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5,3/10
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Un scientifique capable d'entrer dans le subconscient des possédés doit sauver un jeune garçon des griffes d'un démon aux pouvoirs jamais vus auparavant, tout en faisant face aux horreurs de... Tout lireUn scientifique capable d'entrer dans le subconscient des possédés doit sauver un jeune garçon des griffes d'un démon aux pouvoirs jamais vus auparavant, tout en faisant face aux horreurs de son propre passé.Un scientifique capable d'entrer dans le subconscient des possédés doit sauver un jeune garçon des griffes d'un démon aux pouvoirs jamais vus auparavant, tout en faisant face aux horreurs de son propre passé.
- Réalisation
- Scénario
- Casting principal
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I'll simply say this about Incarnate, if you're looking for a film that is in the vein of Insidious or some other horror film that relies on the viewer actually paying attention to the story over the typical guts and gore, then you're in luck. However, if you're looking to just kill an hour and a half with something mindless, look elsewhere. This movie, while by no means perfect, is also highly underrated and at least tries to put its' own twist on the whole possession sub-genre. Don't let the negative rating or reviews put you off, this is one film that you'll regret not viewing several years later. In this viewer's opinion, this is a future cult classic.
There are a lot of horror movies written about demons and being possessed. The movie Incarnate tries to give it a different perspective by separating it from the religion. It could have been way better if the script were little bit different but honestly, I do not recommend watching it but if you are really bored and have nothing else to deal with go ahead.
Too many reviews feel the need to offer a summary but I like to go on the assumption you know that by now. This movie was not as good as I thought it would be to be honest. I was excited by the trailer because it looked like an interesting new take on possession films but it was just not executed that great to me. Normally I see films these days and think it really didn't have to be 2 or 2 and a half hours long but Incarnate is the opposite. This movie craved more time. There's a reason why Constantine was 2 hours. The concept was also similar to The Cell as far as entering the subject's mind which can only have so much science in it as it's impossible. However unlike Constantine there's not enough supernatural background information to support the story. It was basically just I have a gift to go into possessed people's minds. Why can he only enter the minds of possessed? How long has he known he could? Are there others like him? What caused this gift? Inate? Or near death experience? Also this Maggie demon (which isn't typical as all angels including the fallen are historically male though I know why they call the demon this name it just sounds inaccurate) so obsessed with torturing him? No reason mentioned. So its not a bad movie at all but it starts out strong and ends weak like a mixed drink. It needed to be longer. It felt so rushed like it thought it was an episode of X-files and had to be done in 45 min. Pretty sure if it had been an X-files episode it would've been a 2 or 3 parter. Also great cast with the exception of the mother. She almost looked bored the whole movie as if her child wasn't possessed. She really needed to take notes from Ellen Burstyn. To sum up its similar to movies that were executed better. Constantine and The Cell to me. Others say Insidious but since I think those movies were crap I rather prefer Incarnate. Two thumbs up for trying to be different but honestly surprised this wasn't a straight to DVD.
As a die-hard horror fan, a fan of Demonic Possession films, and a fan of great acting, I immediately wrote off this movie as being another Hollywood cash grab. Blumhouse is the worst thing to happen to horror since Rob Zombie started making movies, so seeing as this is another bullet to add to their arsenal in murdering the horror genre, I was weary about watching it. Couple that with the film not having any marketing up until a few weeks before it was released, and all of the signs pointed to a very half-a$$ed film to join the ranks of all of the other failed horror films of the last 10 years. After watching it, however, I am very glad to have been proved wrong. Incarnate ended up being original, entertaining, and the acting was really top notch, especially that of the three leads.
The problem I have with Possession films is that they rarely deviate from the formula; girl is possessed. Family calls priest. Priest needs okay from Vatican. Priest battles demon. One of more people die. The end. That has been the premise of every possession film of the last few years. Surprisingly, this movie goes completely left field, not adhering to any of the clichés that make the genre so deathly stagnant. The demon is now a "spirit parasite", the girl is replaced by a boy, there is no Catholic priest in sight, and the people who die actually deserve it this time. The movie does so many things right that it is really easy to overlook the things is gets wrong, and everything from the special effects to the script is written with an actual appreciation of what makes these movies entertaining in the first place. Sure, some parts are cheesy and straight out of the horror handbook, but when they are handled this well, does anyone really care? It's much better than the abominations we have gotten in the past, like The Last Exorcism or The Vatican Tapes.
Overall, if you like Possession films, good acting, and movies that are not made for children and teenagers, give this film a shot. You just might like what you see. I was thoroughly impressed by this, and although Blumhouse has a long way to redeeming itself, this is a great first step. A solid effort all around.
The problem I have with Possession films is that they rarely deviate from the formula; girl is possessed. Family calls priest. Priest needs okay from Vatican. Priest battles demon. One of more people die. The end. That has been the premise of every possession film of the last few years. Surprisingly, this movie goes completely left field, not adhering to any of the clichés that make the genre so deathly stagnant. The demon is now a "spirit parasite", the girl is replaced by a boy, there is no Catholic priest in sight, and the people who die actually deserve it this time. The movie does so many things right that it is really easy to overlook the things is gets wrong, and everything from the special effects to the script is written with an actual appreciation of what makes these movies entertaining in the first place. Sure, some parts are cheesy and straight out of the horror handbook, but when they are handled this well, does anyone really care? It's much better than the abominations we have gotten in the past, like The Last Exorcism or The Vatican Tapes.
Overall, if you like Possession films, good acting, and movies that are not made for children and teenagers, give this film a shot. You just might like what you see. I was thoroughly impressed by this, and although Blumhouse has a long way to redeeming itself, this is a great first step. A solid effort all around.
The plot: a bitter scientist who can enter other people's dreams becomes an exorcist to hunt down the demon that killed his family.
If you're a fan of Aaron Eckhart, how could you not find this concept exciting? The problem is that the film gives you all kinds of promises and fails to deliver on any of them. Every step of the way, you're left thinking to yourself, "This movie could have been awesome." With such an over-the-top, absurd premise, you could have really gone crazy. Instead, it's by-the-numbers.
The dream sequences in particular could have been memorable. Remember The Cell by Tarsem Singh? That wasn't a great movie, but the dream sequences were great. Imagine what someone like David Cronenberg could have done with this concept! Instead, what do we get? A generic nightclub. A generic carnival. A generic park. When music videos from the 1990s look more visionary -- and disturbing -- than your horror movie, that's a problem.
Perhaps one of the more perplexing aspects of the story is that our hero rejects spiritual mumbo jumbo when it comes to demons, but he uses psychic powers to fight them. I suspect this was done to explain why he must fight the demons personally. But given that he's already obsessed with vengeance, why can't that be enough? Why does he also need superpowers?
The story is OK, but it often feels like it could have been so much more. Despite throwing several interesting ideas at you, it never rises above the pedestrian elevator pitch: "Fallen meets Inception". However, it's not boring, which is truly the only unforgivable sin in a horror movie.
If you're a fan of Aaron Eckhart, how could you not find this concept exciting? The problem is that the film gives you all kinds of promises and fails to deliver on any of them. Every step of the way, you're left thinking to yourself, "This movie could have been awesome." With such an over-the-top, absurd premise, you could have really gone crazy. Instead, it's by-the-numbers.
The dream sequences in particular could have been memorable. Remember The Cell by Tarsem Singh? That wasn't a great movie, but the dream sequences were great. Imagine what someone like David Cronenberg could have done with this concept! Instead, what do we get? A generic nightclub. A generic carnival. A generic park. When music videos from the 1990s look more visionary -- and disturbing -- than your horror movie, that's a problem.
Perhaps one of the more perplexing aspects of the story is that our hero rejects spiritual mumbo jumbo when it comes to demons, but he uses psychic powers to fight them. I suspect this was done to explain why he must fight the demons personally. But given that he's already obsessed with vengeance, why can't that be enough? Why does he also need superpowers?
The story is OK, but it often feels like it could have been so much more. Despite throwing several interesting ideas at you, it never rises above the pedestrian elevator pitch: "Fallen meets Inception". However, it's not boring, which is truly the only unforgivable sin in a horror movie.
Le saviez-vous
- AnecdotesTo prepare for the role, Aaron Eckhart disguised himself as a wheelchair-bound, mentally ill Vietnam War veteran and yelled at people on Venice Beach. In one experience, Eckhart sat by the front door of an expensive house. When the homeowner arrived, she was frightened by his presence. She went inside but came back out moments later to ask if Eckhart was doing OK. According to Eckhart, he was very moved by this experience because he saw the woman's effort to change and have sympathy.
- GaffesAfter Eckhart's character falls onto the street, only one ambulance arrives to the scene. The people trying to revive him on the street are wearing white uniforms. But when it cuts to the scene inside the ambulance vehicle, the workers are wearing blue uniforms.
- Citations
Dr. Ember: [struggling in Cameron's mind] This is the end for you
Maggie (Demon): [disguised as Dan] Then I'm taking you with me
- Versions alternativesUnrated DVD version contains much extra blood and some swearing that was edited out to earn a "PG-13" rating for theatrical release.
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- How long is Incarnate?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Quỷ Ám
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 4 799 774 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 534 884 $US
- 4 déc. 2016
- Montant brut mondial
- 9 037 058 $US
- Durée1 heure 27 minutes
- Couleur
- Rapport de forme
- 2.39:1
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