The Architect

Any movie with Parker Posey in it deserves a chance. I gave this one a chance. Of all the movies I have seen with her in it, this is the worst. Her character is so typical; there is nothing unusual. The part could have been played by thousands of other actresses.

The movie is about the project of designing and building a home and the interaction among the husband, wife and architect. In the movie, the husband is a successful, logical, practical financial person. She is an artist. They are highly incompatible and constantly disagree. The architect is a typical artist; he claims to consider practicality to be important but that is actually at the bottom of his priorities. He and the project (the house design) amplify the incompatibility between the husband and wife. The architecture might be creative but that is the only creative part of this movie. There is very little romance; the story is not much more than three (or four if you include the builder) people arguing. Even when she announces she is ovulating, there is no romance.

The ending is logical and not a big surprise either; in other words, not creative. And yet, the ending is sudden, as if the writer knew that there was enough material and had to end it somehow.

If you're an architect -and I am - this film trots out every negative stereotype you've ever battled in your life and pumps it up to full volume. The architect is the comic villain in this piece: a vain, imperious, pseudo-intellectual, budget-busting, turtleneck wearing wife stealer in the classic Frank Lloyd Wright mode. Of course old FLW also had world-class talent but in my humble opinion he has a lot to answer for with the reputation he saddled generations of future architects with. But I digress. I may have found this film more amusing than most because of the many sly digs at my chosen profession, but it's still a decent comedy.

An absolutely ironic film, the architect makes you burst into laughter with exquisitely caricatured characters that act a contemporary and very light version of Madame Bovary. This film will not win an Oscar nor will it be in the selection of best films of the decade, but it is always good to spend an afternoon laughing at corny scenes and stereotyped discourses. The architect ironizes the imposture of the current petty bourgeoisie with its appetite for high culture. The musical reference to A homme et une femme de Lelouch is just one of the winks that this gentle comedy gives to French cinema.

This movie is a comedy in the sense that it's not a drama. There was a certain amount of satire, but for me it was pretty much devoid of humor. Not that I require side-splitting laughter from all comedies... but a slight chuckle once in a while is not too much to expect.

Toward the end, I had given up on finding real entertainment value in it for myself, and was more hoping that it would get better just for the sake of the people who made it, kind of like a cheerleader: "Come on, little movie, you can do it!" (It couldn't).

I have great respect for the creators and artists involved in making independent films, with all the constraints that come with it... I try to keep an open mind. But in the end, a poorly written script kept this movie from really going anywhere. Like, anywhere.

The two-sentence description/"blurb" of the movie, that convinced me to watch it was far more entertaining than the movie itself.

Absolutely bugs the @#$% outta me when any movie has obvious problems in this area. This movie is the worst I've ever seen with this issue!

Watch as the robe is removed, and then change of cameras shows her with robe on.

Watch as salads are removed in a huff from dinner and last leaf is attempted to be picked up by fork, but doesn't work so fingers are used...but camera change shows leaf entering mouth via fork!

Sure, most don't care but this is a small thing to fix to make your movies so much better!

Other than that, pretty cool and offbeat movie.