Appel inconnu

A normal day in the life of an bank executive, he wakes up early, answers phone calls related to his work, takes the children to school and notices that the door of the car was already open, but he does not do anything and gets in the car with their two children and is on his way to take them to school and then go to his work at the bank.

Everything goes well until our protagonist (Carlos) receives a call from a cellphone that is not his, he finds it strange but he answers it and on the other side of the line is a stranger who demands a large money transfer to his bank account, if Carlos does not what the unknown person says him will blow up a bomb that's on the inside of the car, and also Carlos will have to make the transfer inside his car because if he gets up of his seat it will activate a bomb inside his seat and will blow up the car as well, leaving him with no possible escape to this problem.

Basically this is the premise of the film, a very intense thriller simply breathtaking and with a unpredictable outcome. One of The best movies from 2015, and with an extraordinary performance by Luis Tosar. My Vote is 8

I recommend it.

Title (Portugal) - "O De$conhecido" ("The Unknown")

An attention grabber and holder that takes place in the Galicia area of Spain, north of Portugal. I think the main actor's portrayal is superior to those of the last two years in the Oscars. He displays a very wide range of emotions sitting in the driver's seat of his car. Never a dull moment.

Not just cruising, there is a lot more weight to this (pun intended). It does show that there is a really good genre scene in Spain. While you could argue that this is a mixture of different other (American) movies, it still keeps an original touch to it. Now the message on the other hand is a bit convoluted.

But let's keep it real: How many movies can really balance political or social statements and deliver on the thriller aspect the viewer is expecting? Not that many who are really exceptional. This is still pretty strong and good, even with a couple of plot holes and suspend your disbelief kind of stuff. If you're able to, the movie will be a somewhat enjoyable ride (pun not intended)

I only watched this film because I wanted to practise my Spanish and didn't expect to enjoy the flick. In fact, it had sat on my hard drive for nearly a year before I got around to finally watching it. Imagine my surprise and delight when the movie kept me on the edge of my seat for the duration. It is formulaic, to be sure, like most action films, but still has enough twists to keep up the suspense. Plus, the acting is great across the board. So, for those like me who always want more of the same, it hits the spot.

Bank executive Carlos (Luis Tosar) finds himself dealing with the volatility of the financial market in the wake of the Spanish financial crisis while also dealing with mounting tensions between him and his wife Marta (Goya Toledo). On a routine drive to work and school with his children Sara (Paula del Rio) and Marcos (Marco Sanz) when a stranger (Javier Gutierrez) calls telling him there's a pressure sensitive bomb in his car and no one is to leave as Carlos is forced to go through various avenues to secure a specific amount of money for this man who carries a grudge against him.

Retribution (aka El desconocido "The Stranger") is a 2015 Spanish-French action thriller directed by Dani de la Torre and written by Alberto Marini. Critical reception was mixed with a skew towards positive with many complimenting the acting and tension while also pointing out the preposterousness of the plot. The movie has had further exposure internationally with two local language remakes for Germany and South Korea (2018's Don't. Get. Out! And 2021's Hard Hit respectively) with a forthcoming English language remake starring Liam Neeson soon to be released. Retribution is a simple movie that could've fallen into the pitfalls of conveyer belt thrillers, but there is a strong enough core to give leeway to the outlandish plot.

Given how the film was written at the tail end of the Spanish Financial Crisis, the movie sets itself up as a morality play with Carlos very much a cog in the machine that left countless citizens at the mercy of economic upheaval while they remained unscathed. Despite the audience being able to understand "the stranger's" motivations, the movie never sympathizes with him and he is still very much a ruthless antagonist who although humanized by a tragic set of circumstances has driven to some extreme ends that can't be justified. De la Torre's direction keeps the tension high and Luis Tosar does a good job as Carlos who conveys a desperate man trapped in extraordinary circumstances quite effectively with scenes of him at his breaking point showing full commitment to the performance. While on occasion Carlos' children could be a little much, they still felt like they fit within a reasonable level of believability and it helps they're played by good actors. The plot also does stretch itself a bit at the one hour mark with some decisions made by the police or Marta that are there simply because it needs to be there, but thriller logic is afforded a certain degree of "leaping" and I never felt like it broke the movie.

Retribution is an engaging high tension thriller with committed performances and solid direction. While the plot does occasionally stretch believability, it's tight enough in the pacing and tension that it'll keep you engaged.