Dragon

It is a good time-pass, feel-good movie that brings back nostalgic memories of college and IT life, making it relatable for many. The film strikes a balance between charm and realism, with two beautiful heroines adding extra appeal, complementing a not-so-good-looking yet fitting hero.

Despite its length, the movie never feels boring. While it could have been trimmed by 20 minutes, the final 20 minutes make up for it, ensuring a satisfying watch. The performances are commendable, with almost the entire cast delivering well. Overall, Dragon is a one-time watch that entertains without over-promising.

"Return of the Dragon" (2025) offers a fresh narrative that, while reminiscent of "Don," stands out with its unique storyline. The film explores the journey of Ragavan, a student who, after personal setbacks, embarks on a path of redemption and self-discovery. Director Ashwath Marimuthu skillfully balances humor and emotion, delivering a thought-provoking experience.

Pradeep Ranganathan's portrayal of Ragavan adds depth, making his transformation compelling. While both films address student challenges, "Return of the Dragon" distinguishes itself with its mature themes and distinct message.

It's actually 8.5/10 for me - though some parts in the first half felt slightly extended and routine.

I watched the movie with high expectations, and I found the first half to be decent. There are a few scenes where the writing is impressive, particularly a scene in the hospital with the doctor, although it doesn't have a significant impact.

The second half is excellent due to its writing and emotional connection.

In terms of performances, Pradeep Ranganathan, George Maryan, Anupama Parameswaran, and Mysskin all did well.

The cinematography is also commendable.

The biggest strength of the movie is its writing.

PLOT :: Ragavan, infamous for his reckless ways and academic struggles, turns to fraud after a heartbreaking breakup, chasing wealth and power. However, his deceit leads him into perilous territory. Can he find a way out, or will his choices seal his fate?

Life may not be the same for everyone, but it offers fair opportunities to succeed and redeem ourselves for a better future-if we are willing to acknowledge our mistakes and embrace honesty.

In his debut directorial, Ashwath explored the essence of life, and with Dragon, he delves deeper into how life constantly presents chances for redemption. The film emphasizes that success isn't about shortcuts but about facing one's past and making amends.

The protagonist, Pradeep, leads a privileged and carefree life, pampered by his parents, friends, and girlfriend, with no real responsibilities. What makes his journey compelling is that time and again, life gives him opportunities to change, but he continuously seeks shortcuts to success. The film revolves around the consequences he faces when his past mistakes catch up with him.

Pradeep, who was previously criticized for imitating actors like Dhanush and SJ Suryah in Love Today, has visibly worked on his craft in Dragon. His performance in emotional, comedic, and intense sequences reflects a more refined and unique approach.

The first half showcases how the protagonist builds his life on deception, while the second half presents him with a chance to make things right. The question remains-does he truly embrace redemption?

Overall, Dragon is a film that encourages introspection, reminding us that real success lies not in avoiding mistakes but in learning from them.

I feel Dragon is a film that's saved by its second half. Maybe I was wrong in anticipating a full-fledged comedy entertainer (like those mid-2000s to mid-2010s Dhanush flicks), but Ashwath Marumuthu's second film is a proper emotional drama. Its first-half college portions were dull for me, but the film takes flight once the redemption arc is front and center. The writing, except for the final act, feels a tad too convenient-it simply breezes through the struggle of finding a job, but makes passing college exams sound like the toughest thing in the world-not true in 2025, bro!

Pradeep Ranganathan has a limited acting range (for now), and thankfully, the screenplay focuses on his strengths. Conversely, the ladies are merely supporting actors in the overall scheme of things, existing to solidify Dragon (..and his inimitable bad-boy aura). Anupama certainly has more to do than Kayadu Lohar, and it's certainly one of her finer roles in recent times. Both look absolutely dashing, however. The real acting standout undoubtedly is Mysskin as principal Mayilvahanan, bringing an almost Raju Hirani-esque character to life with ease. Bjorn Surrao is also fun in an early scene, while seeing Gautham Menon dance is a delight.

The key supporting acts, VJ Siddhu & Harshath, are merely okay. Leon James' music and score seem to suit the material fairly well, especially the Vazhithunaiyae track. I see where the appeal for a film like this comes from; given both Dhanush and Sivakarthikeyan have moved on to more intense acting roles, there's always a space for breezy, coming-of-age drama in Tamil cinema. If not for the all-too-convenient writing in the first half, I think I'd have liked Dragon a lot more.