Sister Midnight
À Mumbai, un mariage arrangé sombre dans l'obscurité lorsque le mari veule voit sa femme se transformer en une force impitoyable et féroce à l'intérieur de leur enceinte conjugale.À Mumbai, un mariage arrangé sombre dans l'obscurité lorsque le mari veule voit sa femme se transformer en une force impitoyable et féroce à l'intérieur de leur enceinte conjugale.À Mumbai, un mariage arrangé sombre dans l'obscurité lorsque le mari veule voit sa femme se transformer en une force impitoyable et féroce à l'intérieur de leur enceinte conjugale.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 1 victoire et 10 nominations au total
Suhaas Ahuja
- Doctor
- (non crédité)
Masashi Fujimoto
- Constable
- (non crédité)
Daemian Greaves
- Henchman
- (non crédité)
Ashok Kumar Majee
- Truck Driver
- (non crédité)
Dinesh Sharma
- Priest
- (non crédité)
Chaitanya Solankar
- Sanjay
- (non crédité)
Avis à la une
Sister Midnight is one of those rare films that starts off feeling raw and real, and then slowly descends into something completely unexpected. What begins as a story about a woman trapped in a dull, affectionless marriage turns into a surreal, psychological journey filled with dark humor and horror. Radhika Apte is absolutely brilliant-her performance is both haunting and deeply emotional. The film's second half is wild, unsettling, and hard to look away from. It won't be for everyone, but if you're into bold, strange cinema that pushes boundaries and makes you think, this one is worth watching. It stays with you.
An amazing film with lots of Stooges,T. Rex,etc music--sorry to be short but my mother is asking for her rotis and chapatis lol thaanks great movie!
Repeating for valid review of 300 words lol An amazing film with lots of Stooges,T. Rex,etc music--sorry to be short but my mother is asking for her rotis and chapatis lol thaanks great movie!
Thanks.
Repeating for valid review of 300 words lol An amazing film with lots of Stooges,T. Rex,etc music--sorry to be short but my mother is asking for her rotis and chapatis lol thaanks great movie!
Thanks.
Sister Midnight, directed by Karan Kandhari and starring Radhika Apte and Ashok Pathak, is a refreshing change from the usual formula of loud, larger-than-life action dramas. This film chooses realism over spectacle and manages to leave a lasting impact through its grounded storytelling.
What truly sets Sister Midnight apart is how it handles serious themes like gender roles, class struggles, and power dynamics. These are portrayed with subtlety and nuance, not with preachiness or melodrama. The film doesn't take sides, it simply reflects the world as it is, through sharp storytelling and strong characters.
While it may not appeal to audiences who prefer mainstream entertainment, Sister Midnight offers something rare: a well-crafted, thought-provoking film that respects its viewers' intelligence.
What truly sets Sister Midnight apart is how it handles serious themes like gender roles, class struggles, and power dynamics. These are portrayed with subtlety and nuance, not with preachiness or melodrama. The film doesn't take sides, it simply reflects the world as it is, through sharp storytelling and strong characters.
While it may not appeal to audiences who prefer mainstream entertainment, Sister Midnight offers something rare: a well-crafted, thought-provoking film that respects its viewers' intelligence.
"Uma" (Radhika Apte) lives in a small tin box of an home with her new husband "Gopal" (Ashok Pathan). She hasn't a clue how to cook their food and neither seem to have much appetite to consummate their nuptials, so the relationship is distant and she has a bit of a temper which the rather subdued gent tends to run away from (and drink). Luckily, she manages to befriend her neighbour "Sheetah" (Chhaya Kadam) and they share stories about how useless men are whilst she struggles with the boredom of life. She eventually decides to get a job as a cleaner which breaks up the inanity a little, but she also starts to find herself drawn more and more to the animal kingdom. A passing encounter with a goat, then a bird, starts to see her question her almost vampiric behaviour. When an even more curiously tragic incident occurs, the story becomes increasingly surreal and the lines between truth and fiction become almost macabrely blurred. Apte is quite entertaining here as her aggressive and slightly stand-offish character becomes more eccentrically engaging and Pathak also delivers quite well as the hapless husband, but I found the story all too weak and repetitive for too long before the last ten minutes or so finally raise some more interesting aspects of superstition, perhaps even witchcraft, and shines a light a little on the vagaries of her tight knit community who are quick to make snap judgements. Though it's not graphic, it's not for the squeamish and it's those few scenes where most of the dark comedy kicks in, but again there weren't really enough of them to sustain this. It has it's moments and is worth a watch for "Uma" wandering lonely as a goatherd through the city beating a mop and pail, but it will look just as good on the telly.
This movie is pure chaos, and I loved every second of it. It tells the story of Uma, a young bride trapped in an awkward arranged marriage in Mumbai. As loneliness and frustration build, Uma's descent into animalistic urges becomes both horrifying and strangely liberating. Visually, it's stunning-vibrant, chaotic, and beautifully unsettling. There's a surreal, punk-rock energy that reminded me of Wes Anderson on a horror binge. It's messy in a way that feels deliberate, and I admired the boldness of its style. Not every moment works, but the ones that do are unforgettable. This is one of those films that makes you feel like you've stepped into a dream-or maybe a nightmare.
Le saviez-vous
- AnecdotesDespite the fact that this film takes place in Mumbai, India, there is no actual Indian music in the film or on the soundtrack. Director Karan Kandhari wrote a lot of the soundtrack into the script, and wanted to put together things that really shouldn't go together.
- Bandes originalesMoanin'At Midnight
Written by Chester Burnett
Performed by Howlin' Wolf
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 123 065 $US
- Week-end de sortie aux États-Unis et au Canada
- 13 801 $US
- 18 mai 2025
- Montant brut mondial
- 316 036 $US
- Durée
- 1h 47min(107 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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