The Bird Catcher

True stores always have a way of cutting through the fallacy of of what Hollywood and what it overseers hope us all to believe. That's way I'm a big fan of truth telling. Oh I know liberties are taken by screenwriters and others but the core of the story still rings true in most stories. I found this movie to be enlighten well acted. Sometimes the unwillingness of some in the world to except truth as it is written becomes a hard pill to swallow but the movie The Birdcatcher goes down easy as easy as the reality it is based upon. I loved this movie and the message it sends especially to the critics who continue no to be who they really are.

This Anglo-Norwegian production tells the story of Esther (SarahSofie Boussnina), a 14-year-old Jewish orphan in Germanoccupied Norway during WW2. Disguising herself as a Gentile boy, she seeks refuge with a collaborationist family. Serious suspension of disbelief is required to accept the heroine's masquerade, while emotional resonance is diluted by a streak of melodrama.

A completely different kind of WW2 drama, The Bird Catcher is an eloquent, elegant film. Esther is a Norwegian Jewish teen from the picturesque town of Trondheim, who dreams of becoming an actress. Escaping a brutal Nazi roundup,, she finds a strange, tense refuge on a farm that will soon require her to make use of all her talents in order to survive. But many other characters also struggle to survive their own nightmares - the Nazi collaborating farmer, his dysfunctional family and decadent German officers occupying the farm. Parts of the plot might be labelled predictable, but were really just inevitable. The quality of acting and directing kept me involved right through to the poignant ending that spoke of forgiveness and compassion.

Another film where it's hard to make sense of polarised viewers giving it very high or very low ratings. I always attend a Holocaust Memorial Day screening a local cinema, so I was disposed to give it a chance and make up my own mind. On the plus side, there's striking photography (as some reviews have stated); some originality in the Norwegian location; and interesting themes in relation to how people there responded to the Nazi occupation.

But as another reviewer says, it has: "An interesting premise plagued by implausible plot elements... ". Within minutes, I wondered if I'd misunderstood that Esther is supposed to be 14, as she looked far too old. IMDB indicates she was 28 when it was filmed. It doesn't matter that she's a good actress - a 28 year old won't be credible as a 14 year old child, so why cast her! We soon see a succession of scenes that are impossible to take seriously, or ramp up the melodrama far too high. In fact there's so much going on in the central family - in relation to their internal conflicts and their attempts to 'manage' relations with their occupiers - that the film might have worked better and more coherently without Esther even being in it!

A shame, though, because if someone had refined the screenplay, and the director has reined in some of the more ridiculous moments, it could potentially have been a very good film.

Norway isn't an area that our home knows a great deal about, so it was surprising that some of their folk during WW2 actually supported Nazi Germany. I would suggest it unlikely that 1 young female would go through so much on her own. However, this pulls no punches as to how difficult is was for any jewish person living in Norwegian society during the war. In this case, we have a young girl hiding out in on a farm, the lead actress doing a very good job with her part. The ending is, perhaps, a surprise and possibly unlikely. Perhaps you will take a serious look at this movie which tells one story of a young womans struggle without any involvement of "Hollywood", it has a "no holds barred" approach to some of the realities of war. Nazi Germany had much to answer for.