Fujino et Kyomoto, aux personnalités opposées, sont réunies par leur amour des mangas. L'histoire touchante du voyage de deux jeunes filles d'une petite ville vers la réalisation de soi.Fujino et Kyomoto, aux personnalités opposées, sont réunies par leur amour des mangas. L'histoire touchante du voyage de deux jeunes filles d'une petite ville vers la réalisation de soi.Fujino et Kyomoto, aux personnalités opposées, sont réunies par leur amour des mangas. L'histoire touchante du voyage de deux jeunes filles d'une petite ville vers la réalisation de soi.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 5 nominations au total
Yumi Kawai
- Fujino
- (voix)
Mizuki Yoshida
- Kyomoto
- (voix)
Yôichirô Saitô
- HR Teacher
- (voix)
Kôya Yoshihashi
- Editor
- (voix)
Masumi Taira
- Grandmother
- (voix)
Minori Takanami
- Classmate
- (voix)
Nanaka Shôgaki
- Classmate
- (voix)
Haruto Shima
- Classmate
- (voix)
Sakura Tsutsumi
- Classmate
- (voix)
Avis à la une
Giving this an 8.5/10 rating
Most likely the shortest film this year, but you get so much in the short time, it's just spot on great. Based on the manga of the same name written by Tatsuki Fujimoto, the story is just based around two characters and how their love of art affects them.
This film is just so very watchable, both the leads are relatable and written well as you get pulled in, very quickly. And well acted for such a intense film, thanks to actors Yumi Kawai and Mizuki Yoshida, who had to work, and work good they did. Kiyotaka Oshiyama is writer and director here, and I must say, it's a standout picture, moods are set, days and night are defining moments in time, so much so due to the run time and some very clever design work.
The music and songs work perfectly, it's very light and bittersweet, I have seen this twice and will see it again in cinemas, A master class in story telling.
Most likely the shortest film this year, but you get so much in the short time, it's just spot on great. Based on the manga of the same name written by Tatsuki Fujimoto, the story is just based around two characters and how their love of art affects them.
This film is just so very watchable, both the leads are relatable and written well as you get pulled in, very quickly. And well acted for such a intense film, thanks to actors Yumi Kawai and Mizuki Yoshida, who had to work, and work good they did. Kiyotaka Oshiyama is writer and director here, and I must say, it's a standout picture, moods are set, days and night are defining moments in time, so much so due to the run time and some very clever design work.
The music and songs work perfectly, it's very light and bittersweet, I have seen this twice and will see it again in cinemas, A master class in story telling.
'Look Back (2024)' is a mediation on friendship, passion, and art, examining what happens when these elements intersect. It essentially aims to answer the question that plagues all artists: what is art for? Is it driven by ambition? Success? Fame? Is it to tell a deeper truth? To say what can't be said with words? To get what's inside out for all to see? Is it to connect with strangers? To make someone feel less alone? To make someone smile or weep or take a step back and look at their place in the world? Or is it simply to do something you love with someone you love? If so, why do you carry on even when one of those things has gone? The film explores these ideas through the relationship between two girls who grow up together making manga after one of them confesses to being a fan of the other's school newspaper strips. Taking place over a number of years, the picture depicts their evolving relationship with both each other and the art they create, ultimately taking an emotional turn when life inevitably catches up with their ambitions. There's a semi-fantastical element here that could be interpreted one of two ways, and interestingly I prefer the more literal version than the metaphorical one (which I tend to lean towards). Either way there's a lot of thematic resonance to be found here, and it's unsurprising that it's connecting so deeply with so many people.
Clocking in at just under an hour, the piece doesn't waste any time. It sort of feels like a long short film, but it's actually a short long film (it's over the minimum length to be classed as a feature). In some ways, it feels like it could have been expanded by twenty minutes; in other ways, it's exactly as long as it needs to be. It's a focused experience that mimics the insular nature of the central dynamic, as the two leads are the only important people to us just as they seem to be the only important people to each other. The animation sometimes seems slightly rough, in that it isn't consistently refined and some movements don't quite keep things on model, but it also includes several scenes that must have been really tricky to pull off because they include sweeping camera moves and changing perspectives. I can't tell if the animators used 3D models and custom shaders for these scenes or if they, much more painstakingly, animated everything in 2D; either way, if I can't tell, it's equally as impressive. There's a meta element to the movie, too, because it's based on a manga that's about producing a manga (obviously the meta aspects are watered down somewhat by the adaptation process, but the parallels between the film and its subject are still strong nevertheless). This makes each and every frame, as well as the time and effort that's gone into it, all the more relevant, and it's a perfect example of a film's form enhancing its content.
Ultimately, this is a moving and engaging anime that doesn't waste a moment in conveying its story and themes. Its a gentle, bittersweet experience that's both devastating and life-affirming, and it feels as though it grasps at a deeper truth about artists and their work. Its a strong effort.
Clocking in at just under an hour, the piece doesn't waste any time. It sort of feels like a long short film, but it's actually a short long film (it's over the minimum length to be classed as a feature). In some ways, it feels like it could have been expanded by twenty minutes; in other ways, it's exactly as long as it needs to be. It's a focused experience that mimics the insular nature of the central dynamic, as the two leads are the only important people to us just as they seem to be the only important people to each other. The animation sometimes seems slightly rough, in that it isn't consistently refined and some movements don't quite keep things on model, but it also includes several scenes that must have been really tricky to pull off because they include sweeping camera moves and changing perspectives. I can't tell if the animators used 3D models and custom shaders for these scenes or if they, much more painstakingly, animated everything in 2D; either way, if I can't tell, it's equally as impressive. There's a meta element to the movie, too, because it's based on a manga that's about producing a manga (obviously the meta aspects are watered down somewhat by the adaptation process, but the parallels between the film and its subject are still strong nevertheless). This makes each and every frame, as well as the time and effort that's gone into it, all the more relevant, and it's a perfect example of a film's form enhancing its content.
Ultimately, this is a moving and engaging anime that doesn't waste a moment in conveying its story and themes. Its a gentle, bittersweet experience that's both devastating and life-affirming, and it feels as though it grasps at a deeper truth about artists and their work. Its a strong effort.
Look Back is a debut anime, and yet it already connects with some of the masterpiece of Japanese animation.
A coming of age story, Look Back tells the story of two kids sharing the same dream. Complex feelings such as jealousy, competition, friendship, codependency, social anxiety, ambition, grief and trauma are told in such a delicate and genuine way.
Watching this movie made me feel very nostalgic, thinking about my dream as a kid and how self critical we are towards ourselves. In some moments, it reminded me of Your Name and 5 cm per second by Makoto Shinkai, even if the art style is completely different.
I can't wait for this anime to become widely available, 100% recommended!
A coming of age story, Look Back tells the story of two kids sharing the same dream. Complex feelings such as jealousy, competition, friendship, codependency, social anxiety, ambition, grief and trauma are told in such a delicate and genuine way.
Watching this movie made me feel very nostalgic, thinking about my dream as a kid and how self critical we are towards ourselves. In some moments, it reminded me of Your Name and 5 cm per second by Makoto Shinkai, even if the art style is completely different.
I can't wait for this anime to become widely available, 100% recommended!
Understandable "roughness" aside (which gives it a welcome quirkiness), it is pretty well done!
Has a great visual style, beautiful color palette, good sound design, comical editing, and some very impactful action animations. But more importantly, it tells a meaningful story of tender and weighty moments in less than one hour, with some very interesting characters and interactions. A truly memorable film.
I have an inclination to the ununderstood impact of choices that others can't ever see.. because they will never happen. How some things can only be appreciated when the idea of "yanking them away irreparably" truly sinks in.. and how only dramatic and traumatic events can help a person see that! I've always wondered how can you communicate that without it being too late. It's a thought-provoking crutch in storytelling you don't see a lot of.
Has a great visual style, beautiful color palette, good sound design, comical editing, and some very impactful action animations. But more importantly, it tells a meaningful story of tender and weighty moments in less than one hour, with some very interesting characters and interactions. A truly memorable film.
I have an inclination to the ununderstood impact of choices that others can't ever see.. because they will never happen. How some things can only be appreciated when the idea of "yanking them away irreparably" truly sinks in.. and how only dramatic and traumatic events can help a person see that! I've always wondered how can you communicate that without it being too late. It's a thought-provoking crutch in storytelling you don't see a lot of.
Tatsuki Fujimoto's "Look Back" was a fantastic manga which offered a deeply introspective and thought-provoking look into the mind of the artist himself - a self-reflection on his journey to becoming a successful manga artist, from creating short stories as a kid to writing one of Jump's latest big hits. This adaptation introduces us to Fujino and Kyomoto, two talented and passionate girls who expertly represent the internal ideological debate regarding the very essence of creating art and pursuing goals. Simultaneously, the film tells an emotional tale of the bond between these young artists - although going into detail would involve major spoilers, due to the multitude of heart-shattering twists and turns in just 60 short minutes of runtime.
As a story about art and passion, it is only natural that the film's production would mirror these qualities expertly. Kiyotaka Oshiyama is one of the most interesting creatives in Japan's animation industry, and, so far, this is certainly his greatest work. With a relatively small team, he has managed to craft one of the most visually appealing pieces of animation I've ever seen - single-handedly producing, directing, screenwriting, designing, storyboarding and supervising - and animating absurd portions of the film. Breathtaking work, and inkeeping with the message of Fujimoto's brilliant story.
For bonus points: Haruka Nakamura's soundtrack is amazing, especially the main theme "Light song".
Look Back perhaps may not become a mainstream hit, but will certainly be remembered by those who watched it as a heartfelt, emotional, beautifully-crafted film with an incredible attention to detail.
10/10, without a doubt. This is the type of film that changes lives.
As a story about art and passion, it is only natural that the film's production would mirror these qualities expertly. Kiyotaka Oshiyama is one of the most interesting creatives in Japan's animation industry, and, so far, this is certainly his greatest work. With a relatively small team, he has managed to craft one of the most visually appealing pieces of animation I've ever seen - single-handedly producing, directing, screenwriting, designing, storyboarding and supervising - and animating absurd portions of the film. Breathtaking work, and inkeeping with the message of Fujimoto's brilliant story.
For bonus points: Haruka Nakamura's soundtrack is amazing, especially the main theme "Light song".
Look Back perhaps may not become a mainstream hit, but will certainly be remembered by those who watched it as a heartfelt, emotional, beautifully-crafted film with an incredible attention to detail.
10/10, without a doubt. This is the type of film that changes lives.
Le saviez-vous
- AnecdotesThe names of the two protagonists (Fujino and Kyomoto) can be combined to form "Fujimoto", the surname of the original manga author, Tatsuki Fujimoto.
- ConnexionsFeatured in MsMojo: Top 10 Best Animated Movies of 2024 (2024)
- Bandes originalesLight song
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Look Back: Continúa dibujando
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 2 002 270 $US
- Week-end de sortie aux États-Unis et au Canada
- 690 171 $US
- 6 oct. 2024
- Montant brut mondial
- 12 646 317 $US
- Durée58 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.00 : 1
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