Chapeau bas père Noël !

Widowed Haylie Duff works at a small-town store where all they sell is Christmas-themed paraphernalia, all year round. When it turns out that sales are down for the last couple of years, her boss, whose immense office bespeaks the millions he has made off this venture over the years, parachutes his Wall-Street son, Antonio Cupo, over her. However, when he helps her wheelchair-bound son in a pumpkin-carving competition, things start to turn around in this ridiculously detailed but very watchable Hallmark romantic comedy.

At least part of that is due to some very fine acting on the part of the leads. Neither of their characters wish to be in this situation and they behave in a way that bespeaks their dissatisfaction and professionalism -- pardon me if I think the actors felt this way about the movie and used that for their performances. Given the ridiculous assumptions as well as the obvious and cheap cries for sympathy in the script, this should have been one of the worst of the twelve Hallmark Christmas romcoms this year. Instead, it is surprisingly good.

This story had good potential. Add one key element to the usual widow with a son breaks in the new boss plot-line. That element is that the son is in a wheelchair, injured in the accident that killed his dad. I also give this movie some small creativity points that Nick didn't come in trying to make Mia's life miserable by changing everything without asking.

I thought the execution was choppy. I expected more from Hayie Duff. At times she was OK, but at other times she seemed clumsy in her role. I got tired of seeing her tilt her head down in her humility pose. And she was clumsy at times with Antonio Cupo. They didn't seem to have chemistry and it sure didn't seem like Mia wanted to give Nick a chance. Most of the courting going on seemed to be Nick courting Scott, not his mom. There just wasn't enough of Mia and Nick connecting.

The company in trouble theme was also executed clumsily. (You don't leave your conference room door open when you are discussing ideas for cost cutting that affects employees.)

On the other hand, there were definitely some good moments especially toward the end. But they seemed like items checked off on someone's list of plot devices. Overall though, I guess there were enough positives that I give this movie a thumbs up, but barely.

BEWARE OF BOGUS REVIEWS. SOME REVIEWERS HAVE ONLY ONE REVIEW TO THEIR NAME. NOW WHEN ITS A POSITIVE REVIEW THAT TELLS ME THEY WERE INVOLVED WITH THE MOVIE. IF ITS A NEGATIVE REVIEW THEN THEY MIGHT HAVE A GRUDGE AGAINST THE FILM . NOW I HAVE REVIEWED OVER 200 HOLIDAY FILMS. I HAVE NO AGENDA. I AM HONEST ABOUT THESE FILMS

"Hats off to Christmas" fits the cookie cutter mold that Hallmark Christmas Movies seem to follow. This one is a widowed falls in love with the her new boss who just happened to take the job she has been coveting.

Haylie Duff is always great. She shines as always and brings charm to spare in this melodrama that really is a "Movie By Numbers By Hallmark".

In this film her husband died 18 months ago in a car wreck. That same wreck has left her son in a wheelchair but it will be "A Christmas Miracle if he ever walks again".

I wish Hallmark would venture out a little more and do some films that don't follow the "Christmas Mold". They hire talented writers and directors! I just wish that would let them take some chances.

Now this film is not bad but it is predictable.

Hats Off To Christmas (2013) -

Who keeps giving Haylie Duff work, I don't like to be mean and this wasn't her worst film by a long shot, but once again she played her character, Mia, as if everything in her life was so hard and she deserved all the pity in the world.

Antonio Cupo was obviously hot and looked like he had a fantastic bottom, but he was not a nice character at all to start with. His change of heart was a bit hard to believe as well and definitely seemed very convenient, almost as if he was working an angle, but he didn't appear to want Mia.

I didn't think that he would have mellowed so quickly and certainly not from the attention she was giving him, which was quite brusque to say the least. He actually seemed more keen to spend time with her son (Check the registers), but he was also the one to make the efforts towards her, while she didn't show any interest at all, because she was so wrapped up in her own head.

Antonio bore some strong similarities to Brendan Penny, but Mr. P would always win for me and has always delivered his characters with more ease, although Cupo as Nick may have been a victim of the direction or a bad script, as indicated by the complicated way he came across.

The leading pair just weren't right for each other and there was no chemistry between them, except that he got on with the kid, Scotty (Sean Michael Kurt), who was not a good actor. I wasn't convinced that he really had bad legs. I can't stand these actors that don't put in the effort. I'm sure someone would have actually broken them for him.

The film as a whole was incredibly twee and a tad saccharine. There was a lot that was unbelievable as a result of that and I think that the script was a bit too basic and the story a bit too forced. For instance, when Valerie suddenly had a moment that was totally uncharacteristic.

Also, there was no way a business that just sold Santa Hats would survive without an online presence and it wouldn't need such a huge factory and office to supply and run it. There was a lot that was unexplained or just not thought about.

And aren't soapbox cars supposed to be made of old parts and, um I don't know, Soap Boxes? The car that Nick built with Scotty was basically a mahogany chariot with all mod cons and a walnut dashboard.

Needless to say that there were some issues with this film. It was sweet and sort of Christmassy, but without the effort that has been put in to them more recently. Not one that will be going on my list to watch again.

3.75/10.

While I wouldn't call this one amazing, it's certainly a nice one to watch for the winter season. I've watched A LOT of Hallmark holiday films and this one isn't as cheesy as some of the others airing this time of year. The acting is good to start with, at least by all the main actors. Some of the supporting could use a few more acting classes. Unlike other Hallmarks where the main couple seem to fall in love with a few days to a few weeks, this one has a more logical time-line, which makes the story a little more believable. The only question i have is how quickly the main male lead changes his tune. You'll understand when you watch.

All in all, cute and simple, something to watch while decorating for the holidays or while waiting for the holiday meal to be done cooking.