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5,2/10
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Dans cette histoire intemporelle de passage à l'âge adulte, Marie est rejetée suite à une conception surnaturelle et obligée de fuir lorsque la soif insatiable de pouvoir d'Hérode déclenche ... Tout lireDans cette histoire intemporelle de passage à l'âge adulte, Marie est rejetée suite à une conception surnaturelle et obligée de fuir lorsque la soif insatiable de pouvoir d'Hérode déclenche une poursuite meurtrière pour le nouveau-né.Dans cette histoire intemporelle de passage à l'âge adulte, Marie est rejetée suite à une conception surnaturelle et obligée de fuir lorsque la soif insatiable de pouvoir d'Hérode déclenche une poursuite meurtrière pour le nouveau-né.
Ait ben Azzouz Brahim
- Market Protester
- (as Brahim Ait Mazouz)
Marie-Batoul Prenant
- Joseph's Mother
- (as Batoul Marie Prenant)
Aïssam Bouali
- Messenger Priest
- (as Aissam Bouali)
Avis à la une
My family and I were really looking forward to this movie.
Too bad it was awful. It came across almost kind of like Vikings or with game of thrones type characters. Do get me wrong, I loved Vikings. The angel Gabriel was creepier than the devil.
While I know they needed to take some "artistic freedom" with some of the unknown parts of the story, this film completely ignores things that are known. I'm not claiming to be a Bible scholar, but come on folks.
Mary was thought to be about 3 when she went into the temple, not 10-12 as in the movie. Her parents are believed to have died while she was in the temple, when she was about 8-9 years old. This is according to the Apostle James' writings.
The whole story around the entire town knowing Mary was pregnant was ridiculous to say the least. It actually contradicts what the Bible does say.
I could go on, but the film isn't worth my time.
Too bad it was awful. It came across almost kind of like Vikings or with game of thrones type characters. Do get me wrong, I loved Vikings. The angel Gabriel was creepier than the devil.
While I know they needed to take some "artistic freedom" with some of the unknown parts of the story, this film completely ignores things that are known. I'm not claiming to be a Bible scholar, but come on folks.
Mary was thought to be about 3 when she went into the temple, not 10-12 as in the movie. Her parents are believed to have died while she was in the temple, when she was about 8-9 years old. This is according to the Apostle James' writings.
The whole story around the entire town knowing Mary was pregnant was ridiculous to say the least. It actually contradicts what the Bible does say.
I could go on, but the film isn't worth my time.
It is not a faithful adaptation of the Bible, but it is entertaining, with ups and downs such as the somewhat terrifying adaptation of the Archangel Gabriel, there may also be controversy with the Immaculate Conception, and it can divide Catholics. However, as a film it is entertaining and enjoyable, and it maintains the essence of complete trust in God, something that the world needs. If you are able to discern between what is an apocryphal gospel and what is really in the Holy Scriptures, I recommend it. If you're worried that it's a Netflix adaptation with modern messages, I'd say it's free of that, it has a mostly Jewish cast, and this is an opportunity to spread the gospel, the actress is being over-hated. If you're interested in the apocryphal gospels and the early church I highly recommend it.
I'm born a catholic, not into any specific relegion nowadays, but still feel a special connection to the person Mary and where she stands for. This movie didn't feel right.
Okay, i don't know much or better said anything about the childhood of Mary, but how it all went with Josef I think is better told in The Nativity Story (2006). I can'tt say many much further then... before I was half past through I stopped seeing the movie further. It wasn't my thing I believe is the story of Mary.
The part of the movie I've seen I liked only Anthony Hopkins as Herod, but also think he better watch out stopping acting before his decline. Also the temptation of Mary by Lucifer was splendid done in directing and the acting of Eamon Farren.
Okay, i don't know much or better said anything about the childhood of Mary, but how it all went with Josef I think is better told in The Nativity Story (2006). I can'tt say many much further then... before I was half past through I stopped seeing the movie further. It wasn't my thing I believe is the story of Mary.
The part of the movie I've seen I liked only Anthony Hopkins as Herod, but also think he better watch out stopping acting before his decline. Also the temptation of Mary by Lucifer was splendid done in directing and the acting of Eamon Farren.
Wow. I see a lot of low reviews for this film that I don't really understand. I am not certain what people expect when making a movie with limited canonical source material. Of course there will be creative licenses taken to create the depth needed for a full length film. But I think there were good tie-ins, like Mary being dedicated to the temple, where she created bonds with Anna, whom Mary and Joseph later presented to at the temple in Luke 2. I liked the backstory of Mary's parents praying for a child, and Mary being foreordained for her calling and mission. I liked Gabriel's interwoven involvement in the story, and even though some may not care for it- the inclusion of Lucifer I found to be an effective antagonizing force. I especially liked the brief exchange between Gabriel and Lucifer. Rather than people complaining about heresy, or inaccuracies, let it be a motivation to read the actual source material in the Bible. Overall, I thought the acting performances to be strong, especially the leads. Anthony Hopkins made himself a good, if not overplayed, villain in the narrative. As we enter the Christmas season, I think this is a very worthy movie to enjoy as an entire family as we remember the roots and very nature of it. Enjoy it for what it is. I liked it.
"Mary" (2024) had the potential to be a powerful and moving portrayal of one of history's most significant figures. While the film boasts stunning visuals and a reverent tone, it ultimately falls short due to a lackluster screenplay and missed opportunities to delve deeper into Mary's emotional and spiritual journey.
The film chronicles Mary's life from her childhood to the birth of Jesus, touching upon key events and challenges she faced. While the production design and cinematography are commendable, creating a visually immersive experience, the narrative itself feels flat and uninspired.
The screenplay lacks depth and nuance, failing to fully explore Mary's internal struggles, her unwavering faith, and the profound impact of her experiences. The dialogue often feels stilted and lacks emotional resonance, preventing the audience from truly connecting with the characters and their journey.
The performances are adequate, but the actors are hampered by the weak script, preventing them from fully embodying the complexities of their roles. The film's pacing also suffers, with certain scenes feeling rushed while others drag on unnecessarily.
Despite its shortcomings, "Mary" (2024) offers glimpses of what could have been a truly powerful and inspiring film. The film's reverence for its subject matter and its stunning visuals are commendable. However, its lackluster screenplay and missed opportunities to explore the emotional and spiritual depths of Mary's story prevent it from reaching its full potential.
The film chronicles Mary's life from her childhood to the birth of Jesus, touching upon key events and challenges she faced. While the production design and cinematography are commendable, creating a visually immersive experience, the narrative itself feels flat and uninspired.
The screenplay lacks depth and nuance, failing to fully explore Mary's internal struggles, her unwavering faith, and the profound impact of her experiences. The dialogue often feels stilted and lacks emotional resonance, preventing the audience from truly connecting with the characters and their journey.
The performances are adequate, but the actors are hampered by the weak script, preventing them from fully embodying the complexities of their roles. The film's pacing also suffers, with certain scenes feeling rushed while others drag on unnecessarily.
Despite its shortcomings, "Mary" (2024) offers glimpses of what could have been a truly powerful and inspiring film. The film's reverence for its subject matter and its stunning visuals are commendable. However, its lackluster screenplay and missed opportunities to explore the emotional and spiritual depths of Mary's story prevent it from reaching its full potential.
Le saviez-vous
- AnecdotesIn Matthew 1:18, we are not told about Mary's age, yet it is told that she was a virgin and was pledged to be married to Joseph. During this time in history, Jewish girls would have been betrothed to their husbands as early as the age of 12 years old. Scholars believe Mary would have been somewhere between 12 to 16 years old when she had Jesus. Other scholars say that ancient Jewish women would marry on average between their mid-teens and early twenties. It is therefore also possible that Mary was 18 when was betrothed to Joseph.
- GaffesMary's mother Anne is blonde, or at least fair-haired. This is extremely unlikely in Israel at that time.
- ConnexionsReferenced in Relatable: Joel Osteen's 'Mary' Movie Gets the Gospel Wrong (2024)
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- Durée1 heure 52 minutes
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