iBoy

Boy, a cyber-technical thriller, delivers an engaging plot but falters in its execution when it comes to scientific reasoning, which could have elevated the movie's credibility and depth. The story revolves around a teenager, Tom (played by Bill Milner), who gains extraordinary abilities after a freak accident involving fragments of a smartphone embedded in his brain. While the premise is unique and intriguing, the lack of a solid scientific explanation for Tom's newfound powers feels like a missed opportunity. This shortfall leaves some viewers, especially those with an interest in technology and science, yearning for a more plausible narrative.

On the performance front, Maisie Williams shines as Lucy, a character who adds emotional depth and vulnerability to the story. Her portrayal is compelling, showcasing her range as an actress and making her character one of the highlights of the film. Bill Milner as Tom also delivers a commendable performance, convincingly portraying a teenager grappling with newfound powers and the moral dilemmas that come with them. His nuanced performance keeps the audience invested in his journey.

However, the movie's climax is where it stumbles the most. The resolution lacks the surprise or twists typical of thrillers, making the ending somewhat predictable. For a film that builds up tension and stakes throughout, the straightforward conclusion feels underwhelming. This predictability detracts from the overall impact, leaving viewers wishing for a more gripping finale.

Despite its flaws, iBoy is an engaging watch. The concept is fresh, the performances are strong, and the pacing keeps the audience hooked. For fans of cyber-related stories and those who appreciate solid acting, it's worth a watch. However, for those seeking a more scientifically grounded or twist-filled narrative, the film might fall short.

Rating: 6/10 While iBoy has its moments of brilliance, its inability to fully capitalize on its premise and its predictable climax prevent it from becoming a standout in the genre. Still, its engaging narrative and strong performances make it an enjoyable experience overall.

The biggest mistake you can make going into iBoy is expecting something from the Marvel catalog.

Cause that is simply not going to happen.

Instead what you get is a solid Brit "estate gang" story (like Harry Brown 2009 or a dozen others you could probably recite from memory) with some Marvel/Spiderman superhero stuff cleverly thrown in.

And that is a mouthful because I have watched and reviewed a lot of films (check out my list, about 1300) and have never seen anything quite like this before.

Does it work? For the most part, YES. There are some pacing issues here and there, and it takes a while for the young lead to develop a character arc that the audience is comfortable with, but the suspense/payoff is rock-solid and nail-biting; and the close is edgy but respectful and optimistic.

The two best performances come from supporting actors -- another oddity.

Maisie Williams steals every scene not otherwise nailed down and does so with a sweetness of character that makes you wish you knew someone like her when you were in school.

And Rory Kinnear as the arch-villain almost but not quite moves into the rarefied air of a Bond film -- you keep waiting for him to say "WHAT DO I WANT IBOY, I WANT YOU TO DIE" -- but shows enough restraint to keep from falling over the edge.

In short, given the brilliant idea, the solid execution and its ability to keep the viewer both offguard and entertained at the same time, this a fun flick deserving of a higher IMDb score than I am seeing.

Recommended!

I had checked this out several times, but never really fancied it, what a total surprise this turned out to be, the story is of course far fetched, but it somehow doesn't go too far over the top.at any point.

It's pretty much a tale of revenge, we get to see plenty of nasty little thugs put where they should be, and there's also a very human side to it too.

Some really great shots of the big City, it looks fantastic throughout.

Very well acted, although it's Rory Kinnear that I most enjoyed watching, he's always a good guy, here he plays a thug, and he's terrific, Maisie Williams also impresses as does Bill Milner throughout.

It's a great watch, 8/10

In a gang ridden area of London, teenager Tom Harvey (Bill Milner) finally gets the opportunity to approach his crush Lucy Walker (Maisie Williams) and the two arrange a study session later that evening. When Tom arrives, he finds the door broken and a gang of figures having assaulted and raped Lucy. One of the gang shoots tom in the head and fragments of Tom's iPhone become embedded in his brain. With Lucy still in shock from her trauma and Tom feeling guilty for having fled, Tom tries to be there for Lucy while also harboring rage for the gang who assaulted her. Eventually Tom sees projections of IT data coming from surrounding electronics and discovers he can hack into these devices and even overload them. Using this power, Tom discovers the identity of one of the gang members from the assault and uses his powers to embark on a crusade of vigilante justice against the gang from the bottom up as the hacker vigilante IBoy.

IBoy is a 2017 adaptation of the Kevin Brooks YA novel of the same name. The screenplay was adapted by Joe Barton who had previously created the BBC period drama Our World War, and written some episodes for the Channel 4 sci-fi drama Humans. The film marks the second directorial feature of Adam Randall following his 2016 film Level Up. At its core the movie is a basic vigilante film with an absurd tech/quasi-superhero element to it, but provided you can swallow the film's rather outlandish premise it delivers exactly what you expect from a film like this.

The movie features two solid leads in Bill Milner as Tom Harvey/iBoy and Maisie Williams as Lucy Walker respectively. The two have a natural chemistry that comes through in their interactions and you buy into their relationship because they convey so much richness to their interactions. While like many vigilante movies Lucy's rape is a catalyst for Tom to go on a rampage, Lucy is given more agency here than Carol Kersey for example from Death Wish who spent the film catatonic so she was pretty much a non-entity while Paul went on his rampage. While the standards for women roles in these types of movies are a pretty low bar with films like Ms.45, I Spit on Your Grave, or Billy Jack being the only examples I can think of to try make a statement about rape (whether it was successful or not will vary by POV), iBoy does okay with the topic and it does give Lucy's character a cathartic scene to confront her pathetic attackers despite still bogged down by the inherent baggage that comes with the subgenre.

The real selling point for any vigilante film is the vigilantism and assuming you can look past the very silly explanation for Tom's hacker wizard powers, the gimmick does lend itself to some creative sequences of Tom/iBoy messing with these hateful gangs and drug dealers and Adam Randall does keep the film visually interesting emphasizing the steel and glass of modern London with the cyber gimmick of AR overlays being pretty entertaining and reasonably well integrated. The movie does drag a bit in its climax with the ultimate confrontation of the gang's leader with our protagonists but despite not being as entertaining as the other scenes it is sold by the performers and Maisie Williams gets some solid opportunities to showcase her acting prowess.

IBoy is your basic vigilante movie with a modern gimmick tapping into the cultural zeitgeist of technological creep and modern gritty superhero tropes. Bill Milner and Maisie Williams both give good performances and have solid chemistry and keep the film engaging. While the movie taps into the expected tropes of the subgenre (including those regarding women) it does try to address issues rather than sweep them aside like so many others in the subgenre. If you like vigilante films you'll find plenty of moments to enjoy as iBoy messes with these gangs and drug dealers in entertainingly violent fashion.

This movie has a lot of good qualities. A largely unknown cast come together nicely, and the cinematography, special effects and score are all very well done.

The story as a concept is pretty simple, and in the early stages of the movie things were looking very promising and I was enjoying it a lot. As the movie reaches its climax things began to run out of steam and a few unnecessary writing decisions opened up a number of plot holes which had me scratching my head at times. This movie didn't require the big ending it went for. Some more subtle twists and craft would have taken it to the next level and I can't help but thinking some big opportunities were missed.

Regardless, much of this movie is highly enjoyable and entertaining. I've certainly seen similar concepts executed far worse.