Les Graines du figuier sauvage

The movie "The Seed of the Sacred Fig" is a political thriller centered on Iman, who is searching for a promotion in Tehran's judicial system. As he ascends in his career, he is torn between personal and professional conflicts, facing moral dilemmas within his family amid the upheaval of the 2022-2023 Iran protests.

The movie is captivating for its portrayal of the clash between an archaic, sexist, and oppressive government driven by religious ideals and the freedom of expression, culture, and modern values embraced by the younger generation. This duality extends into the family dynamic, where personal beliefs collide with political pressures, creating a powerful internal conflict.

Director and writer Mohammad Rasoulof delivers an emotional movie by blending real footage of student protests following the death of Mahsa Amini in 2022.

Another standout achievement is the title The Seed of the Sacred Fig, which perfectly captures and summarizes the essence of the movie. It's a perfect and beautiful choice that sums up the story beautifully.

The Seed of the Sacred Fig was one of the most expected premieres in Cannes due to the backstory of its creation. A film shot in secret in Iran, that led to its director and cast being sentenced to prison and lashing. So, would the movie be able to live up to the expectations despite its complicated production?

What followed was not a film, it was a MOLOTOV COCKTAIL! An incredibly brave, powerful and moving tale of morality, paranoia and resistance. The third act had people talking, but makes perfect sense to me in its symbolic context. If before the movie Rasoulof and his crew already received a big standing ovation due to the film's background, the emotive standing ovation it received after the screening was even more enthusiastic, with the also Iranian director and fellow Palme competitor Ali Abassi encouraging people to stand up and cheer.

The Seed of the Scared Fig did, unfortunately, not win the Palme d'Or in the end, and had to settle for a minor Special Jury Prize. But still, it would have been my choice for the main prize, and won over my and many other people's hearts. Women, Life, Freedom!

The sacred fig is also the strangler fig. It nuzzles its host even as it strangles them to death. The criminal is not the one you expect.

Iman is climbing the ladder in Iran's judicial system. High minded, ambitious, and hard-working, he strives to earn the approval of his superiors and is promoted. Expecting adulation, Iman encounters rebellion instead. Where he presumes love in his workplace, country, wife and daughters, he finds insurgence. If Iman looks inside himself, he might find a way to set things right.

The Seed of the Sacred Fig won two prizes at the Cannes film festival and succeeds because of its authenticity, depth, capable actors, and riveting story. Director Mohammad Rasoulof spent time in prison for the crime of practicing his art of filmmaking. Rasoulof appeared via video at this Toronto International Film Festival screening to tell the story of one of his interrogators who felt shame at his actions and didn't know in what direction to turn. He claimed to be getting grief from his family. This interrogator is the model for the character of Iman.

This raw and unsettling film features actual footage from the violent 2022 uprising in Iran over the death of 22-year-old Mahsa Amini, who was taken into custody for allegedly wearing her hijab improperly. The film reminds us to take a close look at our workplace, country, friends, family, and selves in order not to become a host for any strangler figs, no matter how sacred they claim to be.

The seed of the sacred fig is the first relevant, powerful film about the Iranian rebelion that took place in 2022. The Woman, Life, Freedom's movement was born right after the arrest and death of Jina Mahsa Amini, a student that did nothing but remove her veil. The director takes us down to a family of an Iranian judge (working for the State and the Mollah 's regime) who is about to receive a promotion that is supposed to change his life right at the moment the 2022 revolution starts. We spectators somehow live this key period of Iran through the eyes of this middle class family which is about to upgrade its living conditions. We are emerged in their every day life until the gun of the father (the judge) disapears or gets stolen inside their home.

The film features a fantastic script, wonderful actors and images of an unknown Iran. You can see Iran like we can rarely see it, with its modernity, its rich history and ancient monuments, its poverty as well as its drawbacks. Like in many Iranian films, the spectator is plunged into complex situations with ethical questions which oblige to choose between moral, personal values and loyalty to the regime: Shall I wear this veil or another (less provokative one) ? Should I go the university despite of the strikes ? Shoulld I ask a favor to my neighbor and take the risk of revealing my family's problems? The ethical questions are everywehre, and they are direct consequences of the heavy oppressive regime that has ruled Iran for now decades. All these questions are faced with dignity and sense of duty by the characters , with sometimes even loyalty towards a regime who could not care less about its people. Through these situations are revealed the lack of freedom, the oprression over women, the complicity of those who take profit of this regime and of course the brutality of a regime condemned to sacrifice its own people in order to survive.

The latter will be perfectly depicted through the fate of the father willing to do his job respectfully but obliged to corrupt himself and sacrifice his people in order to survive to this revolution no matter how painful it is.

I particularly enjoyed the insight into the Iranian middle class. Being able to see and imagine what is an every day life for women in Iran is difficult to figure from the Western World. The more the film lenghts the better it gets as you can clearly see the impasse into which the country has plunged, and with it its inhabitants (and in this case this family) condemned to find a guilty among them.

Little by little, we can spot the seeds of discord germinating in this family, into the society, among students, and throughout the world thanks to social networks. That's the other revelation of this film. Social network is the key; that's the tool through which the song Baraye resonates, as well as images of police violence are spread, proofs of the oppression are accumulated, they are the hopes of Iran. The regime can no longer hide behind outrageous lies, the seeds of rebellion are now spread everywhere and the complice of the regime can no longer hide.

A promising outcry and a promising motto for the future Iranian society: Woman, Life, Freedom that we hope, will eventually change Iran for good.

To better understand the concept behind the film, this might help, learn where the name of the film comes from: There are plants known as "strangler figs" that exhibit strange behavior. Strangler figs (genus *Ficus*) begin their life as seeds deposited on the branches of a host tree, typically by birds or other animals. The seeds germinate and send down roots that eventually reach the ground. As the roots grow and thicken, they encircle the host tree, creating a lattice-like structure.

Over time, the strangler fig's roots and branches grow larger and more robust, competing with the host tree for sunlight and nutrients. Eventually, the fig's growth can become so extensive that it constricts the host tree's trunk, restricting its ability to transport water and nutrients. This process can lead to the host tree's death, effectively allowing the strangler fig to take over the space and resources previously used by the host.

The strangler fig does not immediately kill the host tree but rather slowly overcomes it through a combination of physical encasement and competition for resources. This fascinating but destructive relationship highlights a unique strategy in the plant kingdom for survival and growth.