Gureitofuru deddo

Director, Uchida claims that this was originally intended to be a comic film but that now only the first half has humour. Well, I didn't notice it. We begin with the heroine as a child and being ignored by her family and are suddenly thrown with an incident at her school involving a very violent movement with a floor mop. I think I actually gasped. As an adult she develops an unusual lifestyle, not very amusing and more tan a little scary, selfie with a dead and deterorating old man anyone? I have to admit that the lady herself finds all this very amusing and speeds about with her bicycle and binoculars with a manic grin on her face. In the second half things become even more crazy, disconcerting and violent as the true horror of this film become evident. Not an easy view, this is very well made with great performances in very unusual and difficult situations but I won't be rushing to re-visit it for a little while.

Neglected as a child, an independently wealthy young woman spends her time spying on individuals who she considers to be as lonely and isolated as her in this decidedly offbeat film from Japan. The movie initially plays out like a quirky comedy with lead actress Kumi Takiuchi grinning from ear to ear all the time while riding her bicycle, camping on rooftops and taking notes on the lonely citizens she enjoys watching, whom she terms "Solitarians". The plot thickens though when one such "Solitarian" turns out to be less cut off from the world than she thought. First, he lets himself be smitten by Christian missionaries, then his extended family keep popping by, and things turn very horror-like as Takiuchi takes drastic measures to ensure that the man remains the "Solitarian" that she initially identified him as being. The structure of the film is hardly perfect. The young actress who plays Takiuchi as a child is equally effective, if not more so, and the film could have benefited from spending more time on her traumatised childhood, while the horror angle comes extremely late in the piece - something that results in the second half of the film feeling far superior to the first half. Never to mind, Takiuchi never falters throughout and the film is full of neat touches, such as the constant use of upbeat music to highlight her delirious view of the world, smiling as non-Solitarians are hit and assaulted. Takashi Sasano (playing the man she becomes obsessed with) holds his end up very well too, almost becoming just as irrational as her as all the madness spirals towards a close.

As the synopsis states, the main character has...unique hobbies, had a rough childhood, and is mentally unstable. After acquiring some money, she starts to live the life she wants, and has the freedom she wanted for so long.

However, due to the emotional baggage from that past, her mental state continues to crumble without her even realizing how unwell she is.

While this is labeled a comedy, it certainly doesn't have enough comedy to get rid of that tense atmosphere. The moments that one would consider funny are mostly her quirky personality, but even that is dark humor/black comedy, particularly because it is also a part of her mental illness.

Still, seeing her get super excited and ride her bike grinning ear to ear after finding someone to stalk certainly was hard not to giggle at. Truly some good dark humor, but still quite dark.

Throughout the movie, we see her grow deeper and deeper into her obsession. What was already unhealthy becomes dangerously unhealthy.

There's moments that'll make you cringe, not because it is cheesy, but because of how intense it is. The movie starts off with an already tense atmosphere, but by the end it is completely clouded over in darkness.

Despite the many bad things she does, it is easy to feel bad for her, given her backstory which is explained at various points throughout the movie.

It is also easy to feel bad for the victims.

Essentially you feel bad for pretty much everyone except her parents.

The ending is also executed greatly.

Acting, cinematography, etc., were all great.

Honestly I could probably rate this 9. There were not many flaws aside from the absolute absurdity of it all, but that was the plot and they executed it very well.

Nice little japanese flick with a slow (not in a bad way) start. It's not a comedy but a tragicomedy with psychological horror elements. All in all, actually a sad film about loneliness, lack of warmth and loss of family members. Music here and there, unfortunately, in my opinion inappropriate, but typical for modern Japanese film.

Camera work is professional and clean without warm colors. Doesn't look amateurish.

But the film does not deserve a top rating - like very few films.

7/10 is enough and perfect for this film

A girl from a highly dysfunctional family grows up a loner with a tendency towards violent episodes. As a young woman she develops the hobby of spying on fellow loners and the lonely. One day she sees her favourite subject, an old man, with a Christian volunteer. The realisation that he may be leaving his solitude sets off a dangerous anger within her and she decides to take his fate into her own hands with deadly intentions.

This Japanese movie is one that seems to have gone somewhat under the radar. It's certainly a left-of-centre effort for sure that doesn't firmly place itself within one specific genre. It sets out for its first hour as an oddball comedy but in its final third it turns darker with the focus switching to the horror genre. It benefits from a couple of spirited performances from Kumi Takiuchi as Nami the disturbed young woman and Takashi Sasano as Shiomi the old man. The material never fully comes together in an entirely cohesive manner, however, with the whole idea of a girl spying on solitary people a concept that isn't developed as much as it might have been. The result is a pretty loose movie that doesn't entirely gel. It's still well worth a watch though if you enjoy Japanese movies from the quirkier side of the spectrum and it benefits also from being offbeat enough to be kind of unpredictable.