NOTE IMDb
6,6/10
11 k
MA NOTE
Petit déjeuner, embrasser sa femme avant de partir, emmener les enfants à l'école, une bombe sous la voiture, une journée sans fin se profile.Petit déjeuner, embrasser sa femme avant de partir, emmener les enfants à l'école, une bombe sous la voiture, une journée sans fin se profile.Petit déjeuner, embrasser sa femme avant de partir, emmener les enfants à l'école, une bombe sous la voiture, une journée sans fin se profile.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 14 victoires et 23 nominations au total
Xosé Barato
- Tedax 1
- (as José Barato)
Abelo Valis
- Hombre Casco Rojo
- (as Abel Valis)
Avis à la une
An attention grabber and holder that takes place in the Galicia area of Spain, north of Portugal. I think the main actor's portrayal is superior to those of the last two years in the Oscars. He displays a very wide range of emotions sitting in the driver's seat of his car. Never a dull moment.
Bank executive Carlos (Luis Tosar) finds himself dealing with the volatility of the financial market in the wake of the Spanish financial crisis while also dealing with mounting tensions between him and his wife Marta (Goya Toledo). On a routine drive to work and school with his children Sara (Paula del Rio) and Marcos (Marco Sanz) when a stranger (Javier Gutierrez) calls telling him there's a pressure sensitive bomb in his car and no one is to leave as Carlos is forced to go through various avenues to secure a specific amount of money for this man who carries a grudge against him.
Retribution (aka El desconocido "The Stranger") is a 2015 Spanish-French action thriller directed by Dani de la Torre and written by Alberto Marini. Critical reception was mixed with a skew towards positive with many complimenting the acting and tension while also pointing out the preposterousness of the plot. The movie has had further exposure internationally with two local language remakes for Germany and South Korea (2018's Don't. Get. Out! And 2021's Hard Hit respectively) with a forthcoming English language remake starring Liam Neeson soon to be released. Retribution is a simple movie that could've fallen into the pitfalls of conveyer belt thrillers, but there is a strong enough core to give leeway to the outlandish plot.
Given how the film was written at the tail end of the Spanish Financial Crisis, the movie sets itself up as a morality play with Carlos very much a cog in the machine that left countless citizens at the mercy of economic upheaval while they remained unscathed. Despite the audience being able to understand "the stranger's" motivations, the movie never sympathizes with him and he is still very much a ruthless antagonist who although humanized by a tragic set of circumstances has driven to some extreme ends that can't be justified. De la Torre's direction keeps the tension high and Luis Tosar does a good job as Carlos who conveys a desperate man trapped in extraordinary circumstances quite effectively with scenes of him at his breaking point showing full commitment to the performance. While on occasion Carlos' children could be a little much, they still felt like they fit within a reasonable level of believability and it helps they're played by good actors. The plot also does stretch itself a bit at the one hour mark with some decisions made by the police or Marta that are there simply because it needs to be there, but thriller logic is afforded a certain degree of "leaping" and I never felt like it broke the movie.
Retribution is an engaging high tension thriller with committed performances and solid direction. While the plot does occasionally stretch believability, it's tight enough in the pacing and tension that it'll keep you engaged.
Retribution (aka El desconocido "The Stranger") is a 2015 Spanish-French action thriller directed by Dani de la Torre and written by Alberto Marini. Critical reception was mixed with a skew towards positive with many complimenting the acting and tension while also pointing out the preposterousness of the plot. The movie has had further exposure internationally with two local language remakes for Germany and South Korea (2018's Don't. Get. Out! And 2021's Hard Hit respectively) with a forthcoming English language remake starring Liam Neeson soon to be released. Retribution is a simple movie that could've fallen into the pitfalls of conveyer belt thrillers, but there is a strong enough core to give leeway to the outlandish plot.
Given how the film was written at the tail end of the Spanish Financial Crisis, the movie sets itself up as a morality play with Carlos very much a cog in the machine that left countless citizens at the mercy of economic upheaval while they remained unscathed. Despite the audience being able to understand "the stranger's" motivations, the movie never sympathizes with him and he is still very much a ruthless antagonist who although humanized by a tragic set of circumstances has driven to some extreme ends that can't be justified. De la Torre's direction keeps the tension high and Luis Tosar does a good job as Carlos who conveys a desperate man trapped in extraordinary circumstances quite effectively with scenes of him at his breaking point showing full commitment to the performance. While on occasion Carlos' children could be a little much, they still felt like they fit within a reasonable level of believability and it helps they're played by good actors. The plot also does stretch itself a bit at the one hour mark with some decisions made by the police or Marta that are there simply because it needs to be there, but thriller logic is afforded a certain degree of "leaping" and I never felt like it broke the movie.
Retribution is an engaging high tension thriller with committed performances and solid direction. While the plot does occasionally stretch believability, it's tight enough in the pacing and tension that it'll keep you engaged.
A banker goes to work one day and takes the kids to be dropped off at school but before that can happen, he receives a phone call from someone who tells him he has placed a bomb under the seats of the car and tells him he must arrange a transfer of money to him.
It's the kind of idea that has been seen before whereby someone on the end of a phone is controlling someone else for their gain but from the offset we are sent on a thrilling journey making you wonder why this is happening and making you wonder what you would do in such a situation. The director manages to keep things fairly grounded and so the realism assists in building up the tension. There are a couple of twists thrown in which keeps the pace going.
Good acting from everyone involved in a cast that I am unfamiliar with due to the Spanish production. In the decade of remakes and reboots, this is certainly a film I can see being remade at some point. Provided you do not mind reading subtitles this is certainly worth the viewing time.
It's the kind of idea that has been seen before whereby someone on the end of a phone is controlling someone else for their gain but from the offset we are sent on a thrilling journey making you wonder why this is happening and making you wonder what you would do in such a situation. The director manages to keep things fairly grounded and so the realism assists in building up the tension. There are a couple of twists thrown in which keeps the pace going.
Good acting from everyone involved in a cast that I am unfamiliar with due to the Spanish production. In the decade of remakes and reboots, this is certainly a film I can see being remade at some point. Provided you do not mind reading subtitles this is certainly worth the viewing time.
Not just cruising, there is a lot more weight to this (pun intended). It does show that there is a really good genre scene in Spain. While you could argue that this is a mixture of different other (American) movies, it still keeps an original touch to it. Now the message on the other hand is a bit convoluted.
But let's keep it real: How many movies can really balance political or social statements and deliver on the thriller aspect the viewer is expecting? Not that many who are really exceptional. This is still pretty strong and good, even with a couple of plot holes and suspend your disbelief kind of stuff. If you're able to, the movie will be a somewhat enjoyable ride (pun not intended)
But let's keep it real: How many movies can really balance political or social statements and deliver on the thriller aspect the viewer is expecting? Not that many who are really exceptional. This is still pretty strong and good, even with a couple of plot holes and suspend your disbelief kind of stuff. If you're able to, the movie will be a somewhat enjoyable ride (pun not intended)
I liked this movie, but I was not to impressed. There were already a bunch of movies with a similar storyline, but because it was a spanish movie I liked it more. The spanish movies are getting better and bettere each year and this movie prooves it. The main character's acting was on point, plus the kids were just as good. 7/10 for me.
Le saviez-vous
- AnecdotesCarlos' car is a 2000 BMW E53 X5 3.0d.
- ConnexionsRemade as Steig. Nicht. Aus! (2018)
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- How long is Retribution?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Retribution
- Lieux de tournage
- Plaza de Vigo, La Corogne, Galice, Espagne(Police Helicopter scene)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 € (estimé)
- Montant brut mondial
- 3 456 773 $US
- Durée1 heure 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Appel inconnu (2015) officially released in Canada in French?
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