Une professeure d'université se trouve à la croisée des chemins sur le plan personnel et professionnel lorsqu'une élève vedette accuse l'un de ses collègues et qu'un sombre secret de son pro... Tout lireUne professeure d'université se trouve à la croisée des chemins sur le plan personnel et professionnel lorsqu'une élève vedette accuse l'un de ses collègues et qu'un sombre secret de son propre passé menace d'être dévoilé.Une professeure d'université se trouve à la croisée des chemins sur le plan personnel et professionnel lorsqu'une élève vedette accuse l'un de ses collègues et qu'un sombre secret de son propre passé menace d'être dévoilé.
- Réalisation
- Scénariste
- Stars
- Récompenses
- 2 victoires et 4 nominations au total
- Alex
- (as Lío Mehiel)
- University Lecturer
- (non crédité)
- Marcus
- (non crédité)
Avis à la une
By the time it reaches the end, the conclusion feels underwhelming and doesn't justify the long, heavy buildup. Overall, it's a movie with potential, but the slow pacing and lackluster ending make it fall short of what it could have been.
The craft of the film is there, it's hard not to admire the film making and cinematography at work. However some of the sound choices from the ticking clock at the start to pieces of music played loudly over dialogue are a bold choice that for me did not pay off, and feel lack any reasoning apart from a desire a be different.
The real flaw is the many veins of ideas the film has, but it feels unsure as to what it is trying to say, if anything at all. It wants us to question and challenge the ideas it highlights as those in the film do in their philosophy class, however we are not sure where to start, or what emotion or idea it has really been called into question. It also felt about 5 years late to the me too conversation.
Overall I think it's not a bad film, it creates a world, it has some humour that's well executed and great performances. However it feels its main objective is trying really hard to make us question the big topics it raises, but that's sadly where it falls down.
'After the Hunt' Isn't Supposed to Make You Feel Comfortable
'After the Hunt' Isn't Supposed to Make You Feel Comfortable
Le saviez-vous
- AnecdotesAlthough not completely filmed in and around Yale, several New Haven (CT) landmarks are indeed featured as locations, including the Tandoor Diner on Chapel Street and Three Sheets bar on Elm Street.
- Citations
Maggie Resnick: I don't feel comfortable having this conversation with you anymore.
Alma Imhoff: Not everything is supposed to make you comfortable, Maggie. Not everything is supposed to be a lukewarm bath for you to sink into until you fall asleep and drown.
Maggie Resnick: And there are no rewards in death for suffering as much as fucking possible in life.
- Crédits fousWhen the MGM lion roars no sound comes out of it's mouth.
- ConnexionsReferenced in Film Junk Podcast: Episode 1019: After the Hunt (2025)
- Bandes originalesA Child Is Born
Written by Thad Jones & Alec Wilder
Performed by Tony Bennett and Bill Evans
Courtesy of Craft Recordings, a division of Concord
Meilleurs choix
The Year in Posters
The Year in Posters
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Avın Ardından
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 3 258 830 $US
- Week-end de sortie aux États-Unis et au Canada
- 158 679 $US
- 12 oct. 2025
- Montant brut mondial
- 9 423 831 $US
- Durée
- 2h 18min(138 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1






