Jie Mi

The long-awaited comeback of filmmaker Chen Sicheng presents a well-crafted, delicately performed period drama centered around an autistic young code-breaker and his American tutor, who also serves as his rival.

"Decoded," directed by Chen Sicheng, is a 2024 Chinese film that explores the complex realms of cryptography and espionage. The story centers on a talented cryptographer who finds himself caught in a high-stakes pursuit, striving to unravel a series of enigmatic messages with potentially significant consequences.

The film boasts impressive visuals, featuring cinematography that effectively conveys both the tension of the storyline and the allure of its locations. Chen Sicheng's direction skillfully balances suspenseful moments with character development. The cast delivers strong performances, especially the lead Haoran Liu, who adds depth to a multifaceted character grappling with ethical challenges in a secretive environment.

Despite its captivating premise, some viewers might perceive the pacing as inconsistent, particularly during the second act, where the narrative occasionally loses focus. Additionally, certain aspects of the plot may seem familiar to genre enthusiasts, lacking the fresh twists that could enhance the experience... and all that extended to over 2.5 hours!

In summary, "Decoded" presents a compelling examination of its themes, bolstered by solid performances and high production quality. It is likely to attract thriller aficionados and those intrigued by the subtleties of cryptography, although it may not completely fulfill the expectations of those in search of an innovative storyline.

From a Western perspective this was an odd one, Chinese protagonist with the West portrayed as the bad guys(or at least the opposition) for the bulk of the movie.

Yet as an autistic individual, the protagonist was at least autistic-coded and relatable, missing a lot of social cues but honourable.

The main Western character wasn't portrayed as evil per se though the portrayal was still a bit odd. Exile fleeing occupied Poland, winds up in China having picked up native-level US-English along the way. OK, right fine.

And er...major goof..."I am the Walrus" had not been released in 1964 yet it still gets referenced heavilly.

Still, what felt like a "scraping the bottom of the barrel" cinema trip still worked out with the main conflict portrayed as a brutal chess match between friends turned rivals.

The movie is really long ... a total of 2 hours and 40ish minutes... going in I thought i was going to fall asleep and miss out a few scenes but the story actually kept me up.

Think of this movie as what Oppenheimer SHOULD have been... Oppenheimer being so long drawout, boring, slow, and way too political correct... This movie hits the sweet spot between being insightful/intelligent vs story telling/fiction. The flow of the plot is just very well thoughtout that it keeps a consistant pace yet kept the contents interesting without trying to display political correctness and at the same time, kept the story mostly true to the past history in China. If you don't know much about the war in China, you'll learn alot about it. If you already know what had happened, you'll see it from a different yet very realistic perspective.

Highly recommeneded.

John cusack did an absolutely Oscar worth acting in the movie.

There are quite a few similarities with "The Man Who Knew Infinity" (2015) in this film about the prodigious mathematical genius of Rong Jinzhen. By pure fluke, his problem-solving skills are spotted by teacher (Daniel Wu) who adopts the orphaned, rather subdued, boy into his close-knit family and provides him the opportunity to thrive. Over the next couple of hours we watch him (Haoran Liu) develop into an academic then into a man crucial to the efforts of his embryonic country as it struggles to recover from years of internal strife and to compete with the more established regional powers like the UK and the USA. It's to that latter nation that his Polish-born mentor "Liseiwicz" (John Cusack) escapes when the Kuomintang government in China falls and the communists take over - and these two men, on opposite sides of the world, soon become the epitome of intellectual rivals with the erstwhile pupil now working for the Chinese equivalent of Bletchley Park trying to keep pace with the incredibly complex "purple" and "black" ciphers being developed by the American National Security Agency. What's clear is the two men are being manipulated but their respective states and that is having - as Lieseiwicz predicted early on - quite a profound effect on their respective mental health and on Jinzhen's marriage to Ye Xiaoning. I quite liked the innovative way in which director Sicheng Chen tried to tell this tory. His use of the bizarre and the surreal amidst the more standard photography serves to give us an insight into just how un-lateral the thinking of these two men was when developing and cracking these codes with billions of potential permutations. The use of chess as a theme testing intellectual rigour works quite well too as does the sense that these two men and being used to play a game by their superiors that always looks likely to end in stalemate. Cusack does fine here, though maybe he over-does the maniacal aspects of his thought processes a little, but it's Haoran Liu who delivers more engagingly as the geeky, socially inept, scientist whose brain becomes like a train running out of control. This does have a slight element of jingoism to the narrative, the People's Republic being the bastion of all freedoms fighting the Imperialist West, but that's really only a sideline as the story of one man's impressive skills with cerebral gymnastics unfolds. It is too long: it does plod at times, but when it hits it's stride, it's interesting and attempts to show us a little of the character of these two men against a backdrop of a good looking production. A story of two addicts, really.

With a broken narrative, an abrupt and booming soundtrack, and a montage of interspersed dreams and realities, it's clear that the director is trying to tell the story of The Imitation Game and Oppenheimer in the same way that Inception did, with a disastrous ending.

The first half of the movie is a self-referential narrative of the hero's life, with random stuffing about the Sino-Japanese War, the Communist Civil War, and his sister's forbidden feelings for him (which part of the plot that I couldn't understand the most). The second half of the film is all about him having maniacal dreams inside the base and figuring out the math from them. Science is portrayed by the director as a joke, as rediculous as a Chinese dress-up Ferris wheels and merry-go-rounds imagined by a kid born in a rural area and sent to a closed base immediately after college.

The movie always depicts an enemy, be it the Japanese, the Nationalists, the Americans or his teacher, who is driven from a pure mathematician to a madman, and these pressures fall on the audience in equal proportions, while he himself suddenly figures everything out at the last second and then the movie comes to a screeching halt, leaving behind a bunch of pathetic viewers who have had a bellyful of vomitus and nowhere to vomit, and finally have to watch a bonus scene of the director's extreme narcissism.