone else's adventure(Bob/Sergio?) However you choose to seek and find your bliss hopefully you discover it with someone you love.