70
Métascore
6 commentaires · Fourni par Metacritic.com
- 83IndieWireAlison ForemanIndieWireAlison ForemanWith a generous scope and ease of tone, Sankey never fails to let her most vulnerable material breathe even as the subject’s enormity threatens to suffocate.
- 80Little White LiesDavid JenkinsLittle White LiesDavid JenkinsThe film mutates a little bit from playful essay to necessary advocacy doc, yet in its final passages Sankey also manages to ingeniously thread the needle between her two subjects.
- 80The GuardianLeslie FelperinThe GuardianLeslie FelperinAll in all, this is a powerful example of a bricolage-like editing technique that relies heavily on exploiting the copyright laws around fair use to create a prismatic, provocative style of cinema that’s very 21st century.
- 75RogerEbert.comNell MinowRogerEbert.comNell MinowThe personal is political, but in this film that case is made more powerfully with the personal story than the flurry of clips or the theories about history.
- 70The Irish TimesTara BradyThe Irish TimesTara BradyThe results are uneven yet pioneering and important.
- 50The New York TimesBeatrice LoayzaThe New York TimesBeatrice LoayzaIf all women behaving badly can be summed up as witchy, then Sankey’s documentary too often works like a game of associations.